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aletheia

@aletheiawriting / aletheiawriting.tumblr.com

Alicia/Cloudy; 23; she/her; currently inactive when it comes to original content; main wip is Eurhyi, a wip about prophecies and fucking with them; icon is a commission by pautipeep <3
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“As you begin the day’s work on whatever it is you’re trying to write, keep in mind that YOU CAN’T HURT IT. Just can’t. You cannot damage it in any way that ruins it. In fact, absolutely nothing you do while working on it can ever permanently harm a piece of writing. The only thing you can do while writing, even as it feels like failure, is to bring about the necessity of doing it again. And when you ARE willing, when you become fully engaged in that willingness, to re-do it, and re-do it, you have entered the true province of the writer, the real cave of making, as James Dickey called it. And, to quote Dickey further, ‘You work on it to get the worked on quality out of it’ So you keep willingly going through it until it begins at last to shine. And to shine in ways that will surprise and delight you; and a reader, coming to it, believes you just breathed it out, casually, like humming a soft sweet song.”

Richard Bausch, from social media post “Once more, with feeling,”  30 August 2022

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guy who's stuck in a timeloop for so long he stops wanting to leave it. guy who started out trying to escape but slowly grew used to and became comforted by the familiarity of the repeating day. guy who is no longer who he was before the timeloop. guy who is offered a way out and violently refuses it because he can't leave, doesn't want to leave. guy who escapes the timeloop by chance or force or accident and doesn't know how to live anymore. guy who keeps going through motions that don't match the situation and keeps having conversations that aren't actually occurring. guy who panics every time he realizes he can't predict the next instant. guy who left the timeloop but still lives with it.

Official Time Loop Post

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Oh my gosh. I just found this website that walks you though creating a believable society. It breaks each facet down into individual questions and makes it so simple! It seems really helpful for worldbuilding!

Heads up that this is a very extensive questionnaire and might be daunting to a lot of writers (myself included). That being said, it is also an amazing questionnaire and I will definitely be using it (or at the very least, some of it).

Bookmarking this…

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engulfes

I just started Tove Ditlevsen’s Copenhagen Trilogy and how is this the very first sentence of the first chapter of the first book i’m already so deeply obsessed

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vampirism poses the question "what if there was a fundamental, horrible, unending well of want in your soul that, if truly satisfied, would lead to great pain for all those you hold closest and, in turn, their absolute and total revilement of you?" and naturally as a person with no problems I don't relate to this in any way at all.

vampirism also poses the question "what if someone you loved, through no fault of their own, needed something from you, and giving it to them and seeing them happy provided you the greatest joy, and you were the only one who could do it, but at the same time it was slowly draining all your life out of you?" which is also a completely unrelatable idea to me because I'm a normal person with no issues.

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so-many-ocs

grabbing new writers by the shoulders. it is important to write what you love and to love what you write. if you spend all your time trying to make something other people will approve of you will hate yourself and everything around you. learn at your own pace. you have time. i’m proud of you

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hi I'm from your pseudo-medieval fantasy city. yeah. you forgot to put farms around us. we have very impressive walls and stuff but everyone here is starving. the hero showed up here as part of his quest and we killed and ate him

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lilaccccc

yeah umm actually everyone kinda lives, inside.. the walls yeah. no yeah theres not any surrounding farming communities or villages to levy taxes from so we're pretty much just in a stone pit all together. Theres a massive stone castle tho! where did the infrastructure for the stone quarring come from? I dont know... Evil wizard maybe?

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elbiotipo

If you actually want to know how medieval (and overall pre-industrial) cities interacted with its rural enviroment, check out these articles:

Long story short, cities weren't islands in the middle of nowhere. If you're a generic fantasy character approaching a city, you wouldn't find a lonely Shining City Upon A Hill (hmm, interesting imagery there, wonder what it means...), but actually a highly populated area of farms, orchards and all that feeds and maintains a city.

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Yay, unsolicited advice time! Or, not really advice, more like miscellaneous tips and tricks, because if there's one thing eight years of martial arts has equipped me to write, it's fight scenes.

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Fun things to add to a fight scene (hand to hand edition)

  • It's not uncommon for two people to kick at the same time and smack their shins together, or for one person to block a kick with their shin. This is called a shin lock and it HURTS like a BITCH. You can be limping for the rest of the fight if you do it hard enough.
  • If your character is mean and short, they can block kicks with the tip of their elbow, which hurts the other guy a lot more and them a lot less
  • Headbutts are a quick way to give yourself a concussion
  • If a character has had many concussions, they will be easier to knock out. This is called glass jaw.
  • Bad places to get hit that aren't the groin: solar plexus, liver, back of the head, side of the thigh (a lot of leg kicks aim for this because if it connects, your opponent will be limping)
  • Give your character a fighting style. It helps establish their personality and physicality. Are they a grappler? Do they prefer kicks or fighting up close? How well trained are they?
  • Your scalp bleeds a lot and this can get in your eyes, blinding you
  • If you get hit in the nose, your eyes water
  • Adrenaline's a hell of a drug. Most of the time, you're not going to know how badly you've been hurt until after the fact
  • Even with good technique, it's really easy to break toes and fingers
  • Blocking hurts, dodging doesn't

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Just thought these might be useful! If you want a more comprehensive guide or a weapons edition, feel free to ask. If you want, write how your characters fight in the comments!

Have a bitchin day <3

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life's too short to write for an imaginary critic that you fear will hate what you wrote

to be clear, odds are good that someone will hate what you wrote, but that doesn't mean the writing is bad. That means they aren't part of your audience.

don't write for them.

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I want to write a book called “your character dies in the woods” that details all the pitfalls and dangers of being out on the road & in the wild for people without outdoors/wilderness experience bc I cannot keep reading narratives brush over life threatening conditions like nothing is happening.

I just read a book by one of my favorite authors whose plots are essentially airtight, but the MC was walking on a country road on a cold winter night and she was knocked down and fell into a drainage ditch covered in ice, broke through and got covered in icy mud and water.

Then she had a “miserable” 3 more miles to walk to the inn.

Babes she would not MAKE it to that inn.

Are there any other particularly egregious examples?

This book already exists, sort of! Or at least, it’s a biology textbook but I bought it for writing purposes:

It starts with a chapter about freezing to death, and it is without a doubt the scariest thing I’ve read in years (and I read a lot of horror fiction).

It's less textbooky and more popular writing, but also of interest may be this book: Last Breath by Peter Stark (the original subtitle was "Cautionary Tales from the Limits of Human Endurance," which I think is far more descriptive than "The Limits of Adventure").

Along with factual information, each chapter features an imaginary character who is facing the hazard in question—hypothermia, heatstroke, drowning, dehydration, etc—to illustrate what it's like to experience it. And some of these characters survive! But more of them Do Not.

The first chapter (also about freezing to death! though the character manages to get found, get warmed back up, and survive) was originally published as a piece in Outdoor magazine, so you can read it to get an idea of whether you would like the book:

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Anonymous asked:

what are some of your favorite non fiction books could be about anything i just need to read more non fiction

  • walter benjamin, theses on the philosophy of history
  • jamie berrout, essays against publishing
  • peter brook, reading for the plot
  • eduardo galeano, open veins of latin america
  • jules gill-peterson, histories of the transgender child
  • franco fortini, the dogs of the sinai
  • saidiya hartman, wayward lives, beautiful experiments
  • emily k. hobson, lavender and red: liberation and solidarity in the gay and lesbian left
  • ghassan kanafani, on zionist literature
  • amin maalouf, the crusades through arab eyes
  • toni morrison, playing in the dark: whiteness and the literary imagination
  • dominique laporte, history of shit
  • vincent woodard, the delectable negro: human consumption and homoeroticism in US slave culture
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Fascinated by stories of the - I guess you'd call it the "stolen identity" genre, like, of the Anastasia Romanov variety. But - from both sides.

Your husband has been at war for thirty years. You married when you were teenagers. The man who returns bearing his name looks... plausible, you don't remember his eyes being quite so blue, but it's been thirty years and it's not like you could ever afford to have a portrait painted. He knows your name and the names of your children and your parents, but there are curious gaps in what he remembers. But war does things to the mind. And if he's kinder than you remember? Kind enough that, maybe, you let yourself believe...

No one has ever looked twice at you, since you're just the maid, until the day a revolutionary bomb goes off, blowing a crater in the summer palace. The famously reclusive duchess and the rest of her household lie dead in the rubble. You know that you and she were the same dress size. You know where her jewels are kept. Most importantly, you know the location of the secret tunnel that leads down to the docks, and to a life overseas that would be torturously hard going for a poor maid, especially one suspected as a thief, but a lot more comfortable for a royal in exile...

The old king's most faithful retainer swears this is the heir to the throne, raised in secret and trained to one day step into his father's shoes. As the usurper as dragged off the throne, she screams that the old king's children are all dead, she made sure of it; no one pays her any heed. (Maybe they should have...)

The man in the tavern is buying drinks for the whole bar before he sets sail tomorrow for the far side of the world. He's got it all figured out - a ship of his own, retirement to a tropical paradise when he gets sick of the pirating life. His lip curls as he talks about the stultifying boredom of the aristocratic world he's already left behind. You find out that his parents recently died, and the estate is in the care of his younger sister, who was only six when her brother first left home two decades since. Between the lines, they sound like a good family; they sound like they love him, the way your family never did. Your heart aches. He shows you portraits, letters, before shoving them carelessly back in his coat pocket. They would be so easy to lift...

It's a surprisingly common concept and I just love it. It's The Return of Martin Guerre; it's multiple 90s romcoms; Agatha Christie pulls it half a dozen times. Sooner or later, it crops up in fanfic for just about any fandom with a royal or aristocratic main character.

And I can see why, because there's so much richness to it. From the outside, it can be anything from a horror story to an unlikely love story; from the perspective of the person pulling off the con, a heist movie or a tragedy or a heartwarming tale of found family. And then there are the longer-term implications: What happens if you wear a mask so long that it becomes who you are? What happens if you come to love the "replacement" to the point where you don't want to find out the truth? What is it like to uncover such a deception a century down the line, to find out that your great-grandfather... wasn't?

Just. Identity stories, man. <3

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mossbawn

i hope the beloved mutuals don’t think me unintellectual for this but i love romantic subplots i gobble them up delightedly with very few exceptions. ‘oh fuck yes a little bowl of seeds for me’ etc 

“how are they finding time to fall in love when the worlds ending” and what are we all doing right now 🤨

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nicosraf
Anonymous asked:

Silly question maybe but self publishing stuff confuses me. I was just wondering what you did for the barcodes on your book. Is it one you paid for or did you just go with the one Amazon gives you? Sorry if this was random! I just see you as self-pub goals so I was wondering.

DO NOT BUY BARCODES !!! DO NOT BUY BARCODES!!!!!!!!!!

So when you're setting up to self-publish, youre going to need an ISBN. If you're in the US, you need to buy these (from Bowker.com typically), or you can get a free one from your publishing platform — Amazon KDP, Draft2Digital, Ingram, or any of the others.

(The only issue with the free ISBNS that you get Locked to this printer, so if you get an Amazon ISBN, then you can only sell your book through Amazon or through Amazon's "expanded distribution") (I do not recommend Amazon's expanded distribution, really).

When you set up the cover and input the ISBN, the platform will generate the barcode and attach it.

For ex., here's me inputting the ISBN for (the old) Angels Before Man and then uploading the cover. Because I didn't check the box, it generated and added the bar code for me.

Something you should take into account when you get/make a cover is actually that the barcode is going to be slapped on and could potentially cover some lettering.

Before anything, you should generate a template for the cover using the cover generator that the platform you're using provides. If you're working with an artist, I really recommend sending this file to them, as well. This is how it looks:

I hope this is helpful! But yes, do not buy bar codes. Your ISBN, whether its free or not, will generate the bar for you. Good luck!!!!

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reblogged

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i looooove characters who are sacrificial lamb coded. characters who have never lived for themselves. characters born to be a tool, a weapon, a sacrifice, all of the above. a character raised by the heroes to save the world, at any expense, even their own health, even their own life. a character raised by the villains to end the world, at any expense, even their own health, even their own life. characters who are denied personhood so they can be used as tools instead. characters who never even had a chance to be people because they were shaped into something else from the moment they were born. characters who were born to die.

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