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ForFutureReference

@randomnoteforfuturereference / randomnoteforfuturereference.tumblr.com

Millenial musings, stories, sketches, and bouts of photography. Check Please! primarily. Occasionally Red Rising, Hunger Games, and Disney umbrella. Messages welcome.
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One detail I appreciated from X-men 97's devastating episode "Remember It" is that it officially solidified Magneto as a Holocaust survivor.

When the original series was made in the 90s, censors were twitchy about cartoons referencing (even obliquely) the Nazis or their atrocities. That was why Magneto's backstory was a generic war-torn Eastern Europe, shown by that infamous scene where Xavier makes him relive the trauma.

Come this series, we do start getting allusions to Magneto's background; most notably during his speech to the UN.

But this image, especially with the inclusion of the patches, removes all ambiguity.

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This is exactly how typically red regions such as the South are an untapped potential and should not be written off.

It doesn't mean progressive candidates in blue strongholds watering down their message. But it does mean actually thinking strategically to bolster messaging and candidates in conservative (yes, even if we are "sure" that they'll lose the nearest election) areas to bolster defenses and ultimately go on an offense.

The potential irony is that I'd argue the "Deep South" (LA, MS, AL, GA, and SC) may be considered much more conservative and evangelical than Florida overall, but with the right messaging and consistent campaigning actually has much more potential to turn due to its racial and economic dynamics.

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Happy 200 followers!! I would love to see how Nursey and Dex dress up for the holiday of your choosing. Halloween, maybe? Or the 4th of July? Good luck with all the prompts!

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Thanks!! I decided to do both holidays you mentioned :)

Nursey is a lobster 🦞 and I think it is quite funny

(my inbox is still open for anyone who hasn’t requested yet, so ask away for my 200 follower celebration!)

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Something that strikes me about Godzilla Minus One and Kong x Godzilla is how those respective films seem to signal a tonal directions from Toho and Legendary.

Prior to the 2010s, the impressive many had of Godzilla was the peak camp that defined especially the 70s and 80s, and the kaiju himself largely being a rubbery antihero with a distinctive screech and expressive motions as he fights other flashy kaijus.

Enter Legendary's 2014 debut of Godzilla as a force of nature awash in desaturated tones.

However as time progressed, that cold serious tone loosened up with each successive film. Now culminating with the campfest that involves pink-spiked Godzilla napping in Rome and doing a high dive off Gibraltar. There is no pretense of thematic meditation; it's peak "big kaiju go brrrr" in a way that does Destroy All Monsters proud.

In the meantime, Toho, for the past decade or so, has been largely revisiting Godzilla in its films and anime as the horror antagonist that he was in the very beginning. The extreme example of the horror in just appearance is of course Shin Godzilla. However, in terms of the tone of the story itself, Minus One took a step further in getting rid of what remaining camp there was and revisting his relationship with post-war Japan.

I dunno. Maybe they are just one-offs, and others probably tackled the subject, but I still find that contrast fascinating.

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