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RoseLark Publishing

@roselarkpublishing / roselarkpublishing.tumblr.com

This is a placeholder admin page for RoseLark Publishing. Most of the time the admin doesn't say much. But sometimes they do. https://www.roselarkpublishing.com/
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Obligatory Info Post

This is the base account for RoseLark Publishing. Occasionally the admin will answer questions about publishing. But mostly this account exists to run author side blogs.

Our Website is located here.

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RoseLark Publishing also provides editing services and formatting services as well as pre-made covers.

Updated: 11/11/23

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lurkingshan

If we interacted for the first time today via boops and are unlikely to run into each other again because we don't have the same fandom niches I just want you to know our boop bond is real and if I ever see you randomly come across my dash I'll think to myself "aww my boop bud" and send you warm thoughts and good vibes

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Do you have staff who design your covers or is it freelance?

How does one get involved in your design team?

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Thank you for reaching out to us; it took a lot of courage to do so.

Most of our covers are designed on a contract/commission basis, premade covers are essentially like an additional art portfolio that are also for sale.

Currently we do not have the demand for additional members of our graphic design team. In fact, like most actual editing (copy, line, proofreading) cover design is done by freelance/contract employees. It's becoming rarer and rarer to have an in-house or on-staff designer. There are still some positions, but a lot of it is about who you know. (As a note, some indie-turned-tradpub authors bring their own designers and illustrators with them when they go trad.)

If you are looking to get into cover design, we recommend creating a portfolio that shows you understand what goes into cover design-- a lot of designers specialize in different genres. This is why a lot of cover designers have premade covers for sale. They're essentially sales tools.

If you're looking to get into illustration for covers (which we do not do, but we do work with authors who have illustrators), that also benefits from having a portfolio. The big thing for illustrators is knowing how to create a scene and how to communicate with their clients. It also means understanding that your artwork may end up being covered by the text.

For all of these positions, it's about both having the confidence to put yourself out there and the lack of ego to know that you have to work as a team so that your author/client can get sales.

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So you know how we make covers?

We do more than just romance covers. While Romance is our home, we like to dip our toes into speculative fiction too.

These pre-made covers are available for purchase and are just waiting for your author name and book title to go on them. All of our covers are exclusive, which means they'll only be used once, and feature licensed/purchased for commercial use fonts and images.

Readers really do judge a book by its cover. It's a sad truth, but many people will decide if a book is worth buying by its cover. Additionally, it's important that your cover speaks the language of the genre that you're trying to reach... this includes font choices as well as images.

Drop us a line if you're interested!

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Book Cover Design 101: What Makes Up A Cover

So, I promised at one point to talk covers, specifically book covers and what makes a good book cover. And I realized that to talk covers, I need to make a few things clear and that means understanding some basic concepts/terms.

This is going to be long since it's more complex than you think. I also ramble a lot. LOL.

To go over the terminology and the basics, I'll use covers that are currently bestsellers on Amazon that I've screen-capped. Here's some of the important terms/concepts:

  1. Font - This should be self explanatory. There are four kinds of fonts that are generally used: Serif, Sans Serif, Script, and Unusual. Script and Unusual can be Serif or Sans Serif. And font choice is really important in conveying genre and readability.
  2. Image - Also self explanatory. The image can be made up of several images stitched together, various effects, gradients, vectors, and it can be illustrated or photographed or a combo.

This is the current cover for Loretta Chase's Steamy Historical Regency Romance "Lord Perfect". It's a pretty standard clinch cover. (Called clinch because one character, typically the dominant male, is clutching the other. This is also true in LGBTQIA+ covers.) The coding is spot on... Let me break it down:

I'm going to talk font first.

  • The LIME arrow points to the testimonial/endorsement. In this instance, it's a generic author endorsement by Julia Quinn... the author of the Bridgerton series (and another big name HistRom author). Publishers, especially trad pub, love these because they think that readers will read books if one of their favorite authors endorses that author. Julia Quinn also writes steamy historical regency romance, so if she's endorsing the author, they likely write the same genre. This text is in black in a simple serif font. This text is the least legible because it's the least important.
  • The RED arrow points to the author name. For this book, it's the largest bit of font on the cover. That's because Loretta Chase has a large following and HistRom readers are nothing if not devoted to their favorite authors. This is often true across all genres. The larger the author name, the bigger deal they or their publisher think they are. The author text is also in a SLIGHTLY different color than the title or the brag. This is because the cover designer chose to have all of the important text on the bottom of the cover (Viable choice), but they want people to know which is which. The author name is in a slightly swishy serif font and each letter is capitalized with the L of Loretta and the C of Chase in a larger font size. There's also a drop shadow under it. This is the most legible because it is what the publisher deemed the most important.
  • The YELLOW arrow points to the brag. This is where the author lists their most important achievement. Did they make the USA Today bestseller list (the easiest of the major paper lists)? Then, you'll see that. New York Times (Super hard for Romance since many of their partner stores don't sell Romance)? Then you'll see that. Bestseller with no listing? That means they cracked the top 100 in their category on Amazon (or another site... but Amazon is most likely). International Bestseller with no listing? That means they cracked both the U.S. bestseller charts and at least one of the other country stores (again this is likely on Amazon). Some people only put bestseller on their brag if they reach number one in their category. But it is absolutely not consistent. If they list a book/series title, that's because it is trying to appeal to readers of that book/series. The brag is in a simple serif font (probably the same as the endorsement), but in white and larger because it's more important.
  • The MAGENTA arrow points to the title. It is in a simple script font and as the title, it's the second largest font on the cover. It also has a drop shadow to make it stand out. For some reason, it's not perfectly centered... No clue why, likely a mistake or a crop from the paperback version (the dimensions are different for ebook and paperback). Script fonts are really common in romance, especially historical romance.

On to the image itself.

  • The AQUA arrow points to the characters. They are models who have been to a photo shoot. This is a photorealistic cover, although in past years they were actually painted. And even today, many designers will run the photo through a program to add a paintbrush effect. They're dressed in sort of historical clothing... as is very common for trad-pub it's pseudo historical. (In a former life I was a costumer.) It is very likely that the woman actually wore a white dress and the color has been added by the cover designer. I am 90% certain that I've seen both models before, especially the male. I don't think it's the fat-phobic dude, but it could be. The fact that the clothing is partially off hints at the steamy nature of the contents within--the color of her dress adds to this too. For some characters, you'll get headswaps. If it's done right, you won't notice.
  • The BLUE arrows point to the background. This is a little complex, so let me break it down... There are at least Three, although I think Four images that are stitched together to form the background. The Roses, the Stairs, the Building, and the Fence that runs into the building. There MAY be an additional image above the fence of some trees. But I'm not totally sure because of the effects. The background is telling a hint of the story and also playing into Historical Romance Tropes. The color appears to be a gradient that's slapped over the stitched background - possibly two... The Red again hints at the steamy nature. And, if this is part of a series, it's likely that each book in the series will have its own signature color for the cover. There's also a paint stroke effect that is most noticeable over the arch fence thing. That stroke effect does double duty. It draws your eye to the characters and it also hides/obstructs the stitching on the background.

Let's move on to a different cover. This time I've chosen a serial killer/police procedural (Think "Criminal Minds") that has been put out by a medium press publisher.

Starting with the font. As a note, none of the fonts have a drop shadow or outline to them. And they appear to be all the same sans serif font, I think.

  • The MAGENTA points to the title. You are a LOT more likely to see sans serif fonts in Mystery than you are in Romance. The font color matches the color of the character's coat. As well as the series title & number. There's a small cloudy overlay to the text that hints at the fog of mystery. On this book, the title is the most important thing.
  • The RED arrow points to the author's name. Note how it's smaller than the title, but it also stands out. This is the second most important thing.
  • The LIME arrow points to the Series title and Number. This is so readers of the series know where they are. Third most.
  • The YELLOW arrow points to the hook/flavor text/tagline. This a little tidbit to try to reel in readers, or at least get them to go on and read the summary/blurb. Fourth most.
  • The WHITE arrow points to the self endorsement. Apparently the author couldn't even mine her reviews for an endorsement, let alone a publication, blogger, or another author. This is more common in smaller press or indie pub. I'm putting my money on the publisher, though. This is also the least important element on the cover.

On to the image.

  • The AQUA arrow points to the character. Based on the other covers in the series, this is probably the main character... D.I. Lottie Parker. It's incredibly common in mystery to show the lead in either silhouette or from behind. This is because publishers want the reader to be able to insert themselves into the detective role. (It's also why so many YA covers do the same, JSYK.) The only colors on the cover are on the character. Their coat and their hair. That's it. Monochromatic is also common in Mystery/thriller. (And Erotica, but that's another post).
  • The BLUE arrow points to the background. There are at least five images stitched together... And I'm fairly certain that I've got at least two of them from various stock photo sites. The birds are one layer, the tree limbs at the top another, the clouds that overlay are yet another, the house is its own thing, then there's the dock. It's possible that the hills in the background are another image, but that seems like a lot of work. (There's a ton of dock in lake photos out there.)

So now you should have a good idea what makes up a cover.

I've got more to say on this, but this post has gotten long enough. I told you I'm long winded. LOL

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So... did you know we make covers?

Covers like these? Or actually, these specific covers that are just begging for a Real title and a real author's name to go with them.

These covers are available for purchase on our website and use commercially licensed fonts and images.

People really do judge a book by its cover and it's important that your cover speaks the genre shorthand. These covers speak the language of contemporary romance (either with or without sex). (I really need to do a post on the language of covers. But today is not that day.)

So Apparently today is partially that day where I talk about the language of covers, but only because someone makes a really good point in one of the reblogs that I hadn't considered before...

The tags that stand out to me are "Meme templates" and "Trope samples"... because that is what cover shorthand is all about and it's why you'll see people bitching when the cover does not match the expectation of the book. (More on that in another post, I promise... someday).

So covers really are in a way "trope samples" because the cover should provide a little taste of what can be expected inside the book. This can be accomplished by the use of graphics but also fonts. Fonts have meaning. You'll notice that each cover has something swooshy or swirly on it... that's because romance covers for years and years use that kind of font to tell people that it's going to be a romance with sweeping drama and swells of music. But also notice that not every part of the text is the same. That's also normal and common, but not universal.

Additionally, all covers are essentially meme templates. Because just like a meme, they need to be able to convey the most important information in a glance. That includes highly legible fonts that can be read as a thumbnail, good contrast that isn't eye searing, and pictures that appeal to the target audience.

So like seriously, these tags are like the biggest compliment a cover designer can get. The covers do their job and tell people at a glance what they can expect in a book, and hopefully, they'll convince those same people to buy them while keeping away people who dislike the genre.

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So... did you know we make covers?

Covers like these? Or actually, these specific covers that are just begging for a Real title and a real author's name to go with them.

These covers are available for purchase on our website and use commercially licensed fonts and images.

People really do judge a book by its cover and it's important that your cover speaks the genre shorthand. These covers speak the language of contemporary romance (either with or without sex). (I really need to do a post on the language of covers. But today is not that day.)

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Hey all!

A little heads up that I'm going to try to be better about promo of the stuff we do this year. I'm pretty crappy about it. LOL Like literally the only reason we're a publisher is because there were two of us in the beginning and Amazon doesn't know how to pay more than one person and It's never a good idea to leave finances in one person's hands without a contract. So yeah... we have a business.

And we do stuff. Like Editing and cover design and we do publish a few authors who transitioned from fandom to indie. So we should promote that.

I know some of you aren't here for that, so all of it is labelled either "Shameless self promo" for our stuff or "Shameless promo" when it's for the stuff for authors we publish.

I'm giving you all this warning... because apparently we have a metric butt-ton of stuff that is set around Valentine's Day. LOL

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Hello! Don't worry about reply if no spoons etc. But did you have an editor you ran your work by before publishing? If you did, was it more of a friend situation or was that their job professionally?

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Hey! I work with @roselarkpublishing, who are professional editors who also happen to be my friends. Their services and prices are listed on their website at: https://www.roselarkpublishing.com/editing

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Update to Editing Rates

Hey everyone!

We meant to announce this last year, but then cancer happened. Starting July 1, 2022 some of our editing prices will be going up. We can’t put it off any longer due to the costs of food, fuel, and paying our editors a viable wage.

The prices that will be changing are:

1) Manuscript Assessment will now have a minimum price of $25 for works under 25k. Works over 25k will keep the price of $1/1000 words.
2) Line Editing will now cost $8-12/1000 words.
3) Content Editing will now cost $14-19/1000 words.
4) Book Doctoring will now cost $22-32/1000 words.

Unfortunately, we don’t have any openings between now and July -- again cancer happened. To compensate somewhat for that, any client who currently has projects definitively scheduled with us will keep their quoted rates. But new projects and new clients will be quoted using this new rubric. We will be updating our website to reflect this.

We appreciate everyone supporting us. We really didn’t want to do this since we try to keep things affordable for our indie authors, however we need to be able to pay our bills too.

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gimmeromance

Hey… You.

Yes, you.

The person wandering the categories on Amazon or Barnes & Noble looking at the thousands of romances and coming up blank. We see you. We are you. And we can help you find your next (or first) Romance read! Whether you’re new to Romance or looking for that next Romance fix, we’ve probably got an answer for you.

Say you want some gay vampire Romance? We can find it! Regency Romance written by people of color? We’ve got options for you.

We’re five long time readers, writers, and librarians who happen to love and respect the Romance genre. We know it can be a big scary genre to jump into with pretty much every trope you can shake a stick at. 

So, check out our Rules and our FAQ. Hit us with your asks. And we’ll hit you back!

Here's a new thing!

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