“If I’m going to sell my heroine into marriage for money, I might as well get some of it.”
LITTLE WOMEN (2019) dir. Greta Gerwig
@hanchenrilows / hanchenrilows.tumblr.com
“If I’m going to sell my heroine into marriage for money, I might as well get some of it.”
LITTLE WOMEN (2019) dir. Greta Gerwig
LADY BIRD (2017)
dir. Greta Gerwig
“Stop the carriage! Laurie!”
By request, a compilation of 18 audios of Aaron Tveit singing “It’s more than I can stand (Roxanne)” in chronological order, starting with first preview (lowest quality) and ending with closing night.
Arrested Development (2003—)
The Mother of the Dragons.
“Motive means opportunity. The three pilars of criminal investigation for the last century. But it’s 1977, and suddenly motive is elusive. What, why, who. What happened? Why did it happen that way? Which should lead to Who did it? The question is not only why did the killer do it, but why did the killer do it this way?” —Mindhunter, S01E01.
aaron tveit in every episode of braindead ↳episode 13: the end of all we hold dear: what happens when democracies fail: a brief synopsis
It’s been almost a 10 year journey and I couldn’t imagine a better group of people to be sharing this with. - Chris Evans
Avengers: Age of Ultron (2015) // Avengers: Endgame (2019)
Who do you want me to be? How about a friend?
#my 4 moods
During all the terrible long years of his childhood, only Jaime had ever shown him the smallest measure of affection or respect, and for that Tyrion was willing to forgive him most anything.
Chris Evans Behind the scene of Avengers: Infinity War
i will tolerate ANY kind of bad writing. like I read sometimes, and I’ll put up with anything. I’ll pick up some garbage book - you know, I don’t wanna name an actual book so let’s just make one up, let’s call it “mockingjay.” so i’ll buy a copy of “mockingjay” and i’ll open it up and i’ll go, “can i get a story about this traumatized woman finding agency and power in her own way?” and they go, “no. we’re going to create a false equivalency between the authoritarian government and the people organizing in opposition to them.” and I go “okay!” and then i skip a couple chapters. and then i start reading again and I go, “any updates?” and it goes, “yeah, we made gale a murderous hospital-bomber and war criminal while you weren’t looking. because we hate you. now take this wedding scene, go fetch!” and I go, “okaaaay!” and i read the wedding scene and then i go, “can i get some character development for peeta?” and it goes, “NO!” and i go, “okaaay,” and it goes, “you’re reading this for the love triangle, aren’t you?” and i go, “nooo” and it goes, “SAY IT!” and i go, “i’m reading this for the love triangle,” and then I finish up with mockingjay’s resolution, which is an oxymoron, and i go, “can i please get a meaningful portrayal of this traumatized woman finding agency and peace?” and the book goes, “NO! in fact, she’s gonna end up with the guy she was forced to pretend to love for three years in a ritualistic capitalist blood sport! and he’s gonna pressure her into having kids that she doesn’t want because the mantle of motherhood is something she heavily associates with her trauma! and she’s gonna raise them in the bombed remains of her hometown while her male best friend goes to have an actual say in the reformation of the country!” and i go, “why are you doing this to me?” and it goes, “because this is Mockingjay (2010) by suzanne collins, and life is a FUCKING NIGHTMARE!”