give a girl a knife and she has the whole arsenal

head empty horny full

@maityzula-for-the-soul 👉👈 hey

what if jeanlisa morriana real

my guardian angel just fingers herself all day 😑 girl help me

Air Himbo

Water Himbo

Earth Himbo

Fire Himbo

@crvggio​ I’ve been laughing at this for 47 years

And the Avatar

Reblogging again because that last addition is IMPORTANT

But when the world needed him most, he pulled the wrong lever...

Terry understands if you feel sad

maisupremacy -> theanemoarchon

Mutuals rb?

mai nation is crumbling.. Genshin is taking over. Knives?? No more knives. Only air currents and arrows.

We love to see it

Credits to Memenade for this meme, go check out their YouTube channel!

Ty Lee: So I'm bi--

Mai: *eyes widen hopefully*

Ty Lee: --lingual. I can speak two languages fluently

Mai: *disappointedly takes a sip of water*

Ty Lee: Also I'm super into girls with knives

Mai: *chokes on water*

dont call them oz*is angels. call them what they are. a polycule

Phoneme Chart by TheEndIsNearUs

This is a nice chart! Lipsync is one of my not-so-secret passions. I also hate front mouths. They’re harder to inbetween, I find, and they’re not used nearly as frequently. Here’s some ¾ mouths I made.

These are the basic shapes I was taught, and I use. Standard lipsync shapes;; 

You have your closed mouth to open, to clenched teeth, to oohs, and your (often optional) F, L, and TH mouths.

Tips!

Aaaaand I think that’s it?  Never go from a SH mouth to a TH mouth, it’ll pop and look weird…uhhh;   Also! It’s alright to skip some shapes;; So below is a lipsync I made using the above shapes;

It’s clear what they’re saying, the mouth is moving nicely, but there’s only one problem. Veeeery rarely do they give you enough time to use all the mouths you want to make it move nice. Voice actors talk fast to fit everything in and holycrap do we hate  love them for it.

So here’s a fast one.

Those two gifs should start at the same time, and notice that the second one stops while the first one is still saying “doing”. I not only cut out the mouth between the biggest AH and the clenched teeth, but I combined the word “Are you” into, like, 3 shapes. I also trimmed some inbetweens overall. The lipsync still reads, though! You can still tell what they’re saying even without audio (which would help it a bit, haha~) Cutting out that stuff ended the lipsync a whole 14 frames sooner (more than half a second!). It doesn’t sound like much, but with 24 frames per second and dialogue moving at the speed of light, you don’t have time to dilly dally. This isn’t a preschool show;; Aaaaaand I think that’s it. Liiiipsyyyyyync~~~ Now to go back to actual work and stop talking about things most ppl don’t care about;

I AM CRYING TEARS OF RELIEF BECAUSE I NEED THESE REFERENCES FOR MY SENIOR FILM’S DIALOGUE~

Reblogging this again because I’ve been using this reference for the last 2 months to help with my lip-synch in my film, and I’ve just tested one scene where I used the reference…And my mouth-drawings have improved tenfold ever since.

To the OP who made this chart…I wish I could hug you right now because you helped make my film look much better. c8

This post makes its rounds every so often;; I’m glad people are getting use out of me not wanting to do the actual work I had!

(insp.)

Source: 1 2 3 4 5 6 If you want more facts, follow Ultrafacts

THIS IS SO IMPORTANT

Reblogging because I care about you guys

Important

Rohypnol has an INCREDIBLY salty taste to it. It’s disgusting. And it also isn’t a drug that acts immediately! The minute you notice the salty taste, you have about 5-10 minutes to get somewhere safe or call an ambulance, and it CAN be fought if you’re aware of it. It will make you woozy, it will make you so dizzy you can’t stand upright, it will certainly make you unable to walk properly, but if you struggle to remain conscious you can get about 20 extra minutes of consciousness from the drug before it will knock you out completely. If you’re in a public place, and the person who drugged you is trying to take you somewhere private, start. a. fight. Insist as LOUDLY and as VIOLENTLY as you can that you refuse to go anywhere with them. Odds are they’re trying to make as little of a scene as possible as they drag you away, and if you’re putting up a fight and very clearly ‘drunk’, eyes will turn on them and they’ll either need to let you go, or cause a serious scene, which they don’t want. Don’t just act like you’re just protesting being taken home, though. Fight like your life depends on it even if they aren’t assaulting you. Cause. A. Scene. That’s the last thing they want. 

Everyone should reblog this!

Very useful.

To that last one that shit is NO JOKE

Oh geeze, I often have dreams about tidal waves coming in since seeing a tsunami on Travel channel and this is exactly how they start!

if my mai wasnt trans i would absolutely be stealing all of your 'mai and zuko have trouble having children' headcanons with no shame whatsoever.

THANK YOU!! i’m blushing <3 but actually it’s such a sad headcanon but i feel it fits them SO well, especially mai. the idea that mai, who got everything she wanted growing up(yes, i know at a price but), couldn’t have kids just makes sense. and also zuko because you expect him to finally get a happy ending after all that happened (you want both of them too!!6 and then they just... don’t for so long. it fits them i feel like even though it makes me sad

Angst is basically all I ever do, so it's very much up my alley. Also it's such a real concept. People sometimes can't have kids, or struggle for years, and it's good to explore and normalize those types of things.

You're doing god's work, my friend. Keep it up! I always enjoy seeing it. <3

mai sharpens her anger into a weapon, hiding it and only letting it flow with deadly precision through her knives. she masks her humor, delivering jokes in her usual monotonous tone. she shows love through meaningful touches, short glances (because mai doesn’t just look at those she loves, she sees them). she’s honest with the people she cares about. she toes the line of expectations set for her, always remaining within the boundaries (like a good daughter), but she stays dangerously close to the edge, as a small act of rebellion.