❝ Please. Our last tango was disastrous, at best, ❞
WAVES A HAND, AIRILY, THE MOVEMENT THOUGHTLESS BUT WITH A KIND OF BONE DEEP GRACE. Reyes Vidal could only imagine what clinical realms Siobhan’s thoughts are in because she is ever the pragmatist. The frenzy surrounding her has been taken to new, almost VOYEURISTIC & murderous heights. & she has him to thank for it.
She casts several, subtle glances at the crowd over his shoulder. Her spine is arched back like a sleek PANTHER at the slightest pressure there & she sighs in his gentlemanly cologne. Their actions on the surface level can be seen as a cliche seduction, but it has vast political significance. All business.
❝ I was under the assumption that the Collective took care of the dissent, ❞ she spins on her heels, forcing him to give her a twirl. The strobes cast an angry red light over the soft, pretty shapes of her face as she slips an arm over his shoulder, & grip. Then violet.
Despite how aptly & FANCY her footwork be, Siobhan’s expression & mood sags like a sack full of coal.
❝ I expected efficiency when I made my investment, Mr. Vidal. I will not have any foul rumors attached to my name. Debe arreglar esto. Hm? ❞
A thumb swipes a loose hair from his forehead.
He smirks. "But not the last one.”
Because she’s still here. She still let Sloane die, still chose him, still accepted this dance. He twirls her and she spins fast, her long hair swinging in the momentum, and as the deep reds and purples pour through her lashes and down the narrow expanse of her shoulders, he reels her back in. Fast, fluid, no missed steps. The music is slow like a burning funeral pyre, and he can tell she’s watching the people. They’re watching, too.
Methodical, Siobhan. Nothing escapes her. Her tongue slips to Spanish, all deliberate like the rest of her. He can’t help but to like that.
“I’m always efficient. You’ll see.” One corner of his lips tugs. She sweeps a strand of hair from his forehead, the tips of her long nails grazing his skin, and his eyes, dimmed in the darkness, catch light. “Between you and me, Ryder, what the people are saying--that you can’t be trusted here in Kadara. That’s not true.” She has a violinist’s hands. He holds her, they sway, and in this careful distance, he smells it--the wild violets, coconut, spice--even through the club’s fog of alcohol. Shadowy figures pass, observe. He's aware. "I had a good feeling about you.”
The thing is: People notice successful. People crave it. And they’re jealous of those who are.
It means she’s doing something right.