The Tower 🔥

You can get this print in the mail or download it as a printable by joining my Patreon this month~

I am not ready to lose this tomorrow, Lord help me

I love that this worked

This is a comment someone appended to a photo of two men apparently having sex in a very fancy room, but it’s also kind of an amazing two-line poem? “His Wife has filled his house with chintz” is a really elegant and beautiful counterbalancing of h, f, and s sounds, and “chintz” is a perfect word choice here—sonically pleasing and good at evoking nouveau riche tackiness. And then “to keep it real I fuck him on the floor” collapses that whole mood with short percussive sounds—but it’s still a perfect iambic pentameter line, robust and a lovely obscene contrast with the chintz in the first line. Well done, tumblr user jjbang8

I hate that my aesthetic sense agrees with this but everything you just said was correct

I went back to dig up this post because I was thinking about poetry.

This is one of those non-poem things that are among my favorite poems.

As the OP stated, the use of alliterative consonants is aesthetically just great, especially the placement of the strongest use at the end: “fuck him on the floor.” The use of “chintz” is indeed great word choice.

Because I’m insane, decided to scan the poem:

Not only is the second sentence, indeed, perfect iambic pentameter, the entire poem is perfectly metered, though the first sentence has four iambs rather than five.

There are further things I love about this poem, though: I like the casual connotations of “keep it real” juxtaposed with “chintz.” It causes me to interpret the “chintz” more strongly as meaning something fake, a facade. There is also of course the coarseness of “fuck,” which is a contrast with “chintz” but a different kind of contrast, gutsy and carnal where “chintz” is flimsy and inanimate.

And then there is the storytelling: there is SO MUCH storytelling in just these two lines. To break it down: The speaker is having sex with a married man, in the house he shares with his wife, which is “filled with chintz”—something that here connotes fakeness, in contrast with “keep it real.”

The illicit encounter in the poem takes place within a house filled with facade, the flimsy construction of the wife’s marriage and domestic sphere, but the encounter itself is a taste of something “real.” That’s a story, and it’s just two lines.

This is EIGHTEEN SYLLABLES, y’all. The amount of meaning condensed into these eighteen syllables is stunning, and it is so elegantly done.

From a technical standpoint (and ive taken 300- and 400-level poetry classes so I can say this) this is damn near flawless as a poem.

Kept thinking about this ever since I saw it and had to do something

there's art now

Ah dang to go further; the floor is framed as a refuge. As if there is literally no other space in this house that hasn't been populated by his wife with flimsy inanimate fakery. There is no space for this man in this house save for the floor. There is no space for him on the sofa, oon the counter tops, and most notably, no space for him in the marital bed.

I’d also like to point out the use of the word “has.” The wife has filled the house with chintz. She isn’t filling the house with chintz. She doesn’t fill the house with chintz. She has filled the house with chintz. Use of the past-tense makes the wife a subtly removed element in the story, someone whose presence we see in the environment, but who is blissfully distant during the actors throes of passion. There is an element of physical as well as emotional separation from the wife that is catalyzed by being fucked on the floor. Use of the past tense is an end to the wife presence in the actors life, a carnal catharsis amid cold fragility and emotional distance.

This is my new favourite post in the world

everyone cheer for the one (1) time tumblr had reading comprehension

reblog the Don Draper of getting a job he’s unqualified for and you’ll have 10 years of getting jobs you’re unqualified for

YES

No but my dad actually did this at McDonalds in the 70s!

So here’s a true story: my father, sometime in the 70s was looking for his first job. He went to the local McDonalds and told the staff, [manager’s name] said I was supposed to start today. They took his word for it and started training him and by the time the manager saw him and asked who he was, people just said “oh that’s the new guy.”

Somehow this actually worked. My dad worked there for a couple of years as a cook. He even won an award plaque which he had on the wall until the day he died.

Confidence Helps

Me, walking into FBI Headquarters:

“Name’s Burt Macklin, I work here now.”

You can’t let this be lost in the tags

some of my favourite vídeo essays about art history:

whose migrant mother was this? the story of the native american woman who became the face of the 1930s depression (and got almost nothing for it)

bauhaus design is everywhere, but its roots are political how even a simple choice between what font to use can be a political act

edvard munch: what a cigarette means munch + tobacco = art? (yes we’re still on the topic of art as a political weapon)

art that was never finished how great masters sometimes even didn’t finish stuff. also! the history behind the colour aquamarine

fka twigs on mary magdalene (if you like asmr you’re gonna love this)

having a coke with frank ohara (technically not art history but this video is too good for me not to mention)

video postcard: woman at her toilette a quick dive into my favourite painting of woman impressionist berthe morisot

this documentary about georgia o´keeffe (that ive seen about 10 times)

david hockney on vincent van gogh on love of nature, beauty, attention, and the art of looking (essentially a mary oliver poem in interview format!!!!)

dante and the invention of hell short film about centuries of art depicting dante’s circles of hell, my favourite works possibly ever made were inspired by his writing (sky arts documentary so it’s not your standard v. essay)

who’s afraid of modern art: vandalism, video games, and fascism about the meaning of modern art and the publics response to it, as well as a political campaign to eradicate it or moreso make an example of the so-called ‘undesirable’ nature of their art

how to make communist art on the future prospects of art for art’s sake and creativity outside of capitalist restraints

Brigsby Bear, nostalgia culture and millennial optimism a little off topic but an essay about a film that questions our need to attach our identities to our past and our childhoods in particular, questionning whether we should put our faith into recreating our old loves or creating new ones - i think its relevant based on the films perspective on art

museum theft PLEASE watch this introduction if nothing else today, it will make you cling to the edge of your seat; truly a masterpiece

Numb // Linkin Park 80s Remix

I didn’t know how much I needed this until I heard it.

The original song is how depression felt at first, this version is how it feels now

@l-heure-du-the this is so VIOLENTLY your fucking aesthetic

From “… nothing matters…” to “NOTHING MATTERS! :D”

Good omens - Hard Times // The Magnus Archives - Bloody Mary // Hannibal - Apertivo // Killing Eve - You're Mine // The Penumbra Podcast - Juno Steel And The Murderous Mask pt. 2 // The Witcher - Rare Species

OH NOOOOOO I LOVE THIS SO MUCH

Words to describe facial expressions