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Sweet Nightmares Sweetheart

@maevelin / maevelin.tumblr.com

Passion it lies in all of us. Sleeping. Waiting and though unwanted, unbidden it will stir...Open its jaws and howl. It speaks to us, guides us. Passion rules us all and we obey."
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antigonick
I have let the words of those who have made a gift of madness to us in their writing come into this book: may they take my place, think me. And let them reflect on this: “If others had not been mad, then we should be.”

Shoshana Felman, Writing and Madness (trans. by Martha Noel Evans, Shoshana Felman, with the assistance of Brian Massumi)

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reblogged

ok this is important to me. gaslighting is not a synonym for lying. it’s a type of lying. if someone says to you “the sky is green,” that’s a lie. if you say “the sky is blue” and they respond “no, it’s green, you’re wrong, your eyes are playing tricks on you” THAT’S gaslighting. the crucial requirement is that they try to convince you not only that you are wrong but that you shouldn’t trust your own senses. that you’re imagining something/hallucinating/dreaming. the abuser is trying to make themselves more of an authority on reality than your own mind, often with the goal of making you reliant on them to tell you “truth” from “fiction.”

also a crucial part of gaslighting:

the gaslighter has to know they are giving you incorrect information.  they have to know, on some level, that they are manipulating you.  If someone is giving you bad information because THEY have bad information, because their eyes and ears and perception can’t be trusted, it’s important to know that.  That’s not gaslighting, it’s just the other person being wrong.  It does happen.

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Anonymous asked:

Reading your meta about Nesta and the Temptation and Power gave me another insight about her sacrificing her powers but I still hate it. I just find it so pointless.

I get where you are coming from and I somewhat agree. It did feel pointless in some ways while in others did not. However since the author chose that for the character from a characterization standpoint it defines Nesta as a character along with her response to power. 

That been said Nesta giving away her powers to save her sister was important for her personal growth and this book was more focused towards her personal journey, her relationships with other people, and her healing rather than her nature as Fae and all she could achieve and be through that transformation. This was not so much about Nesta accepting her powers but it was about accepting herself. The powers were an added bonus but it was not what made her...her.

Given how Nesta’s relationship with Feyre is in its core something of the outmost importance for both characters but also a focal point the readers want to explore more then this sacrifice highlights more and gives us a breakdown of the emotional ties between the sisters which is something that the narrative had to give to the readers and foreshadowed throughout the previous books.

Now let me get to the somewhat agree part.

The problem here was that it was basically a cope out.

This was just wasted potential. For any sacrifice to matter what is sacrificed must mean something for the person that does the sacrifice. Must be something accepted, valued. Something the person can’t live without. Something that losing cripples you and you feel the loss. Otherwise the sacrifice is a bit hollow. 

We basically saw how Nesta was afraid of her powers, we saw how she viewed them as a burden and how she didn’t get to the point of diving into the pool of her strength and Fae magic. We saw some conflict she had between her humanity and her new High Fae nature but that was mostly something the writer told us but didn’t bother showing us. It was also something mostly pointed towards romance rather than self growth. Which was pity because based on the prejudices Nesta had towards the Fae and based on how she was forced into the Cauldron her exploring her powers and what that meant for her understanding of the world, for herself, and for the powers as something primal and part of herself would have been hella interesting. It was never about Nesta becoming a Queen or being more powerful than other characters. It was never about petty competitions between characters. But by expanding, exploring and showing Nesta’s power and by observing the new creature she became the writer would add a duality in Nesta’s mentality that would bring more complexity. It would all make for a more entertaining read. 

If Nesta had understood her powers, if she had connected with them and appreciated them then giving them back to save her sister would have been a thousand times more impactful but the truth is that in the book we had just scratched the surface of her powers without expanding on them.

Either you loved or hated Nesta as a reader everyone should admit that her ability to pillage the Cauldron and the concept of conquering Death is something that can be very interesting to read. It is a concept that can generate amazing plots, amazing characterization, introduce incredible things to the world and the universe of the series.

I also understand that once you touch that potential and after hyping the hell out of it is very easy for any writer to be intimidated and back down. But backing down is not the same as dropping the whole thing in a rushed way without bothering to even...try.

This points me to the writing using things for shock effect and them abandoning them because the writer can’t handle them. 

But even if that was not the original purpose and the author chooses to center solely on the characterization and not on the fantasy aspect then it is still a failure of sorts to not expand on those powers. Because when it comes to Nesta giving away her power, for the emotional impact the writer intended, and for that to even work, we as readers should have understood what those powers truly meant. 

We got some silver flames and ‘Death’ and sure the cinematic effect would have been nice in a potential adaptation and when you read certain lines (Lady Death, Queen of all Queens, Death Gods, etc) you get the epic sense but...what does it really mean? How does it work? What is it? It’s like watching a vague sketch of a cake, waiting for it to bake and never seeing and how much more tasting it. I mean sure...the sketch was awesome, the intention clever, it would have been amazing but...the sketch was torn and you are left wandering.

Beyond that we should have understood what those powers truly meant so we could appreciate the gravity of Nesta’s action. If Nesta had embraced them and we have seen them in action and she had retained them for a certain amount of time by organically growing along with them then we would be getting both the practical and emotional gravity of those powers and how they redefined Nesta. 

Truth is that we didn't. We only got hints of her power and an outburst of it but in reality most of it was left unexplored. It was vague, simplistic and hollow. 

It all comes down to substance and in order to have that then what you work with, what you give away it must matter, it must have nuances, depth, dimension. It must have repercussions. We got nothing of that for Nesta's powers and by the time she was finally ready to embrace the possibility of handling them those were gone.

It was superficial in the sense that was superficially handled.

And then whatever was left of those powers was given in a sort of open ending and again in a vague way like throwing to the readers a bone for getting them to read the next installments of the series that won’t even be about that character (you can also call it money grab).

On the other hand the sacrifice of powers is a trope that I general don't like. It is constantly given by writers (along with similar death tropes as the ultimate sacrifices) and it is almost never done right and this was not an exception. It was sloppy.

One thing that I also find tiresome is the repeat of a certain behavior in these books. Maas has the tendency to over hype things. To aim for the epic and the legendary. To give epic quotes and hype and hype and foreshadow and then she either gives an anticlimactic conclusion or drops everything she kept building and hinting at.

It’s frustrating and annoying and we haven’t even seen this for the first time with Nesta and her powers.

In the end of ACOMAF Cassian's wings get shredded which led to the readers anticipating a certain plot for that character. We had expected to see how he would overcome that trauma, how it would define his character, how he would work through that and how that would affect the plot, his dynamic as a character, his relationships and so on. Something that given who and what Cassian is both as a person and also as an Illyrian warrior and General led to a certain hype and by the time ACOWAR was out the writer basically shrugged this off. Cassian was healed outside the narrative and it was as if that never happened. So it was mostly used for shock value and nothing else. 

By the time we read ACOFAS the Illyrians were heading into conflict that hinted towards internal war and an uprising. We all thought this would be a big part of ACOSF and that was not touched either. 

We get all this hype and hype and it does not pay off. We get nothing in the end. Everything deflates and is not even handled. Hell, at this point in the books and we don't even know the last names of most of the main characters. We still know the King of Hybern as Hybern based on the name of a territory. I mean..

Another issue I personally have with this is the 'agenda' the writer has that has nothing to do with the writing or the narrative but is partially inclined towards something that is not related with the characters in question of their characterization. Nesta was basically the most powered up individual in the ACOTAR series similarly to the death gods. It was meant to hype and foreshadow something epic but at the same time it went against what the writer had imagined as the core of the universe which for her is Rhy/sand, Fey/re and Fey/sand. In the same way Amren was de-powered for that purpose alone Nesta followed and it has nothing to do with Amren or Nesta in the grand scheme of the things but everything to do with the writer being partial to certain characters and certain characters having special and preferential treatment. And I could get behind that if the writing did it right and I could not see right through that intention. But I do, so it feels forced and it just takes away a lot of my enjoyment.

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buffysummers

Every season of Buffy the Vampire Slayer →Season Five Dawn, listen to me. Listen. I love you. I will always love you. This is the work that I have to do. Tell Giles.. Tell Giles I figured it out, and that I’m okay. And give my love to my friends, you have to take care of them now. You have to take care of each other. You have to be strong. Dawn, the hardest thing in this world is to live in it. Be brave. Live.. For me.

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Things to remember about Gwyn:

• She is 28 years old – an adult.

• Her birthday is very likely in January.

• She is ¼ River Nymph, her grandmother was a River Nymph that seduced one of a High Fae male from Autumn Court.

• Her mother was unwanted by either the Autumn Court and Sprinf Court people and was given in her childhood to the temple at Sangravah.

• Her father is a mystery. The Magic chose him on the Great Rite and her mother was involved in the sacred union. She never found out who he was.

• She had a fraternal twin named Catrin who was killed in front of her along with two other priestesses by Hybern soldiers when they invaded the temple at Sangravah.

• She gathered the children and ran for the catacomb tunnels, she smuggled them through a trapdoor in the kitchen and she knew they’d find them be found by the soldiers if she left the trapdoor uncovered so she stay covered the door with the rug and the table and that’s when the soldiers burst in.

• She was assaulted but as soon as Azriel arrived he killed every Hybern soldier there and wrapped her in his cloak and soon after Mor and Rhys came in.

• She was taken to the library under the house as it is a sanctuary for women that faced horrors.

• Gwyn often has nightmares and would ask for a Sleeping Potion from the healers.

• Gwyn does not wear the blue stone the priestess’s wear “Invoking Stone” because she feel unworthy of it. It is similar to Illyrian Siphons except the Power of the Mother flows through it. It is only used for healing and protection.

• She loves to sing. She had struggled with singing after her sister’s brutal death and the traumatic experience she suffered. She sings during evening services and her voice is described as pure and sweet and she has a little glow.

• Gwyn is the first character to bring up the mention of Valkyries in the book.

• She for into reading smutty romances thanks to Nesta and Emerie.

• According to Nesta, Gwyn is pretty but when she glows with joy she emerges into a beauty to rival Mor or Merrill.

• She is the first female Carynthian by winning the Blood Rite.

a queen😌

They have too much in common(equals👀)

  • Also, she is bookish and smart, and was chosen as a research assistant for the most demanding scholar at the Library. Nesta says she’s basically good at everything she tries.
  • She seems to have mysterious powers. When she get a little angry with Nesta at first, there’s a crackling energy in the air that calls to Nesta’s power. She also seems to be able to read through people’s tells and deflections very easily and has an odd way of picking out her friends’ scents from a distance (hmmm very much like Eris, who could somehow pick up Mor’s lingering scent 👀).
  • She is super, super competitive and once she sets her mind on a goal, is hellbent on achieving it.
  • Despite her trauma, she is sick of taking the “safe road.” She returns to the Library after the Rite, but had clearly marked out a path that is going to end somewhere else.
  • She loves being Valkyrie and intends to keep training and pushing herself with Cassian and Azriel.
  • She is very friendly and spunky, and enjoys jagged personalities like Nesta and Azriel (who probably remind her of her “moody” twin), but seems unusually afraid of Merrill, who takes special pleasure in causing her stress for some reason.
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