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Manual for Murder

@strictlyforliterarypurposes / strictlyforliterarypurposes.tumblr.com

just useful stuff and information for writing crime fictions and maybe a few of my amateur attempts in drafting one.
Ask me anything, anytime.
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Not socialist in a “I won’t have to work” type of way but socialist in a “I’ll still be working but I won’t be worried I won’t make the rent” type of way. In a “billions won’t be hoarded by one person” type of way. In a “janitors, fast-food workers, child care workers, preschool teachers, hotel clerks, personal care and home health aides, and grocery store cashiers, will live comfortably” type of way. In a “the sick and elderly will be cared for” type of way. In a “no child should work” type of way.

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the fact that we only have “herculean task” and “sisyphean task” feels so limiting. so here’s a few more tasks for your repertoire

  • icarian task: when you have a task you know you’re going to fail at anyways, so why not have some fun with it before it all comes crashing down
  • cassandrean task: when you have to deal with people you KNOW won’t listen to you, despite having accurate information, and having to watch them fumble about when you told them the solution from the start (most often witnessed in customer service)

feel free to chime in i ran out of ideas much faster than i anticipated

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people as the four humours

phlegmatic: sunlight on a still lake, faded jeans, dog-eared notebooks, comfort films, wide smiles, buttered popcorn, warm blankets crowded on an unmade bed, hands linked by little fingers, smiley faces on torn up bits of paper, daydreams on the second-to-back seats of the bus at 4pm

choleric: sharp eyeliner and sharper words, lighting in the summer, black coffee and half a cigarette, lipstick kisses and mascara tears, the seductive allure of a stranger’s smile, angry words written and never sent, a cold mask for a breaking heart, you see yourself in the night sky but do not know whether your kinship is with the endless darkness or the lonely star that mars it

melancholic: warm tea and comfortable silence, soft eyes, messy hair, ink-stained hands, the sound of rain, a heart traced onto a fogged up windscreen, yellow clothes on the days where the sun seems to have left forever, waking up to tear-stained sheets and feeling a little bit lighter, hopscotch in puddles, love at first sight, nostalgia for the dreams of some beautiful future that you doubt will ever come

sanguine: gold rings and lopsided smirks, half-finished paintings, naps on the beach with your throat to the sun, the surprised burst of laughter that cracks a silence wide open, easy promises, broken hearts, lazy smiles at pretty girls, pretty lies to pretty boys, a type of light that makes people wonder if maybe you’re the sun and maybe we all just orbit you

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yeah sure say fuck you to jk rowling but dont forget to like. actually support trans women.

It’s super important we all see this and help in our own way, making this a world a little more kinder and a little more safer for trans people.

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Since you love psychological thrillers, murder mystery and other that's related to how human nature works and how they would commit such an act like crime. What novel, movies, or any other story or media that you recommend to read? Mayhaps for specific theme?

For example, this story is good for psychological theme and this for murder mystery theme and etc.

I've read most poirot's book and conan's series also some sherlock's ones. I want to expand my "daily consumption of big brain cells entertainment" y'know?

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Okay first off, extremely sorry for the late reply. I have been busy the past couple of weeks and also all hail procrastination, my one true master. No worries, I will soon get back to this blog. 

Now off to real dark stuff! Yay!

Murder mystery or basically crime as genre is absolutely vast with many sub-genres. There are many specific subgenres, be it movies, books or television shows. 

I have listed below the many sub-genres in crimefiction. This list is by no means exhaustive.

  • Cozy Mysteries. Minimal exposure to violence, profanity and sex. No depressive social commentary. A crime that shook a closed community where all the suspects are present and familiar with one another. A solution achieved by intellect or intuition rather than police procedure, with order restored in the end. Eg- Miss Marple series by Agatha Christie, TV shows like Midsomer Murders and Psych.
  • Classic Detective fiction. This is an oldfashioned approach with  an investigator or a detective—either professional, amateur or retired—investigates a crime, often murder. A mysterious death, a closed circle of suspects all having motives and reasonable opportunity, a detective by logical deduction from the evidence solves the mystery. Like I said, CLASSIC. Now various subgenres have stemmed from this classic.  This is a must read for all enthusiasts of the genre. You gotta give it atleast a try. I totally recommend "The Murders in the Rue Morgue” by Edgar Allen Poe from which detective fiction is considered to have begun. Other noteworthy examples include our very own Poirot and Holmes, even Nancy Drew really.
  • Hardboiled crime fiction detectives battling their own demons, clues leading to the city's underbelly, a bleak and impersonal portrayal. Read Raymond Chandler’s Phillip Marlow. 
  • Inverted story or howcatchem,  commission of the crime is shown or described at the beginning, usually including the identity of the perpetrator. The story then describes the detective's attempt to solve the mystery along with what the motive was and other subsidiary questions. Frankly not my cup of tea but Dial M for Murder by Hitchcock is a worthwhile watch.
  •  legal thriller  rules and procedures of the legal world are brought into light. The aftermath of the crime mainly the conviction. John Grisham and Michael Connolly!
  • Police Procedurals how police investigate a crime. They are constricted by rules and regulations and are often under the scrutiny of their superiors. Forensics, warrants, interrogations, defence lawyers, you get the gist. Law and order, Cagney and Lace, Castle, Brooklyn Nine nine. Books include PD James’ Adam Dalgliesh and Ian Rankin’s John Rebus.
  • Forensic crime fiction, a fairly recent and awesome genre (I am biased sue me) The forensic aspect of it. Mysteries are solved through science  in morgues. Read Patricia Cornwell’s Kay Scarpetta (she basically created this subgenre), and Kathy Reichs’s Temperance Brennan. Or you could watch the TV show Bones.
  • Historical whodunnit, setting of the story and the crime have some historical significance. The genre would not include fiction which was contemporary at the time of writing, such as Arthur Conan Doyle's canonical Sherlock Holmes. Try An Interpretation of Murder.
  • military thriller, a protagonist - often a member of the military, MI5 or MI6, the CIA, or the FBI, or a consultant to a military agency. Often the criminals are crooked politicians or terrorists. The action often spans continents. Tom Clancy’s Jack Ryan.
  • Locked-room crime fiction,  a moving train, a secluded motel or house, an aeroplane, a single-track road with only one way in and one way out. Read And Then There Were None by Agatha Christie and The Murders in the Rue Morgue by Edgar Allan Poe
  •  general suspense thriller, protagonist who is generally thrown into the action in the aftermath of a crime. This hero is often an ordinary person who is called on to solve a problem. Sometimes, this person must prove his or her innocence, often to the police and other characters in the novel. Examples: Lee Child’s Jack Reacher; Gillian Flynn and Dennis Lehane also write in this genre.
  • Psychological suspense: A mystery focused on the intricacies of the crime and what motivated the perpetrator to commit them. This is my favourite. Writers: Dennis Lehane, Joy Fielding, S. J. Watson, Thomas Harris, Gillian Flynn, Daphne DuMaurier, Lois Duncan, William Landay, Harlan Coben, and Scott Smith.
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bloodyl1ps

this post hasn't left my mind since i've first saw it

people jest but this is literally how i worked out i was gaslit for like 15 years of my life

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aphony-cree

People who “want trauma” are recognizing, on some level, that they were traumatized but in a way that’s not “socially recognized” as trauma. What they really want is for people to see that they’ve been traumatized and be on their side

Hold up

I think it’s also important to talk about mental illness, and how the pain and trauma of being mentally ill as a kid is often diminished because of the lack of outside actors. If you spent your childhood being suicidally depressed because your wee little kiddo brain decided to be a chemical shitshow, it doesn’t matter how much mom and dad loved you, that kinda thing fucks you up. And having people only look at your external surroundings and argue that “nothing bad happened” ignores all the pain you went through internally. So wishing you could have something external you could point to in order to justify that pain and enduring stress -- just so people could understand -- makes sense. 

^^^ this.

And you should take more from this post than just “Leave people who ‘want trauma’ alone”. This applies to way more things like this. If someone’s behavior seems to make no sense, you’re often not seeing the whole picture.

Over the last year as I’ve started using my Facebook and people from high school have started seeing things like my posts on struggling with ADHD and witnessing firsthand how my aunt treats me, I have gotten SO MANY MESSAGES basically saying “holy shit everything I thought I knew about you was wrong and SO MUCH of the way you were in high school makes sense now.”

Many of the things to which they refer are things I thought everyone went through, until I started therapy.

There are so many things you don’t know.

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Anonymous asked:

I want to write more and post more, but everytime I do and just get like 4 comments or 50 kudos on the posted fic, I just spiral down in demotivation. I know the statistics don't say anything but I just can't help it. I suffer from ADHD so blocking out that dopamine reward boost is really hard for me. I still write tho. I keep posting, but after seeing the responses I get demotivated, then I get motivated again by coming up with a new WIP and hope that one will hit better, but it doesn't, rinse and repeat. I just wish I could REALLY write for myself and not constantly feel like I'm not good enough and not constantly seek out the validation for my work from simple kudos and comments.

I also need rewards to keep me doing a task, and when it comes to fics I've found my own best method is finding different rewards.

Comments and kudos depend on the actions of others. You have no control over those actions, and there's no way to predict them. They can't be depended upon. Not to mention, there's also the problem where, over time, you need more and more comments and kudos in order to get the same impact you used to get from less.

Some rewards that have worked for me are:

  • having cheer readers (people who read my fic before I post it and give me the loving commentary I'm looking for)
  • writing with a co-author so that I have constant feedback on my own writing and someone else to get me past a hurdle if I find myself stuck
  • tracking different statistics that also make the numbers part of my brain light up. Things like word count or chapter count or days in a row spent writing. Those are all numbers that I can control, and not someone else.
  • having scenes in mind for later in my story and waiting to write them until I get to that point. If I write all of the fun stuff up front, I know I'll never write the rest.

What about the rest of you? Do you have goals that you aim for? How do you deal with demotivation?

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wantonwhale

Your brain sounds a lot like my brain!

First of all, it is perfectly understandable that this would be demotivating. We tell stories because we want them to be heard, we want to share a piece of ourselves and have that resonate with someone else. Feeling this way doesn't make you needy or immature and it doesn't mean you're not a real writer because you crave that connection.

(I only say this because I've felt that way, and it is not a good time. I'm just writing from my own experience here)

Kudos and comments and hits are a marker in the world that our brains can latch onto and say "See? That thing I put all that work into mattered to someone!" and get that sweet dopamine release.

But, like Ao3CotD said, you can't depend on it. And the thing about needing more comments over time to get the same dopamine hit? Verrrrry true in my experience. And it really, truly isn't a marker of quality.

Of course, knowing that and feeling it are two different things. Yelling into a void can be fun and cathartic at times (or into a pillow, at the ocean, whatever) but it's generally not what we're aiming for when we go through the additional effort of posting a story on top of writing the thing.

I think it's important to add that the best way for these interventions to be effective (in my experience) is to stop looking at your stats.

Not forever, maybe, but at least for a time. If you find yourself obsessively checking, consider stopping. Here's a post to help with that.

So, some tips to add to OP's that have helped fuel my own motivation-starved brain:

👆 excellent advice from an excellent writer. I 100% agree that writing the most self-indulgent scenes and fics you can (rare pairs or non-existent ships, for niche or weird little tropes or subject matter, whatever) can be a huge help in writing for yourself cause like... you don't go into posting with the idea that a certain number of people should be seeing or liking it.

Also, non-stats writing goals are fantastic and can take many, many forms. Breaking your own word count record is a good one (I did just that over the past ~6 months and it's been a wonderful experience), but it can backfire if you wind up feeling like you keep putting even more work into your fics and never get a proportionally increased response.

Some examples of challenges I've set for myself just to Try It, without feeling overwhelmed by scope or length, or worried that I'll put months of effort into something nobody cares about:

  • Write a perfect drabble - tell a story in exactly 100 words; no more, no less
  • Writing a ficlet in present tense instead of my usual past tense
  • A dialogue-only scene
  • A no-dialogue scene
  • A time-skip style; much less detailed than what I normally do, tell a longer story through a series of brief scenes like snapshots over time
  • A kid's story
  • A short from an unusual POV (like an animal or inanimate object; it was a butterfly, in my case)
  • Plan an idea mentally, set an hour time limit to Just Write, and what I have at the end of that hour is done

Some of these were inspired by seeing someone else do something and thinking Oh that's cool.. I want to try that. Some were just me wanting to do the thing.

Were they my best or most popular works ever? Nope! But because I wrote them just for the challenge, every comment and kudos was a lovely surprise and honestly more than I had expected. Succeeding at the goals I set myself was a huge dopamine hit, and helped me develop my writing skills and self-confidence, and definitely contributed to worrying less about the external response.

Aside from that, there's just.. always going to be times when you feel underappreciated. Best we can do is ride them out and remember that popularity doesn't reflect on our worth as a writer or as a person.

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OKAY SO THIS MORE OF A QUERY AND I DONT KNOW WHERE TO ASK

so please please tell me what you guys think and also reblog this. I need as many answers as I can get!

So I am thinking of writing like serious formal critical book reviews. Do you think i should do a blog in tumblr? Or are there any good specific site that you would suggest?

Also it would not be genre specific as I am trying to expand my horizons.

Please give me your suggestions and do be kind. 

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What type of criminal you like in certain era? Do you like the criminal from medieval era, victorian era, modern era or etc? If so why? Of course there are some pros and cons from each era but I would like to know your opinion ^^

Personally, I like the Victorian one as it's the beginning of modern society. Also, the aesthetic is just good. With a little touch of fantasy element which would add a surprise element usually.

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So i have only recently started reading historical crime fiction as a genre but then works of Agatha Christie and Arthur Conan Doyle all are from a different period and it has a sort of magic to them. They literally take you to another world and also before huge technological advancements crime solving is so very “elementary”. There’s a certain nuance.

This ’s also a personal opinion as I am a sucker for old time Europe! But then when you get objective there are certain problems in works from that age which might be triggering for people. The blatant racism and homophobia of that time period is always irksome for me. But then again we need to acknowledge that people suffered under such stupid notions at that period to truly understand that period and lend authenticity. It is a tragic piece of world history that needs to be acknowledged.

That being said it still kinda sucks when you see that undertone in an otherwise deeply intriguing mystery from a magical romantic past era.

Coming back to your question, I love all the era provided the mystery is compelling enough.

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Anonymous asked:

I'm writing a fanfic (first in a 7-year break!) and need my character to be suspected by the audience. The thing is, everything is against that. This character is generally very well liked by the audience, and is the main character's love-interest. So, the audience isn't going to suspect them. So, if there anything you can do to help?

Okay so to make people turn against a well liked character you either need

  • Then to get caught doing something which can be misinterpreted (like suspiciously in the wrong place in the wrong time)
  • Or them being backstabbed and betrayed by a very close confidant
  • Or maybe again be misunderstood (they say something which triggers a suspicion)

Hope this helped! And all the best❤️

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Sorry I ask too much. It's just that, it's rare to find a mystery blog and actively trying to post something that's related to it qvq

...

Can I ask more? ヾ(•ω•`)o

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No no I LOVE IT! Please do ask!

Your questions make me think and it’s such an interesting conversation. I just finished my exams so there might be a small delay in answering. Tbh your questions are refreshing and I refuse to give an half assed answer.

So I will get back to you soon, my friend.

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As someone that's been consuming murder mystery since a child (Sherlock, Poirot, Conan) and loves learning human nature also currently a writer and artist/animator, this blog is a hidden gold! ✨✨✨

Keep up the good work!

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This message made my day. Thank you❤️🥺

I have always loved mysteries starting from famous five. Then came poirot, poe, dan brown, and so many more! I love psychological thrillers and how murder is just a dark yet human concept. Why people do the things they do?

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Know your Tropes

So this is a list of the different tropes in crime and mystery stories. I will probably add on to it.

  • books starts with the character waking up in an unknown room or basement’
  • scooby doo! villains plans would have been successful if not for the meddling kids (maybe with a dog…)
  • getting a clue from reading indentations on the page below the page with the written secret
  • the dude who got killed was an asshole no one can sympathise with and everyone is a suspect because nobody liked the dude
  • the narrator is the psychotic killer 
  • a blood stained note 
  • the intelligent detective provokes or manipulates the murderer to confess
  • the butler did it (i soo wanna do this trope just to have a character yelling this)
  • the quiet sweet character who nobody would suspect is revealed to be the killer *gasps while clutching my pearls*
  • the killer confessed to someone who cannot break his confidence (like literally can not) eg: clergy, psychiatrist, lawyer
  • consult a convicted killer eg: silence of the lambs (duh!) 
  • someone hears something, or sees something, or tastes something totally unrelated, has an epiphany leading to the final piece of the puzzle
  • all the suspects were in on it
  • killer accidentally gives themselves away by revealing something they wouldn’t know unless they’re guilty
  • a murder in a locked room. someone in the room is the killer. gotta find them or we may end up dead (one of my fav)

I NEED MOTIVATION TO DO A PART 2!🥺

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advice from Hitchcock

‘Drama is life with the dull parts left out.’ Take chances. Hitchcock knew exactly how to move us out of our comfort zones. He knew that he couldn’t afford to bore his audience. Neither can you. This means you should avoid pages of backstory and endless descriptions. Avoid writing beautiful paragraphs to impress readers. You won’t succeed. Most of us read novels for story and to experience traumatic or extraordinary events vicariously. We want you to entertain us.
‘Always make the audience suffer as much as possible.’ Readers want happy endings but the characters need to earn them. Good writers put their characters through hell. To make this work, they create empathetic characters with whom we can identify. Readers enjoy going through this cathartic experience with them. We feel the relentless horror experienced by a young socialite in The Birds. In Psycho, a young woman ends up on the run where she meets a horrible bloody end at the Bates Motel. In Vertigo, we empathise with a detective who is tormented by tragedy and his fear of heights. We suffer with Hitchcock’s characters.
‘I’m a writer and, therefore, automatically a suspicious character.’ Always look for the dark side of human nature. We all have one. Writers are naturally suspicious because we always consider why people do the things they do. We need to become observers of the human condition. Never take anything at face value. Everything reveals something. Be suspicious of human nature, of possessions, of settings, of body language, of speech patterns – of everything.
‘The more successful the villain, the more successful the picture.’ Many authors have told me that heroes are only as strong as the characters who oppose them. Create complex antagonists who are the heroes of their own stories. They do not have to be villainous or evil. They do have to have a believable story goal that opposes the protagonist‘s.
‘I can’t read fiction without visualising every scene. The result is it becomes a series of pictures rather than a book.’ Setting is important. If you use setting skilfully enough, you can create a plot or move a plot forward with it. We all know that changing a setting can change a character. Great setting details create suspense and add layers of mood and mystery to a story. You also don’t need elaborate settings. Rear Window takes place through the eyes of a photographer gazing out of the window of his apartment. Rope is set in one room, where a murder victim in hidden in a chest of books. Many people remember the atmosphere created by the settings in Hitchcock’s films long after they’ve forgotten the plots.
‘I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.’ Don’t be afraid to stick to a genre that suits your writing style. Most writers enjoy writing what they enjoy reading.
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a not so comprehensive list of character flows for interesting characters

  1. Treacherous – Lacking loyalty. Unfaithful, perfidious, traitorous, treasonable
  2. Spoiled – Treated with excessive indulgence and pampering from earliest childhood, and has no notion of hard work, self-care or money management; coddled, pampered. Having the character or disposition harmed by pampering or over-solicitous attention.
  3. Egotistical – Characteristic of those having an inflated idea of their own importance. Boastful, pompous.
  4. Aimless – Devoid of direction or purpose.
  5. Vain – Holding, or characterised by, an unduly high opinion of their physical appearance. Lovers of themselves. Conceited, egotistic, narcissistic. Vain characters can easily have you rolling your eyes
  6. Addicted – One who is addicted to a compulsive activity. Examples: gambling, drugs, sex.
  7. Dubious – Fraught with uncertainty or doubt. Undecided, doubtful, unsure. 
  8. Envious – Showing extreme cupidity; painfully desirous of another’s advantages; covetous, jealous.
  9. Tactless – Lacking or showing a lack of what is fitting and considerate in dealing with others.
  10. Prejudiced – Preconceived opinion that is not based on reason or actual experience. Dislike, hostility, or unjust behaviour deriving from preconceived and unfounded opinions.
  11. Stubborn – Unreasonably, often perversely unyielding; bull-headed. Firmly resolved or determined; resolute.
  12. Overzealous – Marked by excessive enthusiasm for and intense devotion to a cause or idea.
  13. Bigot – One who is strongly partial to one’s own group, religion, race, or politics and is intolerant of those who differ.
  14. Callous – Hardened to emotions, rarely showing any form of it in expression. Unfeeling. Cold.
  15. Childish – Marked by or indicating a lack of maturity; puerile.
  16. Absent-minded – Preoccupied to the extent of being unaware of one’s immediate surroundings. Daydreaming, inattentive, oblivious, forgetful.
  17. Bad Habit – This is usually a repulsive personal habit. Examples: picks nose, spits tobacco, drools, bad body odour.
  18. Abusive – Characterised by the improper infliction of physical or psychological maltreatment towards another.
  19. Snobbish – Having or displaying a sense of overbearing self-worth or self-importance. Inclined to social exclusiveness, rebuffs the advances of people considered inferior.  arrogant
  20. Audacious – Recklessly bold in defiance of convention, propriety, law, or the like; insolent; brazen, disobedient.
  21. Manipulative – exercising unscrupulous control or influence over a person or situation
  22. Greedy – Having or showing an intense and selfish desire for wealth or power, or having an excessive desire or appetite for food.
  23. Spineless – Lacking courage. Cowardly, wimp, lily-livered, gutless.
  24. Self-Martyr – One who purposely makes a great show of suffering in order to arouse sympathy from others, as a form of manipulation, and always for a selfish cause or reason.
  25. Self-righteous – Piously sure of one’s own righteousness; moralistic. Exhibiting pious self-assurance. Holier-than-thou, sanctimonious. 
  26. Bigmouth – A loud-mouthed or gossipy person.
  27. Weak-willed – Lacking willpower, strength of will to carry out one’s decisions, wishes, or plans. Easily swayed.
  28. Shallow – Lacking depth of intellect or knowledge; concerned only with what is obvious.
  29. Pride – Filled with or showing excessive self-esteem and will often shirk help from others for the sake of pride.
  30. Pest – One that pesters or annoys, with or without realising it. Nuisance. Annoying. Nag.
  31. Peevish – Expressing fretfulness and discontent, or unjustifiable dissatisfaction. Cantankerous, cross, ill-tempered, testy, captious, discontented, crotchety, cranky, ornery.
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