by Pinaree Sanpitak

JOE TALIRUNILI (1893-1976) PUVIRNITUQ (POVUNGNITUK)

MIGRATION BOAT WITH OWLS AND DOG, C. 1966-67

stone, bone, antler, skin, and sinew, 8 x 10.25 x 6.25 in (20.3 x 26 x 15.9 cm)

signed twice in graphite on affixed paper label, "JOE ᑕᓕᕈᓂᓕ".

First Arts

Akiko Ueda at Yuka Tsuruno Gallery

Jacques Barraband (1767-1809)

Male Rainbow Lorikeet (Tricholglossus haematodus)

signed 'Barraband f.' (lower centre)

pencil, watercolour and bodycolour on paper

Christie’s

Least Grebe (Tachybaptus dominicus), family Podicipedidae, order Podicipediformes, Los Barriles, Mexico

photograph by Curtis Zutz

Gonzalo Fonseca (Uruguayan, 1922-1997)

Trained as a painter, Fonseca was among a group of artists who emerged from the theory-rich studio of Uruguayan modernist Joaquín Torres-García in the 1940s. He became a sculptor in the mid-1960s, when the language of architectural forms he had invented in two dimensions seems finally to have demanded development in three. Working first wood and in found limestone and brownstone in New York City, and later, in Italy, he produced sculptures and wall reliefs in marble and travertine.  Fonseca made a number of large-scale public works, including a playground, underpass, and monument in Reston, Virginia; an experimental play structure for a park in the Bronx, New York; and a monumental concrete tower for the 1968 Mexico City Olympics. Fonseca divided the remainder of his life between a fifth floor studio on Great Jones Street in Manhattan and a hilltop studio in Italy among the quarries and stone-working communities around Monte Altissimo, Carrara. 

Fonseca carved his stones himself, without the aid of assistants.

Coudee Royale (Royale Elbow) - brownstone

Wooden Boat (two views) - wood, paint

Situ - Persian travertine - 10½”x 15″x 9" (26.7 x 38.1 x 22.9 cm) - 1986

Great Jones Street (two views)

Porto'n (two views) - Persian travertine - 52.7 x 62.8 cm - 1971

House of the Pendulum - Giallo di Siena marble, leather

Maria Christina’s Trout - Persian travertine, wire, leather

Casa de las Sillas (House of the Chairs) - Persian travertine

Book (two views) - Tennessee marble, leather

House of the Quadrant - Bardiglio marble

https://www.gonzalofonseca.com/

The Golden Kite  -     Richard Cartwright , 2022.

British, b. 1951 -

Pastel,  30 x 40 in. 76 x 101.5 cm.

Juana Gómez Ramirez, Mexican, b. 1982

Jaguar Pot, 2022

man i still really miss michael brooks

listening to an old talk of his today and this came up

Patricia Piccinini — La Brava (silicone, fibreglass, hair, acrylic nails, 2021)

“Collective drawing” (1940) by Wifredo Lam, Andre Bréton, Oscar Domínguez, Max Ernst, Jacques Hérold, Jacqueline Lamba, André Masson and Victor Brauner.

Mottled sea stars (Evasterias troscheli) and flat bottom sea stars (Asterias amurensis) clinging to the ferry pier pilings in Homer, Alaska. 

Louise Bourgeois

Self Portrait. 2007

Gouache on paper

Attributed to Nagasawa Rosetsu 長沢蘆雪, Japanese (1754 - 1799)

Title

Prancing White Horse

Edo Period

Harvard Art Museum