i keep seeing that post about how frustrating the buff guy -> petite girl type genderbending is, and i wanted to add my two cents regarding the addition of ‘just swap pronouns and don’t change the design’ approach because i think these are two sides of the same coin, as they both fail to really delve into what i think is the most interesting aspect of this design exercise.

the reason i find genderbending to be such a fun and interesting challenge is because, if you actually want to be good at it and put thought into it, you have to really consider the character’s canon gender expression and think about what it means to them and how it reflects in their outward appearance and presentation.

is this male character buff because he likes to work out / be strong, or does he aspire to achieve conventional heteronormative male beauty?

is this female character a tomboy because she likes to express herself in a more masculine way, or is she doing it to fight gender norms?

the answers to those questions should produce very different designs!

this website loves to say that gender is a spectrum, but sometimes i genuinely wonder if people actually understand what that means. 

gender expression, much like gender, is also a spectrum, which is why keeping the character exactly the same won’t always work, in the same way that just making the character conventionally attractive won’t always work. but sometimes, a buff dude would actually just be a hot girl. lady bane, however, would 100% look exactly the same.

I’m tired of people acting like Zhongli is a serious and chill guy who would never cause problems on purpose as if he isn’t one of the biggest menaces out of the Seven. He used to throw mountains at Venti for annoying him. He, the god of history, starts fights among historians for shits and giggles. He tried to gaslight the Traveler into thinking he was totally not at the Chasm guys really Aether/Lumine you must be seeing things maybe you should go see Baizhu. When Qiqi wanted “Cocogoat” milk he was like “Oh yeah sure totally let’s go look for it” knowing damn well it was a wild goose chase. He made the Traveler sing to a flower and then was like “Oh would you look at that” when a Whooperflower jumped out to maul them. I love him. He’s like a cat pushing things off the counter to see how people react. I would pay to see him interact directly with Neuvillette because I know for a fact he’d get on that man’s nerves and argue about water tasting just to feel something. Furina used freedom from godhood to take a nap and Zhongli used it to give psychic damage to anyone who talks to him longer than 5 minutes. Iconic.

SO TRUE BESTIE like there’s literally a part where Paimon calls Zhongli a parasite and comments he has to live off other people’s credit because he can’t just make money for himself or get free shit for being an Archon anymore and he just looks at her and goes “I mean it’s just the Fatui’s money you don’t have to say it like that” LIKE EJRNRJRJRJFJR HE KNOWS WHAT HE’S DOING HE’S VERY AWARE HE’S JUST BEING A LITTLE SHIT BECAUSE HE CAN GET AWAY WITH IT

It’s even funnier when you consider it’s basically a middle finger to Pantalone because his entire thing is trying to take over the economy to spite Zhongli only for Zhongli to turn around and start mooching off him without consequence bro is a MENACE and I just know when Pantalone saw Childe’s financial reports he was frothing at the mouth about it

Massive fuck you to everyone who is talking about Palestinians as if we’re already all dead and sharing more solidarity with our corpses than us living. “We will never forget the beautiful Palestinian people-“ how about you stop “making peace” with Palestinian extermination. My people are not going to be forgotten because we are going to live. Palestinians have already survived one genocide and have been surviving one ever since.

Do not ever let the idea that all Palestinians are going to die exist in your mind. Mourn the dead, fight like hell for the living.

A new religious statue in the town of Davidson, N.C., is unlike anything you might see in church.

The statue depicts Jesus as a vagrant sleeping on a park bench. St. Alban’s Episcopal Church installed the homeless Jesus statue on its property in the middle of an upscale neighborhood filled with well-kept townhomes.

Jesus is huddled under a blanket with his face and hands obscured; only the crucifixion wounds on his uncovered feet give him away.

The reaction was immediate. Some loved it; some didn’t.

“One woman from the neighborhood actually called police the first time she drove by,” says David Boraks, editor of DavidsonNews.net. “She thought it was an actual homeless person.”

That’s right. Somebody called the cops on Jesus.

And the King shall answer and say unto them, Verily I say unto you, Since you have done it unto one of the least of these my brethren, you have done it unto me.

that quote should be added as a plaque on this. This is seriously one of the MOST powerful pieces of art I’ve ever seen. Bravo.

When I tell that I LOVE solarpunk

Oh, I remember this, the edit was done by youtuber Waffle to the left.

They didn't just cut out the parts with the oat milk, they skillfully edited over all the god-damn branding and replaced the audio.

But what I still find most hilarious about this whole commercial is the fact that everything they show in this solar punk world seems to be made with sustainable, zero waste and reusable materials.

Everything EXCEPT THE FUCKING CHOBANI BRANDED STUFF! The only plastic you see in this whole commercial is all the straight to the landfill packaging made by the very corporation that tries to sell how sustainable and "green" they are. Unintentional self satire at its finest.

They couldn't even show their yogurt and milk in (basically infinitely reusable) glass containers because they pretty much only sell their shit in plastic

It is such a perfect example of the true face of "green" capitalism, it's hilarious.

The punk in this solarpunk comes from cutting the corporation out of the picture

one day I’ll finally write that ridiculously elaborate fanfiction that I’ve been carefully constructing in my daydreams for months and then you’ll be sorry. you’ll all be sorry.

“The entire British museum is an active crime scene” - John Oliver

[image description: two pictures, one above the other. The first image shows a statue originally from the Acropolis in Athens, now in the British Museum. The statue is a column shaped like a woman. It is labelled London. The bottom image is from the Acropolis Museum in Athens, showing the other five matching column/statues, with a space for the missing statue pointedly left open. This picture is shot from above and is labelled Athens.

image in savvysergeant’s reblog: screencap of tags from two people. Feeblekazoo’s tags read: the degree to which the Acropolis museum is designed to shame the British Museum is spectactular. butherlipsarenotmoving’s tags read: the acropolis museum is the most passive aggressive museum i’ve ever been to and i love it

/end id]

For those of you who don’t know museum drama, one of the largest and most famous parts of the British Museum’s collection is the so-called Elgin Marbles, which were looted from the Acropolis by Lord Elgin in the 18th Century. (The Acropolis is the hill in Athens, Greece which has some of the most amazing Greek ruins anywhere, the most famous of which is the Parthenon.) Elgin had (or at least claims to have had) permission from the Ottoman Empire to take stuff home with him, but a) this is one empire asking another empire if they can loot stuff from the other empire’s subjugated people, so, not exactly any moral high ground there Elgin, and b) he took a lot more stuff than the Ottomans said he could have.

Greece has been asking for those statues and sculptures to be returned since they won independence in 1832. That’s right, 1832, 190 years ago. The British Museum has had a number of excuses over the years, one of the biggies of the late 20th Century being “we couldn’t possibly give them back because Athens doesn’t have a nice enough museum to display them” and ignoring Greece’s response of “we will BUILD a museum just for them if you will just give us our damn stuff back!“

Finally, Greece said “fuck you” and built a museum at the bottom of the Acropolis called the Acropolis museum. It is huge, it is gorgeous, the collection of objects is amazing and the educational bits (“this is what it is and why it matters”) are really well done. It’s probably one of the best archaeological museums in the world; it definitely is the best collection of ancient Greek artifacts in the world, both for the size of the collection and the way it’s displayed.

Oh. And it is amazingly passive-aggressive. Every single piece of the Elgin Marbles in the British Museum has an empty spot on display waiting for the piece to be returned to Greece. For example, there are a lot of pieces where Elgin took, say, the nicest (or easiest to remove) one of a set. The column/statue in the OP’s image is one of these. Friezes from the roof of the Parthenon are another example. The Acropolis Museum displays each one of these sets with space for the stolen pieces, along with a picture of what the stolen piece looks like and where it is. It is a giant middle finger at the British Museum, disguised as helpful information.

There’s no chance that the British Museum will return any of this in the next generation. It’s not up to the curators at the British Museum; they don’t get any say in this. The board of governors of the British Museum is made up of old posh English people who genuinely believe that the Empire was awesome and England has a perfect right to everything in the British Museum. They have set policies about what can and can’t be removed from the collection, and according to those policies nothing of any historical or monetary value can be given away or sold. And they actively promote the idea that their predecessors had a perfect right to loot the cultural heritage of the world, and that the museum has a perfect right to keep it forever. The only way to get anything out of the British Museum and back to its rightful place would be to completely replace the entire board of the museum with new people who think completely differently. And that’s not happening any time soon, alas.

By the way, the British argument that Greeks wouldn’t know how to care for the antiquities……. Greece has 206 archaeological museums. It’s not only incredibly demeaning as an argument, it’s also straight out false and misleading.

One thing (and with the massive caveat of I don’t disagree with the above in the slightest): the Board of Trustees isn’t like that. They’re not all white, they’re not all rich, and they’re not all English. By and large they’re academics. I was speaking to them the other week with regards to repatriation when I visited and they’re actually very much all for it (bar one or two exceptions…looking at you George) and are working on things. A group of 5 of them I can confirm actively loathe Elgin and the marbles room. The problem lies with the British Museum Act of 1968 (hereafter referred to as BMA68) which was a law created by the government to prevent anything within the BM, which the government owns but wants very little do to with unless you’re trying to repatriate fyi, being removed in the “national interest”. Repatriation is, annoyingly, illegal in the case of the contents of the BM. So the Board have been trying to change this by putting pressure in various areas to get the laws changed, and the government screws them by enforcing term limits for serving on the board and then trying to stack the board in their favour to prevent further action. It’s a game of politics and the government do not want to give up BMA68 at all.

I know we like to categorise everyone we’re up against in the fight for repatriation as “old, white, rich guys” but it’s not helpful when it is decidedly not the case. We need to be mad at the right people and focusing on efforts to change this ridiculous law. At this time, supporting projects like the International Training Partnership, which is the BM’s way of building a network of curators and training them so organisations like the British Government can’t say “hurr durr they can’t look after their artefacts” because actually they can, we trained them ourselves. The network of curators also allows them to build mounting international pressure. It’s not going to happen overnight, but the pressure is building now, I promise you.

Great post . I think we should all call them the Parthenon Marbles from now on.

the coolest kids on the block

He got some fact checking to do

KYUNGSOO DONT FIGHT THE FEELING EPISODE 01. EMERGENCY LANDING

ppl turned attack on titan into a tv reality show like keeping up with the kardashians and get all confused + mad when nothing they overanalyzed happened.

Eren could deadass say 'winter is cold' and you will say winter reminds him of the warmth he's missing from the home he will return at after the rumbling and after killing Armin, Mikasa, Jean, Connie, Levi, Reiner, Annie and the entire world.

If in the anime we see Historia's kid having brown eyes, you will pull post/threads talking abt genetics and how it can be Carla's eyes.

You already lose credibility to me when you say Eren would ditch Armin for Floch.

absolutely lost in the sauce

au where jet doesn’t find out that zuko and iroh are fire nation and when he runs into the gaang he goes ‘oh by the way this is my new friend lee. we met on the ferry ride over here!’ and the gaang and zuko just like awkwardly stare at each other for a really long time

“This is Aang. The Avatar,” Katara says slowly.

“It’s a pleasure to meet you,” Zuko replies carefully.

“Don’t you mean it’s an honor?” Sokka retorts.

Zuko strongly considers breaking his cover just to murder Sokka right there.