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Life is Wonderful

@nyelllo / nyelllo.tumblr.com

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I think the Hunger Games series sits in a similar literary position to The Lord of the Rings, as a piece of literature (by a Catholic author) that sparked a whole new subgenre and then gets blamed for flaws that exist in the copycat books and aren’t actually part of the original.

Like, despite what parodies might say, Katniss is nowhere near the stereotypical “unqualified teenager chosen to lead a rebellion for no good reason”.  The entire point is that she’s not leading the rebellion. She’s a traumatized teenager who has emotional reactions to the horrors in her society, and is constantly being reined in by more experienced adults who have to tell her, “No, this is not how you fight the government, you are going to get people killed.” She’s not the upstart teenager showing the brainless adults what to do–she’s a teenager being manipulated by smarter and more experienced adults. She has no power in the rebellion except as a useful piece of propaganda, and the entire trilogy is her straining against that role. It’s much more realistic and far more nuanced than anyone who dismisses it as “stereotypical YA dystopian” gives it credit for.

And the misconceptions don’t end there. The Hunger Games has no “stereotypical YA love triangle”–yes, there are two potential love interests, but the romance is so not the point. There’s a war going on! Katniss has more important things to worry about than boys! The romance was never about her choosing between two hot boys–it’s about choosing between two diametrically opposed worldviews. Will she choose anger and war, or compassion and peace? Of course a trilogy filled with the horrors of war ends with her marriage to the peace-loving Peeta. Unlike some of the YA dystopian copycats, the romance here is part of the message, not just something to pacify readers who expect “hot love triangles” in their YA. 

The worldbuilding in the Hunger Games trilogy is simplistic and not realistic, but unlike some of her imitators, Collins does this because she has something to say, not because she’s cobbling together a grim and gritty dystopia that’s “similar to the Hunger Games”. The worldbuilding has an allegorical function, kept simple so we can see beyond it to what Collins is really saying–and it’s nothing so comforting as “we need to fight the evil people who are ruining society”. The Capitol’s not just the powerful, greedy bad guys–the Capitol is us, First World America, living in luxury while we ignore the problems of the rest of the world, and thinking of other nations largely in terms of what resources we can get from them. This simplistic world is a sparsely set stage that lets us explore the larger themes about exploitation and war and the horrors people will commit for the sake of their bread and circuses, meant to make us think deeper about what separates a hero from a villain.

There’s a reason these books became a literary phenomenon. There’s a reason that dozens upon dozens of authors attempted to imitate them. But these imitators can’t capture that same genius, largely because they’re trying to imitate the trappings of another book, and failing to capture the larger and more meaningful message underneath. Make a copy of a copy of a copy, and you’ll wind up with something far removed from the original masterpiece. But we shouldn’t make the mistake of blaming those flaws on the original work.

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gibbearish

oh, to be a cartoon mafia boss with two dimwitted but loveable lackeys who, upon my cleverly insulting the protagonist, will say “nice one, boss,” and the second, in a slightly higher, more snivelly voice, will say “haha, yeeah, nice one boss!”

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decode your teen's texts

lmao: lenin, mao, and others

brb: bringing rad bolsheviks

kmrc: karl marx was really cool

ittiu: i think trotsky is underrated 

rtcm: reading the communist manifesto 

pilsalbway: personally i liked stalin better, what about you?

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systlin

This made me nearly bite a pencil in half in enraged memory. 

@  THE REST OF MY ANCIENT HISTORY CLASS; Y’ALL ARE WELCOME FOR THAT FUCKIN A THE REST OF YOU DID NO GODDAMN WORK FOR

Oh man, so I know everyone hates group projects with ample good reason, but lemme just tell you something that happened to me in my final year of uni. My dad got real sick and was in and out of hospital numerous times, one time with a suspected heart attack. Which meant my mum ended up caring for my dad, and I wound up caring for my disabled brother, on top of working a part time job and going to university full time.

My grades slid dramatically. I was having to appeal nearly all my results with my professors, and was mercifully granted extensions by all but one of them. (Which, if you’re out there Ronald: stub your toe and step on lego for the rest of eternity.) And then our Revolutionary Cultures prof. assigned a group project, and paired us at random with our classmates. And I knew, I knew I was just going to be a dead weight so I went to my new buddy and told them we should go to the profs office and ask for her to be switched to someone else who wasn’t just going to drag them down. And my new best buddy for the rest of the semester looked at me, looked at our assigned project, and very gently started to cry as she told me “I was just about to say the same thing to you,” and then tearfully told me her mum was dying, and the only reason she hadn’t dropped out to take care of her was because her mum wanted to see her graduate. She’d been given six months and we graduated in five. Provided we finished this class. And we were both out of appeals and leniency time.

It’s probably one of my most vivid memories from the whole college experience, just sitting on the floor of the Renaissance Lit corridor hugging someone who until a moment ago had been a relative stranger known only in passing, and trying to tell them it would be okay, we’d get the paper done. And we did. We scraped a C- together between the two of us and we managed to coast over the passing mark for the class and were allowed to graduate with abysmal but passing marks.

And I still think about her all the time. Especially when I wind up in group projects for work, and it feels like no one else is shouldering any of the burden, I make a note to reach out and say “hey, you don’t seem to be engaging with this much, are you okay?”

And a lot of the time it shocks people. They’re not expecting earnest concern for their lack of interest, and you find out things like their kid is sick, their dog just died, they’ve got health issues going on, or sometimes they just don’t know where to begin with the project and didn’t want to tell you that because they were frightened of being judged or perceived as lazy when they’re just overwhelmed.

And I honestly wish things like this were taught in team building exercises, cause that’s what group projects in school are. They’re supposed to be teaching you how to work well with others and achieve a common goal, while at the same time totally skipping over the fundamentals of human interaction and how to engage socially with others, and it’s fucking bullshit.

Source: BuzzFeed
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reblogged

remember that cartoon where the cat in the hat and the grinch meet, and the cat is like “why are you so mean? is it because of your mother? is it because of your dead mother, you sick bastard?” and it turns out the grinch is just grieving over the loss of his mother and that’s why he’s so miserable

he also hallucinated her in his puddle of tears

Oh my God the forbidden Grinch Lore!

This unlocked a suppressed part of my childhood.

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How did I wake up in the middle of the night with the funniest tweet idea and it was this

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