Appreciation post! Freddie Giving the crown to Roger during “God save the Queen" at the end of the concerts Bonus: In 1981 he still didn’t have a crown but look at this, so precious!
platonic soulmates i’m cryING
Appreciation post! Freddie Giving the crown to Roger during “God save the Queen" at the end of the concerts Bonus: In 1981 he still didn’t have a crown but look at this, so precious!
platonic soulmates i’m cryING
The song’s “musical” bridge section was performed entirely by Mercury and Taylor using their voices alone, with Taylor at one point hitting the highest note on the whole album a C6. Mercury imitates woodwind instruments including a clarinet. Taylor voices mainly brass instruments such as tubas and trumpets, and even a kazoo. The tap dance segment is also “performed” by Mercury and Taylor on the mixing desk with thimbles on their fingers. Freddie (about Seaside Rendezvouz) “Another of my songs, Seaside Rendezvous, has a 1920’s feel to it and Roger Taylor does a tuba and clarinet on it vocally, if you see what I mean. I’m going to make him tap dance too, I’ll have to buy him some Ginger Rogers tap shoes.”
❝ 5.5k celebration | @anonymous asked queen live in budapest orqueen live in montreal❞
Posting it before 19th of July cause i'm impatient, and also i'm pretty proud of it.
Open for better quality.
“Queen’s Live Aid preformance may have clocked in at just 17 minutes,
but they were 17 minutes which would make rock history.”
queen + I want to break free
please like/reblog if you save!
Roger, Brian and John each picked their favourite photos with Freddie for the “Made in Heaven” album.
Gwilym Lee is just Brian May in disguise.
RADIO GA GA! RADIO GOO GOO! RADIO GA GA!
♡ Happy 73rd Birthday, Brian Harold May ♡ 19th July 1947
Happy Birthday Brian May // July 19, 1947.
Everybody thought I was a bit of an eccentric for wanting to be out there looking at the stars, but I still do
they be screeching at each other like a couple of late night tomcats
Queen at rehearsals for their first tour – July 8, 1973 Photo by Michael Putland