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Akrasia

@trulyhumblenarcissist

INFP - Italian ball of self loath - 20+ - Med student only when I'm not depressed °This blog is about everything I like and/or find interesting at the moment, so don't expect any consistency. Take a look and enjoy yourself!
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Kindness seems to be a recurring theme in the Todoroki family narrative. I find it fascinating that despite a decade of estrangement, both Touya and Natsuo similarly think of themselves as being unkind, even when their actions display the opposite. 

However, they both consider Shouto to be kind, a belief that is consistently reinforced.

Natsuo overhears this conversation and references it later, framing the lack of kindness he perceives in himself as a direct opposition to Shouto. It is telling that he doesn’t mention Fuyumi here, when she’s just as – if not more so – willing to try to forgive and reconcile with their father.

During the war, Touya takes note of this, too. Even though he doesn’t specifically declare that he is not kind like Shouto, the context speaks for itself – he is, at this moment, trying to burn the both of them alive.

The translation for what Dabi says after Shouto expresses concern that Dabi is willing to destory himself to hurt Endeavor, provided by the wonderful @todomitoukei​ in this post, reads as follows:  I am glad because you grew up kindly.

The “you” implies that Touya believes this to be specific to Shouto, despite the fact that they – along with Natsuo – grew up in the same household. 

And yes, Shouto is kind! But that kindness isn’t a virtue he was born with, like a quirk. It was something Shouto strived to be after deciding he wanted to change.

Remember early manga Shouto? Pre-Sports Festival arc? He would be difficult to classify as kind, based on his behavior. Because kindness isn’t an inherent attribute of a person, but a culmination of your actions towards yourself and others.

I think the “yourself” part is especially important for the Todoroki brothers. When Shouto decides to reach out to his mother for the first time in ten years, it isn’t just a kindness he extends to her, but a kindness he extends to himself. He doesn’t want to isolate anymore, starts to connect to his peers and reconnect with his family. Because he was finally able to embrace the parts of himself that he hated and denied, due to the association with his father.

But I think Natsuo and Touya do believe that his kindness is inherent, rather than a genuine effort on Shouto’s part. It is something they cannot be for the same reason they were not worthy of their father’s care as children – they were not born with that capacity.

After all, Shouto was the perfect child their father desired; they were the rejects. Shouto was born to be a hero, a savior of others; they were failures, either unable to do anything to help the family or only able to do more harm with their actions. 

Years after this rejection, the idea that they’re intrinsically not good enough feels so deeply engrained in how they see themselves. To the point that even when they’re caught in acts of kindness, they can’t accept it for what it is.

Realistically, an abandoned house on fire won’t demand much of Endvr’s attention with everything else going on. Touya burns down her old house because he understands Toga’s suffering. He gives her something that is not self-serving in the slightest, but to admit so would challenge his view of himself as a villain.

Even more boggling is Natsuo disparaging himself as unkind at a family dinner with his father – that he knows will cause him immense turmoil and distress – he only attended because he loves Fuyumi and wants to make her happy. 

I love how this scene with Toga shows that Touya, like Natsuo, exhibits kindness through his actions, even if it conflicts with what he says. There is a disconnect there that has nothing to do with being unkind and everything to do with their upbringing.

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linkspooky

It's All About All Might

This week's chapter we have a reminder of Shigaraki's grudge against All Might, something he has not mentioned since the training camp arc after having already caused All Might's retirement. Of course I'm not the first person to notice that Shigaraki is talking about All Might again or point it ou, but I can talk about what that means, or rather what that symbolizes.

There's symbolism in Star being just another All Might Ripoff, and yet another person who was saved by All Might when Shigaraki wasn't. In that All Might can symbolize completely different things to different people. For some people he can represent the safety and reassurance that they will always be saved, a true symbol of peace, and for others he's nothing more than a symbol of violence.

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tempenensis

stronger through death

Death is one of the prominent themes in Jujutsu Kaisen. The whole story is started by death - particularly Itadori’s grandpa’s death. Itadori’s motivation is also related to death - to die without regret, and to give people who deserve it a natural death.

In the chapter 161, Fushiguro said a very interesting thing; that the sorcerers in the olden days liked to fight to death - they desired to be touched by death. This post will attempt to explore the implication behind this. 

bodhi and moksha

In the teaching of Buddhism, death serves as a gate that can lead either to salvation or suffering. In the world, a soul is reincarnated through samsara or life cycle. They will be given new life after their death. Continuing samsara is considered as suffering - which one can only be released from through enlightenment.  

This is why in each of their life, someone should strive to attain enlightenment. Enlightenment or bodhi is the comprehension of the true reality, realization of sunyata or emptiness of self. Achieving enlightenment will enable someone to free themself from samsara and attain Nirvana after their death. In Hinduism, this is called moksha, the liberation of one’s soul from the cycle of death and rebirth. Moksha is considered the ultimate ideal of human life, which one should pursuits.  

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Satoru and Suguru

Geto and Gojo’s relationship is probably my favorite in the manga, so far. Although, these are just some ramblings from my side on - very long post.

The first thing that really stood out with them: they casually use each other’s first names. We know that it’s uncommon in Japanese unless you are really close to the other person. It’s also worth noting that although Shoko was also in the same year as them, she wasn’t as close to them as they were to each other - “The Strongest Duo”.

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Anonymous asked:

Do you think Geto had some weird form of hatred/envy of Gojo? Idk just when he says “if it’s possible for you”, and it makes sense because Gojo is the strongest and Gojo doesn’t rely on him anymore. and just how easy it was for him to leave Gojo behind, I think he felt some sort of love/hate ting but ultimately decided he didn’t care about Gojo enough to stick around.

No. Not at all! 

I do like to play around with the idea that Geto might have felt a little upset/resentful in moments of weakness, but canonincally - I don’t think so. Not before and not after.

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linkspooky

In the past few chapters, there has been an eye motif. Chapter 159 details Higuruma's struggles to keep his eyes open, in a system that presumes most criminals are guilty and punishes them unfairly. Rather than simply going along with this system and doing what's easier, which is going along with the guilty verdict because the system is designed to put criminals in jail, with money, and people's expectations on the side of the prosecutors and not the defenders.

Higuruma doesn't blindly go along with the unfair system but rather he struggles to keep his eyes open in that same system because he finds it's wrong to simply go along with a broken system without trying to fix it from within. He struggles with it the whole chapter until he breaks at the end.

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Well... Shit

I've just finished Jujutsu kaisen, both anime and manga, it was a beautiful marathon like the old ones I used to have when my life didn't get in the way of my passions (but that's another story). I must say the experience was incredibly refreshing and I'm glad I've decided to finally give jjk a try. First and foremost, it definitely has its own problems: the power system is not so clear and easy to understand at times (or maybe I'm just dumb) and some characters suffer from a severe case of plot armor that gives them the edge to win fights that should be out of their league. The premise isn't original at all, but I don't think Akutami wanted to create something ground breaking. There are a lot of references to well established shonen mangas, such as Bleach and Naruto (duh). Curses born from humans' bad emotions are definitely similar the hollows that terrorized Karakura in Bleach. I'm not going to point out the obvious resemblance between Gojo and Kakashi because I guess it's already a meme at this point, but Itadori and Naruto are definitely quite similar: sunny types with a demon trapped inside their bodies. With this derivative kind of setting, you would expect jjk to be quite simple and boring, but here's the catch: this manga manages to embrace stereotypical shonen tropes while at the same time painting them in a different light. Let's talk about Itadori and Fushiguro's relationship, for example: they are basically Naruto and Sasuke on a surface level and it would've been so easy writing them as sour rivals, at least in the beginning. The industry loves this type of relationship, but Akutami said "screw that" and actually made these two boys the best of friends. Itadori saved Fushiguro's life and Fushiguro saved Itadori's in return. They are very different people and their ideologies are bound to clash: Fushiguro doesn't want to be a "hero", he's a sorcerer, whose duty is to exorcise curses, not to save every single person he meets. He has a strong moral compass and he judges things on his own, avoiding to be influenced by others if possible. To him, saving lives is not an obligation, it's something he decides to do only if he thinks it's worth it. This may appear extremely selfish and arrogant, but in reality, Fushiguro's choices don't stem from an exaggerated ego. He despises injustices, to him the world is inherently unfair, so there isn't proper way to make things "right". It's impossible saving everyone and it isn't even something worth pursuing, especially because someone's safety could easily become someone else's demise. Fushiguro came to the conclusion that, since fairness really doesn't exist, the only thing that he can do to make the world a better place is basically starting from his own world, helping only the people he really wants to help (a similar concept is expressed by Nobara, who doesn't concern herself with the problems of people she doesn't know or care about, because she understands that doing it would be the fastest way to become miserable). Itadori, on the other hand, finds humanity inherently worthy of salvation, no matter what. That's because he is strong and his strength is definitely his curse, metaphorically speaking. The strong must protect the weak because it is the moral thing to do.

If you're strong, you are gifted with something more in comparison to the average person; since nothing is given for nothing, you must return to the world at least a part of the luck you have received by birth. Things get even more complicated for Itadori the moment he realizes that Sukuna could destroy (and he almost did it) everything he cares about in an instant, forcing him to make amends for crimes he didn't even commit. That's a very tragic situation for our MC and I really, really appreciate the fact that Sukuna isn't just another Kurama, ready to become Itadori's pet friend and help him whenever it fits the plot. To this day, Sukuna intervened in Itadori's fights only when he wanted to, for a whim or because the situation could benefit him. So refreshing! Itadori is definitely cursed from both Sukuna and himself, which is a very interesting plot point and it makes you wonder who will be faster in making Itadori's life a nightmare: Itadori himself or Sukuna?

Itadori's objective to save as much people as possible is also liked to his visceral desire to be accepted and loved, to have people around him even at his death bed. But, unfortunately, his merging with Sukuna definitely suggests he will be soon forced to isolate himself, in some way, basically depriving him of the only thing he really wanted. Besides, his desire to have friends and comrades is probably the byproduct of his upbringing... He wasn't alone, he had his grandpa, but he never met his parents and this is definitely a huge gap in his life, even though he seems to not care.

This rambling is already too long as it is, sorry... The last thing I'd like to point out is that, finally, we have some pretty good female characters! No Sakuras or Hinatas and that's really nice. Nobara, the heroine, is unhinged, badass and also extremely feminine in her passions and desires. She's not the typical tomboy nor the typical girly boy obsessed princess in distress. She can defend herself without sacrificing the softer sides of her personality. She is Kugisaki Nobara and no one can tell she must be different in order to fullfil her role as a shaman woman. I really like her (sobs). Maki makes tingle my little bi heart so I will not say anything about her. I'm not gonna show my simping shameful self, not now at least.

Honorable mentions:

  • Call me main stream and basic, but I fucking adore Gojo... He's hot, a little sadistic and completely childsh. For once, he is a teacher that doesn't get obscured by his pupils. He is so broken and op that Akutami needed to... Well you know. Another element that gives me a bit of sadness is the fact that Gojo is basically my age... And the fandom calls him a "dilf"... A dilf! He's just 28, don't call me out like that.
  • Suguru's story was pretty sad, I wish we could've seen more of his descent into madness.
  • Mahito... Cute, but nothing special. I find him kinda boring sometimes, he doesn't tickle my imagination neither my speculative instinct, while Suguru is definitely more interesting, especially in his relationship with Gojo.

That's it for now, I can't wait this week's chapter.

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if i knew nothing about breaking bad and you showed me these screenshots and told me it was a show about a marine biologist tormenting his son id believe you

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literally every ‘wholesome’ hannigram scene always has the most fucked up context its so funny 

they just watched a social worker crawl out of a dead horse’s body 

I’m sorry they what

TECHNICALLY they watched a social worker crawl out of a dead horse about a minute ago. What JUST happened is that Will almost shot that social worker point blank in cold blood. That’s why Hannibal looks so happy. 

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Welp...

Now what about that, hn?

Honestly this chapter is a bit confusing. Horikoshi basically swept away the whole situation with 2nd and 3rd user because why not? It felt like a cheap way to create suspense honestly, way cheaper than compromising the first encounter between Dabi and Endeavor by making him half blind for blood loss and exhaustion.

Speaking of Endeavor... He admitted everything he did to his family and that was to be expected, he couldn't lie even if he wanted too at this point, but when the journalist said: "you have to defeat the villains to make us feel safe again!" , he just went with his usual rhetoric of "I'm Endeavor the hero and defeating villains is my duty"... or did he? That's the interesting bit to me, his words now feel a little different. Probably it is just my personal interpretation, but it almost seems like he's thinking about what people expect from him as Endeavor and at the same time he's acknowledging that Enji Todoroki probably shouldn't follow the same path. I don't think it's a mere coincidence he addresses himself as "Endeavor" and not simply "me". He specifically says "killing villains is the only thing someone like Endeavor could do". He's splitting his persona again, but his facial expression is definitely pensive and almost... Sad. Now he really feels the conflict between Enji and Endeavor (while previously he didn't even consider is civilian side - as a father/husband) and he knows that having somehow to choose between the two is not going to be easy. He still needs to understand that the key point is just... Not chosing. If you can't save your family, you can't save the world and vice versa. When it comes to this discourse I always think about Deku and Shoji during the mountain training arc. When Deku's confronted by Shoji with the decision on who he wanted to save -Tokoyami or Bakugou- Deku simply said "I'm going to save both" or at least try, because you shouldn't ever chose who needs to be saved more. You can't decide who deserves to be saved, because if you consider yourself a hero, your role is to protect everyone in need, not only the people you care about or the ones that fit perfectly into the "victim" box. And of course, you can't be a hero and at the same time be a huge piece of shit, abusing your wife and children.

Enji needs to reconcile every single aspect of his personality and live as a whole human being, not embracing a role or playing the character that the world asks from him. Basically I saw something different this chapter, maybe a true glimpse of something working inside of this character, he is definitely more self aware in my opinion, but he still isn't quite there yet. He needs confrontation to go on and overcome the split in his identity.

I'm not going to say anything about Deku leaving because he's only acting like usual. Being a Martyr to his dream (Griffith just migrated manga). Jokes aside, I'm still waiting for him to be thought a lesson about his self sacrifice and almost suicidal tendecies. He may be good at teamwork at school, but when real life emergencies ensue he's always alone. I hoped Bakugou's words to him wouldn't be in vain but apparently he still has a long way to go.

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makeste

BnHA Chapter 306: the beginning of the WHAT

Previously on BnHA: Nana and the Gang were all, “hey Deku, we can read your thoughts and feelings so we should already know the answer to this, but for some reason we want to quiz you on whether or not you’d be down to kill Shigaraki Tomura.” Deku was all, “um okay, well tbh, probably not seeing as Saving People has been my entire thing since literally the start of the series.” The Vestiges were all, “yes that makes perfect sense and again we already knew that, but well, good for you buddy and I’m glad we had this talk. Anyway I guess we should ask these two cryptic fuckers in the corner to finally turn around now before we run out of – “ and then the chapter ended. Because OF COURSE IT DID.

Today on BnHA: Horikoshi is all “YOU DON’T NEED TO KNOW WHAT HAPPENS NEXT, WOULDN’T IT BE SO MUCH BETTER IF I GAVE YOU A CONFUSING CHAPTER WHERE EVERYONE FINALLY LEARNS ABOUT OFA, AND GOES BACK TO THE DORMS, AND THEN THE CHAPTER ENDS WITH DEPRESSED NOMAD DEKU STANDING ON A PRECIPICE WITH GRAN TORINO’S TATTERED CAPE FLOWING IN THE WIND.” Everyone is all, “???????????” Horikoshi is all, “also the parents are moving to the U.A. campus, and Jeanist’s neck is two and a half feet long, for everyone that was wondering.” Everyone is all, “WHERE ARE KACCHAN AND TODOROKI AND FOR THE LOVE OF GOD, WHO ARE THE SECOND AND THIRD USERS”, and Horikoshi is all, “:)” and fades away into nothingness like the fucking fae he is. Like a fucking imp who’s kept his end of the cursed bargain. What, the, fuck.

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