i think one of the reasons i get mildly annoyed about worldbuilding threads that are 200 tweets of why you should care about where blue dye comes from in your world before saying someone is wearing blue is that so few of them go up to the second level of "and that should impact your characters somehow" - i don't care that blue dye comes from pressing berries that only grow in one kingdom a thousand miles away if people are casually wearing blue

a couple of people reblogged this so i was thinking about it again (ok i'm almost always thinking about material culture worldbuilding tbh) & a lot of my problem is that these kinds of worldbuilding threads and posts treat it like an obligation and not an oppurtunity --

"blue dye is rare" is a world fact that could be a plot obstacle (character is a dyer and needs blue cloth, of the right shade, for a festival); a clue (main character notices someone wearing blue and realizes that they're in disguise); a way to inform character (main character sees a blue banner and thinks its owner is showing off); and any number of other things, from small to large.

and if the rarity doesn't serve any of those functions in your story, then the existence of blue dye is not important enough that you, as the author, need to consider it.

i'm a trends and forces guy - i believe any given worldstate is created by billions of coinflips leading up to that moment, some random (the sun rose on the day of the battle and gave one side victory) and some more directed (a law was enacted with a specific intent). expecting, as an author, to have generated a worldstate that coheres and connects in the same way and with the same complexity as ours is going to lead to paralysis more often than it is to interesting worldbuilding, or worldbuilding that supports the story you're trying to tell.

Part of the problem here is a culture clash between hobbyist worldbuilders and worldbuilding authors. Some folks just like to tinker with worldbuilding with no overarching goal because they like to have a complex creative project, and get annoyed when authors give them advice telling them they need to focus on story creation. And other folks are worldbuilding in service of a story and get annoyed when hobbyists tell them they should explain fiddly details that are unnecessary to making a compelling narrative.

Hadta make at least 1 dr strange print for ddam so huzzah!

Writing tip of the day: whenever you can, plug a plot hole with a character flaw!

Every time you realise that it makes no sense that the characters didn't do some super logical thing in the first place, figure out which character could have prevented it by simply the way they are as a person. You're not only solving the problem of the plot hole, but also the issue of writing flaws into your characters in a way that doesn't feel gratituous and contrived.

Why did the characters not use this weapon they had access to the whole time? - The character who could have told them about it wants to have control over people and had personally decided they shouldn't have it.

Why didn't that one genius character just tell everyone how to dismantle the robots? - They meant to, but being an absent-minded genius, they literally just forgot.

How did nobody notice that this little girl has been hanging out with an actual demon for seven years? - The demon made her pinky-promise not to tell anyone about it, and being naive and overly trusting, she didn't find that sketchy at all.

Why didn't the characters go to The Big Cool Guys for help in the first place? - The character who is stubborn and overly proud wanted to choose death before dishonour and didn't want to ask for help.

Every time there was a perfectly reasonable solution accessible to the characters all along, that could've resolved the whole plot in minutes, always try to find an angle where someone prevented it just by who they are as a person.

Let's study…

Karlach ⚔️❤️‍🔥🔥

for all the artists out there, here are my favorite resources i use to learn!

Files

The Complete Famous Artist Course

Art Books and Resources

Art, Anatomy, and Color Books

PDF Files of Art Books

YouTube

My YouTube Playlist of Tutorials

How to Draw Facial Features

Drawing and Art Advice

Drawing Lessons

Art Fundamentals

Anatomy of the Human Body

2D Animation

Perspective Drawing

Websites

Pinterest Board for Poses

Another Pinterest Board for Poses

Reference Angle

Figurosity

Sketch Daily

Human Anatomy

Animal Photo References

Humanae - Angélica Dass

Fine Art - Jimmy Nelson

Character Design References

CDR's Twitter Account

iamagco's Twitter Account

taco1704's Twitter Account

takuya_kakikata's Twitter Account

EtheringtonBro's Twitter Account

Drawabox

Color Wheel

Color Palette Cinema

Free Images and Pictures

Free Stock Photos

FILMGRAB

Screen Musings

William Nguyen Light Reference Tool

Animation References - sakugabooru

Animation References - Bodies in Motion

How to draw ears, by me.

tip me a ko-fi!

Every single time I see a take that amounts to "if you write about X happening, or like fiction where X happens, you like X" I'm reminded of this one time I was at a casual friends house as a young kid. We were in her room, pretending to "be orphans" escaping from an evil orphanage and having to take care of each other and fend for ourselves. It was all very Little Orphan Annie/All Dogs Go to Heaven and based on the 80s pop media.

And this girl's mom comes in, hears what we're playing and gets all MAD and UPSET. She says that if we play act something, it's because we want it to happen. So her daughter must WANT HER TO DIE.

First off lady, we were 6 year year olds, so take it down several notches. We barely had a concept of mortality for fucks sake. She made us feel so guilty and ashamed, because she was taking our game personally.

Now I have a 5 year old. And sometimes she looks at me and says "pretend you're dead, and I have to -" Whatever it is. Some adult task she's assigned herself.

And it's just so transparently obvious that she's practicing the idea of having to do things on her own. Which is exactly what 5 year olds are supposed to do. I actually find it very flattering that the only way she can envision me not being available to help her is to be literally deceased. Otherwise, obviously, she wouldn't have to do scary hard things alone.

It's a natural coping mechanism. She's self-soothing about what would happen if I wasn't there by play-acting independence in a perfectly safe environment. She's also practicing skills she needs, and making up excuses for practicing them on her own, without taking on the responsibility of being able to do them by herself all the time yet.

Humans mentally rehearse bad this in their brains all the time. We can do that by ruminating- going over worries over and over again, which tends to lead to anxiety and helplessness and depression. Or we can do it with a sense of play- by recognizing that the fiction is fiction and we can dip our toe into these experiences and expose ourselves to bad things without actually being injured.

My daughter does not want me dead. And I don't want bad things to happen in real life. But fiction and pretend help me face the horrors of the world and think about them without collapsing or messing myself up mentally.

Exactly this.

fiction is a safe space to think of unsafe things if you feel it's messing you up, step away. don't assume it's messing everyone up and you need to eradicate it because you caught a case of the feel-bads from something. go sit with that and think about why instead of pissing in everyone else's cheerios.

Fiction is also a safe space to just… do whatever. You don’t have to justify to anyone (or yourself) what kind of fiction you read or write. You don’t need a reason. You can just like fiction.

And yes, this means you can also not like a thing for no or any reason too. But it does indeed go both ways.

This mans got me in a chokehold ahahahaaa 🫠

don't tell him I said that

Nightmares.

Astarion class swap🔮🧙‍♀️ Collab with @heph!

Microbe Party!

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