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Bring revolution to the universe!

@the-hebrew-impact-frame / the-hebrew-impact-frame.tumblr.com

(Formerly Angry Jewish Magical Girl) I'm jewish, lesbian, I have autism, and I'm an animator. I love burgers, fries, and magical guys. Freelance embarrassment.
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guwix

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EPISODE 3

Episode 3 will be related to a journey in a haunted house.

And according to Gooseworx 3, the series is definitely one of her favorites.

And apparently from her delight, the series will be very storylined, or more informative.

Perhaps it will be the exact opposite of the 2nd series, if the 3rd series is in the horror genre, then the 2nd series was on the contrary all colorful.

Or, for sure, it will touch on deeper and more difficult topics for discussion. I mean, the tape recorder will appear exactly in the next series, or closer to the visual design.

The ghost that came out of the door will be a guide for the team, or will play another role.

Also, Pomni's sharp teeth will return, either she gets mental stress once again, there is also an option that, it will be her puppet. As shown in the trailer, Kinger beats Pomni with a shotgun, either she is possessed by a ghost, or it's not Pomni at all. A haunted house, a place where "fear" can be instilled. Perhaps the enemies took advantage of the fears of the heroes. As one of the suggestions.

Replica of Jax in 3 episodes:

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My boyfriend just woke up, mostly still asleep and told me “don’t worry, it’s getting better” in a heavy, American accent, which is unusual for an Australian man.

“Why are you American?” I asked, to which I got:

“Sorry, it’s getting better” in a stereotypical posh English accent.

“Why are you English?” I asked, amused.

“What is he normally?” He managed to ask.

“He? You’re not anyone else, you’re you.”

“Ugh, me” was the last thing he said, in a right proper Aussie accent before he fell back into proper sleep.

Bitch just thwarted a ghost possession by judging his accents

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BIG SILLY?

this is actually the coolest thing i've heard in a minute. there's something really reassuring about it, honestly. that there's a place in nature, carved out by these creatures, and that even with hundreds of years of separation, they slot back into these spots where they're meant to be

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chandlermead

Forbidden Colors, Felix Gonzalez-Torres, 1988, acrylic on panel, 20 x 68 inches, four parts: 20 x 16 inches each

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cryptiddies

Forbidden Colors, 1988 In this work comprised of monochromes, Felix Gonzalez-Torres employs the power and poetry of abstraction to stake a position in the arena of public discourse, while holding space for the innumerable and unnamed ways that human beings overpopulate the labels we take up as our politicized selves. In an excerpt from a text that lays out his approach, the artist writes:

This work is about my exclusion from the circle of power where social and cultural values are elaborated and about my rejection of the imposed and established order. It is a fact people are discriminated against for being HIV positive. It is a fact the majority of the Nazi industrialists retained their wealth after war. It is a fact the night belongs to Michelob and Coke is real. It is a fact the color of your skin matters. It is a fact Crazy Eddie’s prices are insane. It is a fact that four colors red, black, green and white placed next to each other in any form are strictly forbidden by the Israeli army in the occupied Palestinian territories [this ban was lifted in 1993]. This color combination can cause an arrest, a beating, a curfew, a shooting, or a news photograph. Yet it is a fact that these forbidden colors, presented as a solitary act of consciousness here in SoHo, will not precipitate a similar reaction.

In 1993, the ban on colors Gonzalez-Torres describes was lifted. On January 8, 2023, it was reinstated. Through the work’s seemingly quiet strength and reserve, the artist considers how those in power can perpetrate grave injustice against so many people without public outrage. Gonzalez-Torres shows us that solidarity emerges with a person’s recognition that the prevailing conditions are harmful to them in the same way that another person has already grappled with these realities in their life.

- From the Carnegie Museum of Art

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BIG SILLY?

this is actually the coolest thing i've heard in a minute. there's something really reassuring about it, honestly. that there's a place in nature, carved out by these creatures, and that even with hundreds of years of separation, they slot back into these spots where they're meant to be

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attackfish

As it is Passover again, it is time for the annual debate as to whether the frog plague, which thanks to a quirk in the Hebrew, is written as a plague of frog, singular, rather than the plural, plague of frogs, was in fact, as generally imagined, a plague of many frogs, or instead a singular giant Kaiju frog. This is an ancient and venerable argument that actually goes back to the Talmud because this is what the Jewish people are. If we can't argue for fun about this sort of thing, what are we even doing.

In that spirit, I would like to submit a third possibility, which is that in fact it was one perfectly normal sized frog, who was absolutely acing Untitled Frog Game: Ancient Egypt Edition. One particularly obnoxious frog, who through sheer hard work, managed to plague all of Egypt.

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It does confuse me why everyone seemingly turned on Jax after episode two. There's definitely a joke to be made about "ah who would've thought, the jaded character is acting like an asshole who could've seen this coming" but it's more than that.

It's just very clear to me that while yes, Jax is 100% an asshole, he's also not like, some irredeemable monster like some people are seemingly treating him. He's dealing with a hellscape situation where literally their entire lives don't matter by being as chaotic as possible.

He is the guy who plays a video game and picks all the most out of left field, insane dialogue options because why not. It doesn't matter, none of the people in the adventures are real, Jax knows this. He is doing his best to be entertained.

And yes, he's still an asshole to the real people in the circus. But not nearly as much as he is to the NPCs. And not too much more so than in episode one. Speaking of episode one, we got to see little cracks in his mask of indifference during it. A couple of different times actually.

Both times it's in regards to Kaufmo abstracting. He cares, he obviously cares, but admitting that, showing that, is painful and it's harder to cope with than dealing with it by distancing yourself with a wall of jaded pessimism. And people saw that, and it's enduring.

BUT

That's not Jax's norm. Episode one was kind of a lot for everyone in the circus, someone doesn't abstract everyday. He's off his game in the pilot, which is great for us cause we get to see behind the mask, but it might've set some people up for a wake up call when they saw him back to his more normal self in episode two.

We still get to see the cracks though, and once again its when Kaufmo--someone he used to live here with at the circus and isn't an NPC from an adventure--is brought up.

All this is a long winded way to say that I thought his characterization in episode two was super in line with what we'd seen in the pilot and that while yes he was a chaotic little shit, I like it a lot. He's a very interesting character and so is every other character in the circus with how they handle living in such a mentally taxing situation.

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