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My Writing Archive

@scribicronus-v02

38 || He/Him || Call me Cronus or Scribi (yeah, I know. I'm not that creative) || This is where I will be keeping (most of) my written work. Current brainrots: Amphibia, Mass Effect, Fallout 4
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reblogged

Your friend always said “I’ll rest when I’m dead,” so much that it became his catchphrase. He says it again today when he came into work, going about his daily routine. This normally wouldn’t be concerning, if not for the fact that you attended his funeral two weeks ago.

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reblogged

After multiple hours of being thrown around like a doll by the villain they are getting frustrated, because you somehow wont die. You are not sure what to tell them, since you are just as surprised as they are that you are still alive.

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This is a friendly reminder to never, ever publish your book with a publishing company that charges you to publish with them. That is a vanity press, which makes money by preying on authors. They charge you for editing, formatting, cover art, and more. With most of these companies, you will never seen a cent of any royalties made from sale of your book. A legitimate publishing company only makes money when you make money, they will never charge you to publish with them. If a company approaches you and says "Hey, we'll publish your book, just pay us X amount of money," tell them to go fuck themself and block them.

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whumpy-words

Remember, kids: money should only ever flow FROM your publisher TO you.

Here's a very well-maintained resource by the SFWA (Science-Fiction & Fantasy Writers Association) that lists contests/editors/small presses/etc. with predatory behaviours:

Go forth and publish safely!

@selenite0 has a full presentation about shady publishing contracts, this might be something to add to that

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dduane

This.

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neil-gaiman

It's been a little while since I pointed this out.

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reblogged

You were never sick in your entire life. When you decided to donate blood it turned out that your blood is not only compatible with every blood type but also contains special blood cells that can cure every disease regardless if its physically or mentally. And the public found out about it!

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surlifen

NO ONE knows how to use thou/thee/thy/thine and i need to see that change if ur going to keep making “talking like a medieval peasant” jokes. /lh

They play the same roles as I/me/my/mine. In modern english, we use “you” for both the subject and the direct object/object of preposition/etc, so it’s difficult to compare “thou” to “you”.

So the trick is this: if you are trying to turn something Olde, first turn every “you” into first-person and then replace it like so:

“I” →  “thou”

“Me” →  “thee”

“My” →  “thy”

“Mine” →  “thine”

Let’s suppose we had the sentences “You have a cow. He gave it to you. It is your cow. The cow is yours”.

We could first imagine it in the first person-

I have a cow. He gave it to me. It is my cow. The cow is mine”.

And then replace it-

Thou hast a cow. He gave it to thee. It is thy cow. The cow is thine.”

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some-stars

This is perfect and the only thing missing is that when “thy” comes before a vowel it’s replaced by “thine”, i.e. “thy nose” but “thine eyes.” English used to do this with my and mine too (and still does with a and an).

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fremedon

The second person singular verb ending is -(e)st. In the present tense, it works more or less like the third person singular ending, -s: 

  • I sleep in the attic. Thou sleepest in the attic. He sleeps in the attic.
  • I love pickles. Thou lovest pickles. He loves pickles.
  • I go to school. Thou goest to school. He goes to school.

The -(e)st ending is only added to one word in a compound verb. This is where a lot of people make mistakes:

  • I will believe it when I see it. Thou wilt believe it when thou seest it. He will believe it when he sees it.

NOT

  • *thou willst believest it! NOPE! This is wrong

If you’re not sure, try saying it in the third person and replacing the -(e)st with -s:

  • *He will believes it when he sees it. ALSO NOPE! 

In general, if there’s one auxiliary, it takes the -(e)st ending) and the main verb does not. If there are multiple auxiliaries, only one of them takes -(e)st:

  • I could eat a horse. Thou couldst eat a horse. He could eat a horse.
  • I should go. Thou shouldst go. He should go.
  • I would have gone. Thou wouldst have gone. He wouldst have gone. 

You can reduce the full -est ending to -st in poetry, if you need to drop a syllable:

  • thou sleepst, thou lov'st.

In some common words–mostly auxiliary verbs, or what you might have learned as “helping verbs”–the ending is always reduced:

  • I can swim. Thou canst swim. He can swim.

Sometimes this reduction takes the last consonant of the stem with it:

  • I have a cow. Thou hast a cow. He has a cow. 

Or reduces the -st down to -t:

  • I must believe her. Thou must believe her. He must believe her.
  • I shall not kill. Thou shalt not kill. He shall not kill.

However! UNLIKE the third-person singular -s, the second person -(e)st is ALSO added to PAST TENSE words, either to the past stem in strong (irregular) verbs or AFTER THE -ed in weak (regular) verbs: 

  • I gave her the horse. Thou gavest her the horse. He gave her the horse.
  • I made a pie. Thou mad’st a pie. He made a pie.
  • I wanted to go. Thou wantedst to go. He wanted to go.

This is different from the third person!

  • *He gaves her the horse. He mades a pie. He wanteds to go. SO MUCH NOPE!

It’s not wrong to add -(e)st to a long Latinate verb in the past tense, but it’s unusual; it’s much more common to use a helping verb instead:

  • I delivered the letter. (Great!)
  • Thou deliveredst the letter. (Not wrong, but weird)
  • He delivered the letter. (Great!)
  • I did deliver the letter. (Normal if emphatic, or an answer to a question; otherwise, a little weird.)
  • Thou didst deliver the letter. (Great!) 

And a couple last things:

1.) Third-person -(e)th is mostly equivalent to and interchangeable with third-person -s:

  • I have a cow. Thou hast a cow. He hath a cow.
  • I love her. Thou lovest her. He loveth her.
  • I do not understand. Thou dost not understand. He doth not understand.

HOWEVER! Third-person -(e)th, unlike -s but like -(e)st, can, sometimes, go on STRONG past-tense verbs:

  • I gave her the cow. Thou gavest her the cow. He gaveth her the cow.

This never happens with weak verbs:

  • *He lovedeth her. NOPE NOPE NOPE!

And even with strong verbs, from Early Modern (e.g., Shakespearean) English onward, it’s quite rare. But you will see it from time to time.

2.) In contemporary Modern English, we invert the order of subjects and auxiliary verbs in questions:

  • Will I die? I will die. 
  • Has she eaten? She has eaten.

If there’s no auxiliary, we add one–do–and invert that:

  • Do you hear the people sing? You (do) hear the people sing.

In Early Modern English, this process was optional, and mostly used for emphasis; all verbs could be and were moved to the front of the sentence in questions:

  • Hear ye the people sing? (Or singen, if we’re early enough to still be inflecting infinitives.)

Do-support was also optional for negatives:

  • I don’t like him. I like him not.
  • Thou dost not care. Thou carest not.
  • She does not love thee. She loves thee not.

3.) Imperative verbs never take endings:

  • Hear ye, hear ye!
  • Go thou and do likewise!
  • Give me thy hand. Take thou this sword. 

4.) Singular ‘you’–that is, calling a singular person by a plural pronoun–arose as a politeness marker; and ‘thou’ fell out of use because it eventually came to be seen as impolite in almost all contexts. In general, once singular ‘you’ comes into use, it is used for addressing

  • people of higher social status than the speaker
  • or of equivalent status, if both speakers are high-status
  • strangers
  • anyone the speaker wants to flatter

‘Thou’ is used for

  • people of lower social status than the speaker
  • family and intimate friends
  • children
  • anyone the speaker wants to insult

It is safer to ‘you’ someone who doesn’t necessarily warrant ‘you’ than to ‘thou’ someone who does.

5.) And finally, that ‘ye’? That’s the nominative form of you–the one that’s equivalent to ‘I’ or ‘we.’ 

  • I  → thou → he/she/it  → we → ye → they
  • Me → thee → him/her/it → us → you → them
  • My → thy → his/her/its → our → your → their
  • Mine → thine → his/hers/its → ours → yours → theirs

Any time you’re using ‘thou’ for the singular, the second person plural– ‘y’all’– declines like this:

  • ye:  Ye are all a bunch of weirdos.
  • you: And I love you very much.
  • your: This has been your grammar lesson.
  • yours: This grammar lesson is yours. 
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reblogged

Happy Valentine’s Day! 💕

Give some love with these prompt lists, perfect for the day of love 💋

Valentine’s Day Prompts

  • Both partners want to surprise the other one with a wonderful date, but all of their cleverly thought out plans fail and it looks like this is going to go down in history as the worst Valentine’s Day ever. But maybe it’s actually not that bad in the end.
  • “I need just one date.” “You think you can woo me with just one date?” “Absolutely.”
  • They have never celebrated Valentine’s Day before and they want to make it perfect.
  • On Valentine’s Day everything seems to have a discount for couples, so why not pretend to be one to save some money and have fun?
  • They just found out about the custom of making Valentine’s Day cards and now they went crazy with the paper hearts and the glitter.
  • “Is that a ring box in your pocket or are you just happy to see me?”
  • Having their first kiss at the end of a Valentine’s Day date may be cliché, but it’s also incredibly perfect. 
  • Not focussing on the romantic love, but showing everyone they care for that they love them on this day turned out to be the best idea they ever had.
  • Amor tends to go a little overboard on Valentine’s Day, but this year really takes the cake.
  • Everyone is going as a couple to the Valentine’s Day Party and it would look stupid if we both went alone, right? Maybe we can just go together.

Sending all the love out to you all!

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

Valentine’s Day is coming up! 💕

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reblogged
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garnetrena

Tagged by @kabbal , thanks babe 💙

I don't write much fanfiction these days, to be honest. Mainly poetry and some other personal stuff.

Also, I'm a fandom veteran: I was on ff.net AND LiveJournal. I never published anything on Wattpad but I use it a lot, I read a lot of fics on it.

I don't outline all the time, it depends on the fic. Also, I haven't roleplayed since a very long time.

My AO3 account is Amber_Brush and I mostly write about Kaamelott, Steven Universe (who's surprised?) and Greek mythology, but I'm in a lot of fandoms (+100).

And I'm tagging @chonaku-things , @calimera62 , @pingou7 and anyone who feels like doing this little bingo! No pressure, just do it if you find it fun 😊

[edit] oh I forgot the template! It's under the cut.

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tlirsgender

Ok new game. What's the thing you're a fan of that you're the most pretentious about. NOT the most pretentious thing you're a fan of, I mean the thing that makes *you* act like one of those "oh yeah? Name five of their albums" people. There is a difference

Star Wars Canon, unfortunately. I am One Of Those People, the ones who look upon the originals as the word of the Lord, the prequels as “good idea, bad execution” and aaaaaaall the books as the best thing to happen to SW in the history of ever. Disney? New trilogy? Homie you musta had one wild fever dream. Here, have a blankie, that musta been terrifying. Now, let’s talk about the events occurring between 101-83BBY.

I respect you. Objectively correct star wars take

@moltengoldveins Good to know I'm not the only one

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THAT FIRST SITE IS EVERY WRITER’S DREAM DO YOU KNOW HOW MANY TIMES I’VE TRIED WRITING SOMETHING AND THOUGHT GOD DAMN IS THERE A SPECIFIC WORD FOR WHAT I’M USING TWO SENTENCES TO DESCRIBE AND JUST GETTING A BUNCH OF SHIT GOOGLE RESULTS

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deanofbeans

OMG

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dduane

This one’s an always-reblog, because who knows who needs it and hasn’t seen it yet?

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I will never understand media that portrays the classic Writer Problem™ as being out of ideas. At any given moment I have at least six ideas for massively ambitious projects that will never happen because I simply do not have the time or energy to make them happen

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spiderrrling

I am a(n):

⚪ Male

⚪ Female

🔘 Writer

Looking for

⚪ Boyfriend

⚪ Girlfriend

🔘 An incredibly specific word that I can't remember

*wakes up in the middle of the night in a cold sweat*

WAIT IT’S CALLED A THROW PILLOW

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holorifle

the first result isn’t always the one you’re looking for but when you press enter it’ll give you a ton of words related to your query that’ll probably have what you’re wanting, or something better

here’s some examples:

Image

Reblog to save a writer's sanity.

T h a n k y o u k i n d s i r .

THANK YOU REBLOG TO SAVE A LIFE

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Reblogging again because I got an anon last week whining cause they did this to one of my unfinished series and the bot killed Y/N so now they want ME to give them a happy ending. Like. No. Suffer, bitch.

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peaceheather

AI is the death of creativity. Anyone who does this to my stories and is stupid enough to brag about it will be blocked from ever reading my work again, AND I'll let everyone on tumblr know that you do this. We'll see how much fic you get to enjoy when every author blocks you forever.

Fic is a gift. I've said it before. Don't shit all over your lovingly handcrafted gifts, m'kay? This should be fucking obvious, but apparently for some of you it's not.

THIS GOES FOR AI ART AS WELL.

I know this doesn’t really apply to my content because I make one off headcannons, but DO NOT PUT OTHER AUTHORS/ARTISTS WORKS INTO AI! If you do you’ll be blocked from my page. It’s incredibly disrespectful to the people who work so hard to make amazing content. Don’t do it.

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THAT FIRST SITE IS EVERY WRITER’S DREAM DO YOU KNOW HOW MANY TIMES I’VE TRIED WRITING SOMETHING AND THOUGHT GOD DAMN IS THERE A SPECIFIC WORD FOR WHAT I’M USING TWO SENTENCES TO DESCRIBE AND JUST GETTING A BUNCH OF SHIT GOOGLE RESULTS

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deanofbeans

OMG

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dduane

This one’s an always-reblog, because who knows who needs it and hasn’t seen it yet?

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insertdisc5

📚 A List Of Useful Websites When Making An RPG 📚

My timeloop RPG In Stars and Time is done! Which means I can clear all my ISAT gamedev related bookmarks. But I figured I would show them here, in case they can be useful to someone. These range from "useful to write a story/characters/world" to "these are SUPER rpgmaker focused and will help with the terrible math that comes with making a game".

This is what I used to make my RPG game, but it could be useful for writers, game devs of all genres, DMs, artists, what have you. YIPPEE

Writing (Names)

Behind The Name - Why don't you have this bookmarked already. Search for names and their meanings from all over the world!

Medieval Names Archive - Medieval names. Useful. For ME

City and Town Name Generator - Create "fake" names for cities, generated from datasets from any country you desire! I used those for the couple city names in ISAT. I say "fake" in quotes because some of them do end up being actual city names, especially for french generated ones. Don't forget to double check you're not 1. just taking a real city name or 2. using a word that's like, Very Bad, especially if you don't know the country you're taking inspiration from! Don't want to end up with Poopaville, USA

Writing (Words)

Onym - A website full of websites that are full of words. And by that I mean dictionaries, thesauruses, translators, glossaries, ways to mix up words, and way more. HIGHLY recommend checking this website out!!!

Moby Thesaurus - My thesaurus of choice!

Rhyme Zone - Find words that rhyme with others. Perfect for poets, lyricists, punmasters.

In Different Languages - Search for a word, have it translated in MANY different languages in one page.

ASSETS

Visual Assets (General)

Creative Market - Shop for all kinds of assets, from fonts to mockups to templates to brushes to WHATEVER YOU WANT

Velvetyne - Cool and weird fonts

Chevy Ray's Pixel Fonts - They're good fonts.

Contrast Checker - Stop making your text white when your background is lime green no one can read that shit babe!!!!!!

Visual Assets (Game Focused)

Interface In Game - Screenshots of UI (User Interfaces) from SO MANY GAMES. Shows you everything and you can just look at what every single menu in a game looks like. You can also sort them by game genre! GREAT reference!

Game UI Database - Same as above!

Sound Assets

Zapsplat, Freesound - There are many sound effect websites out there but those are the ones I saved. Royalty free!

Shapeforms - Paid packs for music and sounds and stuff.

Other

CloudConvert - Convert files into other files. MAKE THAT .AVI A .MOV

EZGifs - Make those gifs bigger. Smaller. Optimize them. Take a video and make it a gif. The Sky Is The Limit

Marketing

Press Kitty - Did not end up needing this- this will help with creating a press kit! Useful for ANY indie dev. Yes, even if you're making a tiny game, you should have a press kit. You never know!!!

presskit() - Same as above, but a different one.

Itch.io Page Image Guide and Templates - Make your project pages on itch.io look nice.

MOOMANiBE's IGF post - If you're making indie games, you might wanna try and submit your game to the Independent Game Festival at some point. Here are some tips on how, and why you should.

Game Design (General)

Game Design (RPGs)

Yanfly "Let's Make a Game" Comics - INCREDIBLY useful tips on how to make RPGs, going from dungeons to towns to enemy stats!!!!

Attack Patterns - A nice post on enemy attack patterns, and what attacks you should give your enemies to make them challenging (but not TOO challenging!) A very good starting point.

How To Balance An RPG - Twitter thread on how to balance player stats VS enemy stats.

Game Design (Visual Novels)

Feniks Renpy Tutorials - They're good tutorials.

I played over 100 visual novels in one month and here’s my advice to devs. - General VN advice. Also highly recommend this whole blog for help on marketing your games.

I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye

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When it comes to sex scenes, the rules say things like: Don’t write them at all, and if you do, don’t use these words. Don’t write them silly, porny, dramatic, tragic, pathological, grim, or ridiculous.
My whole practical thesis around the craft of writing a sex scene is this: it is exactly the same as any other scene. Our isolation of sex from other kinds of scenes is not indicative of sex’s difference, but the difference in our relationship to sex. It is our reluctance to name things, the shame we’ve been taught, our fraught compulsion to an act a theatre of types. It is indicative of the lack of imagination that centuries of patriarchy and white supremacy has wrought on us. 
To teach sex scenes is to talk about plot, dialogue, pacing, description and characterisation: all those elements that make a captivating scene. A sex scene should advance the story and occur in a chain of causality that springs from your characters’ choices. It should employ sensory detail that concretises and also speaks symbolically to the deeper content of the story. Or if not, it should service your work of art in whatever ways you want from your scenes.

“Mind Fuck: Writing Better Sex” in Body Work by Melissa Febos

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