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My Writing

@akashaenam / akashaenam.tumblr.com

Hello and welcome to my blog of stories, prompts and advice.
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penrosesun

PSA: Don't use Open Office

I keep seeing people recommending Open Office as an alternative to Word, and uh... look, it is, technically, an open source alternative to Word. And it can do a lot of what Word can, genuinely! But it is also an abandoned project that hasn't been updated in nine years, and there's an active fork of it which is still receiving updates, and that fork is called LibreOffice, and it's fantastic.

Seriously, if you think that your choices are either "grit your teeth and pay Microsoft for a subscription" or "support free software but have a kind of subpar office suite experience", I guarantee that it's because you're working with outdated information, or outdated software. Most people I know who have used the latest version of LibreOffice prefer it to Word. I even know a handful of people who prefer it to Scrivener.

Open Office was the original project, and so it has the most name recognition, and as far as I can tell, that's really the only reason people are still recommending it. It's kind of like if people were saying "hey, the iPhone 14 isn't your only smart phone option!" but then were only ever recommending the Samsung Galaxy S5 as an alternative. LibreOffice is literally a version of the same exact program as Open Office that's just newer and better – please don't get locked into using a worse tool just because the updated version of the program has a different name!

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The Darkest Hour for your Protagonist

Also known as the “crisis” or the moment when all hope is lost for your protagonist. The Darkest Hour is when your character hits rock bottom and that “happy ending” just seems unreachable. In this scene, success for your protagonist appears impossible.

What could be a Darkest Hour?

In my opinion, you want your darkest hour to be as dark as possible. Push things to the extreme, create stakes, and hurt your protagonist.  

• Not just any death, but the death of someone your protagonist loves (did your protagonist fail to save them? They now blame themselves.)

• Not just a mild injury, but a serious and life-threatening one (does this injury follow your protagonist into the end of the story? Permanently?)

• Use their fears against them (if they’re afraid of snakes, don’t just have one appear… have them fall into a pit of them.)

• Make your protagonist lose all hope and put their insecurities on full display (they’re embarrassed and ashamed in front of everyone.)

• Attack their mentality just as much as their physicality. (Betrayals, lies, deceptions, self-doubts.)

When does it happen?

Typically, the Darkest Hour occurs right before the climax. Your protagonist is at their all-time low until they have an “a-ha!” moment and gain the hope, strength, or resources to overcome their conundrum and push into the climax of the story.

How does my Protagonist overcome their crisis?

There are numerous ways that your protagonist can trudge out of the mud and gain the strength to continue fighting. They could do it independently and prove themselves a true hero, pull hope from memories and past encounters, receive aid from allies, divine intervention, etc. 

Why is the Darkest Hour Important?

The Darkest Hour is vital to a character’s arc and story because, during their all-time low, their true nature is revealed. Their insecurities, flaws, and fears are all out on the table and the readers get to see them at their most vulnerable. Watching them overcome the crisis shows the reader their growth as a character.

⭐ Show the readers how much your protagonist has grown. If this crisis happened at the beginning of your story, your protagonist would NOT have been able to overcome it. Only through their growth, learning, and plot experiences… are they able to overcome it now.

⭐THIS IS WHERE YOUR PROTAGONIST CAN FINALLY SEE THEIR MISBELIEF/FLAW.

During or after your protagonist’s Darkest Hour is an amazing place for your protagonist to realize the flaw in their thinking (their misbelief). 

Referring back to older posts, your protagonist needs to have a “flaw” or “misbelief”. A false way of thinking that eventually, they will realize is wrong.

• “I’ll never be good enough.” • “Magic is wrong and I will never use it.” • “All aliens are evil and need to be eliminated.” 

This misbelief should have been impeding on your character through the entire plot, causing them conflict and turmoil. After fighting for survival in their darkest moment, they realize they were thinking wrong all along.

• A character reminds your protagonist that they are good enough. • Your protagonist sees magic being used to heal their allies and realizes finally that it can be used for good. • An alien saves your protagonist from a bullet and suddenly your character sees that not all aliens are bad.

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Anonymous asked:

How do you write a chapter by chapter outline for a story?

Creating a Chapter by Chapter Outline

"Outlining" in terms of writing fiction usually just means summarizing or otherwise organizing plot data. So, for a chapter by chapter outline, you could do something like this:

Chapter One - (Summary)

Chapter Two - (Summary)

And the summaries can be as long or short as you need them to be. Just a sentence or two to give you the important plot elements, or a moment by moment summary.

My personal go-to for chapter by chapter outlines is the scene list. I do them in a table with the following data:

[chapter] [scene] [total scene] [summary]

But I also sometimes include other important data like the date in the story (to help me keep track of the timeline), plot point, and notes.

I hope that helps!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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On writing characters with disabilities

I’ve had a rough morning and I’m riled up so here’s my two cents. Repeat: my two cents. I do not claim to speak for or represent the beliefs of everyone with a disability.

INCLUDE CHARACTERS WITH DISABILITIES 

[Can’t believe I’m still saying this but here we are] 

No, not “disabled characters”, put your character before their disability but include it nonetheless. People with disabilities exist in real life, out in the world, living and breathing and going about their days in the same spaces as able-bodied people. No their disability does not have to further the plot because that’s not how life works. If you want realism, include characters with disabilities. We’re all around you. I guarantee you know several people with disabilities even if you don’t think of them that way.

“But a disabled person can’t be a soldier/mercenary/other badass fighty character which is apparently all I include in my story!”

A) Yes they can. If you’re only aware of physical disabilities that completely limit a person’s mobility, you’re not aware of the diversity of disabilities or the mobility aid options and it’s time to do some research. Peg leg, bionic eyes, arm made of gears and pneumatics-based imitation tendons for each individual finger, magic potions or holistic treatments for chronic pain management, mental disabilities, someone who has a disability but is in remission. Get. Creative. These people exist and function in the same spaces as your perfectly able-bodied soldiers/mercenaries/various badasses.

B) Let’s say they can’t. Let’s say, for whatever reason, your badasses must only be completely physically and mentally abled. Do you not have medics? Blacksmiths? Ammunition and weapons experts/providers? Pilots? Family members back home that your badasses fight for and return to once a month? What about the bar/tavern/club/restaurant/dining tent your badasses regularly visit - are there no servers or cooks or bartenders that they talk to? Hell, a prostitute with a missing arm or severe ADHD. Are you really telling me you don’t think it’d be fun, and beyond handy, to have a magic healer who happens to be paralyzed from the waist down in your crew who’s constantly cracking jokes and shutting down shitty behaviour? Sure they may not fight because your fighters are only perfectly abled, but damn are they good at the fix-up after.

“But I don’t want to write a sob story”

Yikes. Well, good news, you don’t have to. People with disabilities can be  ridiculous and funny and fun in general and it doesn’t always revolve around their condition. However, they will make jokes about their condition and, given the right people, can be joked with about it. “The right people” varies person to person, but I find for the most part it’s close friends and family members who act as strong supports and will also joke about things outside of the person’s disability. For this, you may want to talk to real life people with disabilities. Seriously, we’re everywhere. If you built rapport, many of us would be happy to tell you if a joke/situation is offensive even within the context of goofing around with a friend. Hell, some of us (ex. me) would be willing to answer questions from a total stranger if it’s in the name of providing education and support on writing a character with a disability. 

[in which my best friend is a gift and figured out reassuring me I wasn’t a burden wasn’t working so she settled on calling me her favourite burden]

“But I don’t always want to be talking about their disability”

You. Don’t Have. To. It’s almost like, with all character traits/quirks/identifiers, it happens occasionally and within context.

____

She bowed her head low and bent her elbows at funny angles, tying her hair up quickly so she didn’t have to hold her arms up for long.

“Bad shoulder day?”

“Yeah, kept me up all night.” She dropped her hands, straightened up, and stretched her neck, rolling her head side to side. “Alright. Let’s do this.”

____

Washing bitter pills down with even more bitter coffee, he went over his tasks for the day. Dry cleaning, groceries, bank, assassination. Easy enough.

____

“They can’t take the stairs. We’re leaving them behind.”

“Or, you inconsiderate rat bastard, we could find an alternate route. You’re not getting through security without them. They’re coming.”

TL;DR, it’s not hard to throw in the realities of living with a disability every few chapters, or whenever relevant.

Lastly, the topic of using the word(s) “disabled/disability” and naming a diagnosis.

This, for me, isn’t really a big thing. I can understand how it is for some people, and I’m a fan of it but I don’t consider it a necessity. Some people want to see the word ‘disability’ used in order to take away its stigma. Some people want to see diagnoses named for the sake of completely being able to purely relate to a character. I understand that. I’m not bashing that. This is just my opinion. Personally, I don’t see the need, especially in fantasy settings or scifi or general other-world where conditions may not have the same names or treatments as they do in real life. If you make it clear that your character has a disability, show the symptoms and the ways in which they cope/manage/adjust to carry on with their lives, show their ups and downs and condition management, that’s enough for me.

This might be the area that you upset and offend some people. Someone might get mad that you used the word ‘disabled’, some might get mad that you didn’t. Some might get upset that you ‘made up’ your own condition, some might get upset that you named a diagnosis and didn’t portray it in a way they felt was accurate. Unfortunately, that’s the reality and your choice to make which group you want to potentially upset. Do your research, do your best to be sensitive, make an informed decision. Ultimately, I don’t think I’m alone in saying I’d rather see characters with unnamed disabilities portrayed in a positive way than not portrayed at all.

Please, include characters with disabilities. It can actually contribute to the realism of your stories and you might be surprised how fun it can be to write.

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Anonymous asked:

Is there a way for me to figure out speech & expressions in a specific past century? I've been trying to write a novel set in the 16th century but there are alot of expressions & idioms that I don't know if they existed back then or not. Do I just cut them out completely?

Researching Historical Lingo, Slang, and Grammar

Here are some things you can do to research the proper lingo, slang, and grammar for a historical setting:

1 - Google "slang (or phrases, lingo, grammar) of [era/decade] [location]" - I don't know where your story is set, but as an example, I Googled "slang of 16th century England" and got back 13 million hits, including things like "9 Elizabethan Words to Bring Back," "English Slang 1400 To 1680," "Elizabethan Swearing, Cursing and Vocabulary" and others. If you Google the era/decade and location of your story and take the time to sift through the results, you can get to know the lingo, phrases, slang, and grammar that would make sense in your story. (Just remember not to over rely on it... you want to avoid obviously modern phrases or words... no one in Elizabethan England would call something "freakin' sweet"... but you also don't want to write something so archaic sounding that it annoys the reader.)

2 - Go to YouTube and Search "slang (or phrases, lingo, grammar) of [era/decade] [location]" - YouTube can be a great source for learning how people spoke in a particular time and place. And in video format, this information is usually presented with additional information about the people and place that helps you understand why they spoke the way they did.

3 - Look for Books About Your Time Period and Setting - There are a lot of time/place settings that are popular enough to have books written about them. There's no shortage of books dedicated to life in Tudor and Elizabethan England, for example, and there are books dedicated to writing stories set in that time and place as well. Whether you go to your local library and ask, go to a local bookstore, or look on Amazon, books about your setting and time period can be a really helpful resource for learning about how people spoke.

4 - When In Doubt, Ask Google - If there's a particular expression, idiom, slang, or lingo you want to use but you're not sure if it existed in your story's time and place, try Googling the phrase plus "origin" or "etymology." That will almost always bring up something that will tell you the history of the expression, idiom, slang, or word that you're curious about. For example, let's say I wanted to know if they would have said "right as rain" in Tudor England. The very first hit on Google told me that while "right as rain" did originate in England, it doesn't seem to go further back than the 1800s. So, it wouldn't make sense for my Tudor character to say it. Some articles will suggest earlier variations, too, which can give you a fitting alternative. @definitely-not-julio suggested the OneLook online thesaurus which has an origin tab... and that actually leads to the Online Etymology Dictionary, which is a fantastic resource.

You can also use any number of idiom search engines or the dictionary to learn the origin of a particular phrase or word.

5 - Curl Up and Watch Stuff - One last helpful resource I want to mention is the great and powerful screen, whether that's the TV screen or device screen. There's a whole world of period dramas out there that take place in just about every possible time and place, so if all else fails, try watching a TV series or some movies set in the time and place of your story, and take notes! Just be aware that TV and movies aren't always super accurate, so it's a good idea to still double check anything you use, but they can be a great way to learn all kinds of potential words, phrases, lingo, etc. The Willow and Thatch web site has a list of period dramas by era (click on "best period dramas list") and it also has lists of period dramas by streaming service.

Have fun researching your story!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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reblogged

I was in a plane that went underwater. The pilots and hostess were dolphins and they tried explaining safety rules to us but only made dolphin sounds. Plane “crashed” overwater.

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bethanyberg

So I wouldn’t consider myself an expert on drawing clothes yet, I still have a lot to learn… BUT some people were curious if I had any “drawing clothing” tips, so I threw together some things that I try to remember and apply when I’m drawing modern outfits. It’s very sloppy and I’m sure I misspelled some words but maybe it can help someone with a lightbulb moment. My biggest advice is to also study how clothes are put together, where the seams go, how that can vary, how it affects structure, etc. 

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Creating a universe for a book can be a complex and creative process that involves a lot of world-building. To create a universe for a book, you must first establish the basic elements of the world, such as its geography, history, culture, and politics.
You will then need to create characters, plot, and a story that fits within the universe they have created. You may choose to create detailed maps, history, and culture. You may also want to create a set of rules and physics that govern how the world operates.
The process of creating a universe can be both exciting and challenging, as it requires you to think deeply about the world they are creating and to make decisions about how it functions. But ultimately it will add depth and richness to the story and make the reading more enjoyable for the audience.
I have created a universe, but turned it into a dimension after a long and hard year of thinking of what I wanted to do with it. I hope that this post helps you guys start on creating your worlds as well. Keep in mind that this is not all that you need to know and some of this you may already know!

Coming up with a name for your universe:

  1. Consider the theme or tone of your universe. If it is a fantasy world, you may want to choose a name that evokes a sense of magic or wonder. If it is a science-fiction universe, you may want to choose a name that sounds futuristic or technological.
  2. Think about the culture or history of your universe. If your universe has a specific culture or history, you may want to choose a name that reflects that.
  3. Use a thesaurus or other word reference to find synonyms or related words. This can help you come up with new and unique ideas for your universe's name.
  4. Play with different languages, combining words or using words from different languages to create a unique name.
  5. Consider using a name that is symbolic or metaphorical. This can help you convey the theme or tone of your universe in a subtle and powerful way.

Creating a fictional race:

  1. Consider the physical characteristics of your race. What do they look like? Do they have any unique features or abilities? How do these characteristics affect their way of life and culture?
  2. Think about the society and culture of your race. What are their beliefs, values, and customs? How do they govern themselves? What is their technology level?
  3. Consider the role of your race in your universe. Are they the main characters or just a secondary race? How do they interact with other races in your universe?
  4. Take inspiration from real-world cultures and myths. You can borrow elements from different cultures and myths to create a unique and believable race.
  5. Please please PLEASE avoid stereotypes and cliches. Fictional races should be original and not based on existing stereotypes or cliches. You do not want to be insensitive towards a group of people by feeding into the negative stereotypes.
  6. Give your race a unique language, naming convention, and history. This will give them a sense of realism and depth. This can be hard, so I know a few people that have hired linguists for this (however this is pricy and I know not many people can do this)

Creating a fantasy language:

  1. Start with the basics of language structure. Decide on the phonemes (basic sounds) and grammatical rules for your language.
  2. Use inspiration from existing languages. You can borrow elements from different languages to create a unique and believable fantasy language.
  3. Create a vocabulary. Come up with words for common objects, actions, and ideas.
  4. Consider the culture and history of the race that speaks the language. Does it have any influences on the language? How does it reflect the beliefs and values of the race?
  5. Keep it consistent. Once you have established the basic structure and vocabulary of your language, make sure to stick to it throughout your story.
  6. Give your language a writing system. Create an alphabet, symbols or characters that can be used to write the language.
  7. As said before, don't hesitate to use a linguist or a language creator tool to help you create the language in a more accurate and professional way.
Again, this is not all that goes into created a universe or dimension of your own, but it's a step towards having a fleshed out world that your readers will love.
One thing I did not see, however, was that you will want to make sure that you keep your word in a document! Keep it written down if you prefer, but put it down somewhere. I created a template for myself when I was world building and it helps a lot. There's also a book that has helped me with thinking kore in depth and I will be sharing that soon!
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Anonymous asked:

Hello I was wondering if you had advice on how to continue writing a story I start writing books but can't seem to finish them

Starting Stories But Not Finishing Them

There are a few reasons why you might be struggling to finish the stories you start. We'll count them down, because the biggest one is the most important one...

#5 - You're Getting Distracted

Writer brains get very excited by new ideas. Even when we're in the middle of a story we love and are excited about, we can lose all of our focus and motivation when the right idea comes along. But there are other things that can distract us, too... anything you like to do for fun or relaxation, other projects, school and work stuff, social stuff... anything you might be thinking about or spending time on that isn't your story can derail your forward motion. And sometimes it can't be helped, so you have to do some prioritizing and see where your mental energy and effort needs to be going. If there's nothing more important than your story going on, get your mind back on your story. And if new ideas pop up, write them down in a notebook or an "idea" file to save for later. Would Rather Be Doing Other Things

#4 - You're Getting Tripped Up on Quality

The more we write, and the more we read, the more we start to realize that what we're writing isn't quite where we want it to be quality-wise, and that can be really discouraging, especially if you feel like your story has to be perfect in the first draft. But the thing to remember is that quality is the result of two things: polishing and practice. Whatever level your writing is at, no amount of polishing is going to get you above that level. Only practice can do that, and practice means starting and finishing as many stories as you can. But... whatever level you're at, your first draft isn't necessarily going to reflect that level of quality because it's a rough draft. This is why we edit and polish. So, focus on finishing the story, then worry about polishing it up. And don't give yourself a hard time because you're not writing at a higher level than you're at.

Concentrate on Quantity at First, Not Quality #3 - You've Lost Motivation/Inspiration

Sometimes you just lose the spark of inspiration that made you want to write the story in the first place. Maybe you're just bored. Maybe you've forgotten what first excited you about the story. Maybe you're just not in a writing mood. Sometimes, doing exercises to rekindle your interest in the story can help. Try:

Stories are like a house of cards in that one misplaced “card” can bring the whole thing crashing down. Sometimes you get stuck because an element or event didn’t quite work, and you can feel in your gut that something’s not right, so the wind completely leaves your sails. It's not that there's a problem with the story, it's just that there's a problem with the path it's on. Try going back through what you've already written and look for the element that isn't pulling its weight. Can you identify the moment where the story loses its fizz? Maybe the addition of a character that's not pulling their weight and is dragging the story down. Maybe a subplot that is cluttering up the story or drawing attention away from the main plot. Or maybe a scene (or several) that don't really add to the story. If you can figure out what's draining your story's energy, you can usually start writing forward again. #1 - You Don't Know Where Your Story is Going

This is the BIG ONE. This is the one that is the culprit 99% of the time for newer writers, and the reason it happens is because newer writers are less familiar with plot and story structure. Your story's plot is the sequence of events that makes up the narrative, and this sequence of events is driven by a conflict. That conflict could be an external conflict (like having to defeat an evil sorceress... aka plot-driven), an internal conflict (like being conflicted between what you want and what someone else wants for you... aka character-driven), or a combination of both. Your story's structure is the order and placement of your story's events.

The type of story you're telling and the way you want to tell it will decide what kind of plot points fill out this framework. The rising action will be kicked off by a catalyst/inciting incident. The climax may be preceded by a dark moment. The denouement may be followed by a final image. It's up to you to plot that out.

*** However, if you do choose to plot out your story using a known story structure guide, like Save the Cat! or the Snowflake Method, just remember you don't have to stick to it exactly. Always do what works best for your story.

Also: even accomplished writers who long ago mastered plot and story structure can still struggle with knowing where their story is going. That's because stories can change dramatically as you write them, and sometimes you get to the middle of your story and realize it's not going where you thought it was. That can lead to a "back to square one" moment that can be frustrating for any writer, but sitting down to do a little bit of plotting almost always helps you get back on track.

I hope this helps!

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Have a writing question? My inbox is always open!

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reblogged

An incomplete list of things that employers commonly threaten that are 100% illegal in the United States

  • "We'll fire you if you tell others how much you're making" The National Labor Relations Act of 1935 specifically protects employees who discuss their own wages with each other (you can't reveal someone else's wages if you were given that information in the course of work, but you can always discuss your own or any that were revealed to you outside of work duties)
  • "If we can't fire you for [discussing wages/seeking reasonable accommodation/filing a discrimination complaint/etc], we'll just fire you for something else the next day." This is called pretextual termination, and it offers your employer almost no protection; if you are terminated shortly after taking a protected action such as wage discussion, complaints to regulatory agencies, or seeking a reasonable accommodation, you can force the burden onto your employer to prove that the termination wasn't retaliatory.
  • "Disparaging the company on social media is grounds for termination" Your right to discuss workplace conditions, compensation, and collective action carries over to online spaces, even public ones. If your employer says you aren't allowed to disparage the company online or discuss it at all, their social media policy is illegal. However, they can forbid releasing information that they're obligated to keep confidential such as personnel records, business plans, and customer information, so exercise care.
  • "If you unionize, we'll just shut this branch down and lay everyone off" Threatening to take action against a group that unionizes is illegal, full stop. If a company were to actually shut down a branch for unionizing, they would be fined very heavily by the NLRB and be opening themselves up to a class-action lawsuit by the former employees.
  • "We can have any rule we want, it's only illegal if we actually enforce it" Any workplace policy or rule that has a "chilling effect" on employees' willingness to exercise their rights is illegal, even if the employer never follows through on any of their threats.
  • "If you [protected action], we'll make sure you never work in this industry/city/etc again." Blacklisting of any kind is illegal in half the states in the US, and deliberately sabotaging someone's job search in retaliation for a protected action is illegal everywhere in the US.
  • "Step out of line and you can kiss your retirement fund/last paycheck goodbye." Your employer can never refuse to give you your paycheck, even if you've been fired. Nor can they keep money that you invested in a retirement savings account, and they can only claw back the money they invested in the retirement account under very specific circumstances.
  • "We'll deny that you ever worked here" not actually possible unless they haven't been paying their share of employment taxes or forwarding your withheld tax to the government (in which case they're guilty of far more serious crimes, and you might stand to gain something by turning them in to the IRS.) The records of your employment exist in state and federal tax data, and short of a heist that would put Oceans 11 to shame, there's nothing they can do about that.

This is all legit, and a lot of it falls under the protections for concerted activity. You can find more about that here: https://www.nlrb.gov/about-nlrb/rights-we-protect/the-law/employees/concerted-activity

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Obligatory OTP Asks

I've decided to make my own because I'm running out of OTP ask games but I never get bored of them.

inspired by this mega post. None are exact copies (that I'm aware of) but in keeping with the general tone.

TW: angst, suggestive content, etc.

  1. Who would end a heated argument by defending their actions with ‘because I love you!’ ?
  2. What would they do if the other woke in a manic state after a nightmare?
  3. Do they wear the other’s clothes? (sweatshirt, bandana, necklace, etc.)
  4. Which one is more protective? Who needs to be ‘protected’?
  5. Describe their cozy night in.
  6. Who would beg the other not to leave? Who has to leave to protect the other?
  7. Would they build a pillow fort together just because?
  8. What happens if one of them gets sick?
  9. What are their thoughts on having children?
  10. Describe their first date.
  11. Do either try to hide their emotions if upset? Can the other still tell?
  12. Do they have many heated arguments? How do they smooth things over?
  13. Who’s the bigger tease?
  14. How do their personalities compliment each other? How do they clash?
  15. Do they always say 'i love you' before leaving?
  16. Can they stay up all night just talking?
  17. Who's more likely to pull the other in by the waist and kiss them passionately?
  18. How likely are they to have fur babies? How many and what kind?
  19. How do they feel about PDA?
  20. Choose one song that perfectly describes their relationship.
  21. Who would get into a fight to defend the other's honor? Who tends to the other's wounds?
  22. What reminds each of their partner?
  23. Who's more likely to convince the other to stay in bed come morning?
  24. Who's more likely to give the other a massage?
  25. Do they have any hobbies they share?
  26. What are their vices?
  27. Who is the light weight that needs to be taken care of after a party?
  28. What are there thoughts on pet names? Do they have any?
  29. Who is more likely to jump in an elevator? Who freaks out?
  30. Your OTP gets to pick out each other's outfits; what is each wearing?
  31. Can they sit side by side without touching the other or are they handsy? (lacing fingers, touching knees, etc.)
  32. Who's the better story teller?
  33. Who's the better cook?
  34. Who's more likely to tell a dirty joke or story to make the other blush?
  35. Who's more artistic?
  36. Who's more likely to fire up the stove at 2am because the other woke up in the middle of the night hungry?
  37. Which is more likely to swear?
  38. Who is more sexually experimental? Who's more vanilla?
  39. Who would rescue an injured animal and nurse it back to health? What would the other think?
  40. Who has an insatiable appetite? And what does the other do to help?
  41. Which one would take their jacket it off and drape over the other one because they were visibly shivering?
  42. What's their favorite type of weather to enjoy together? (getting snowed in together, watching thunderstorms, etc.)
  43. Who would give their life for the other without a second thought?
  44. Who would dance in the kitchen making dinner? Would the other join in or watch from the doorway?
  45. Can they fall asleep without the other?
  46. Would they get frisky at the movies by themselves?
  47. Does either of them have a secret that could potentially ruin their relationship?
  48. Who's the better driver?
  49. Does either of them have a hard time being away from the other?
  50. who's more likely to do something out of spite?
  51. What’s a non verbal way they say I love you?
  52. Describe their weekend getaway?
  53. Would they ever go skinny dipping?
  54. Who’s more likely to carry the other to bed?
  55. Do they like watching clouds or star gazing?
  56. What do they do turn the other on/put them in the mood?
  57. Whose the serious one when grocery shopping and who likes to toss random things in the cart?
  58. Who’s more likely to hold a grudge after an argument?
  59. Who tops? Who bottoms?
  60. Who pulls the other closer when they’re sleeping?
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inky-duchess

Yes please! Misha & Nikolai asks pls

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nanowrimo

5 Tips for Focused Fanfic Writing

Fanfiction can be a great opportunity to indulge yourself and connect with a vibrant, diverse community. NaNo participant Cora is here to give some tips tailored for fanfiction writers! If there is ever a labour of love and only love within the writing community, it’s fanfiction. Fans of a copyrighted work pour their passion into a story that is indulgent, serialised, and posted online for other fans to enjoy. For free.

While fic authors are not beholden to contracts or deadlines, no one wants to be that person who wrote a fic that hasn’t been updated in three years, but how exactly do you stay focused and reach “The End”? Published novelists sure have a lot of advice, but it isn’t always helpful to fic writers. That’s what this blog is here for!

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It’s been 5 years since a portal to hell opened and infernal creatures dragged your spouse down in front of your very eyes. The demon before you has been trying to explain for the past hour that they are your spouse.

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Christmas AUs (2)

  • Our families go to the same church, but we’re not that religious so I only see you on Christmas and I swore myself that this would be the year I finally talk to you.
  • We’re both working at a charity event for homeless people at Christmas and despite the cold I don’t really want to go home afterwards.
  • You got way to drunk at a Christmas Party and now I’ve got to get you home somehow.
  • We have different opinions on how to decorate a Christmas tree.
  • I got you for Secret Santa at work and now I have to think about what to get you.
  • We never met before but we both went to the Christmas market with mutual friends and suddenly everyone’s gone and we’re the only ones still there.
  • You’re new in town and I’m your neighbor and we always throw a little party in our apartment for all the singles in the building, why don’t you come and celebrate with us?
  • We’re telling our children about our catastrophic first Christmas together.

 You can find more prompts at my sideblog: creativepromptsforwriting

Old prompts from my personal blog!

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Seventh Day of Gift-Giving

Seven Nights

... seven prompts about seven nights

  1. The night was still young. Everything was possible in a night like this.
  2. Light fell through the window, illuminating the couple lying in bed, entangled with each other and perfectly content with it.
  3. Nothing was how she wanted it to be and she desperately wished for this night to be over.
  4. It was the middle of the night, when the ringing of the phone woke them up.
  5. Their nights together were spent more sleepless than they may have wanted in the morning.
  6. On a dark and rainy night six people changed the way their lives would go from now on.
  7. Kissing each other good night was the one thing they would never miss in their night time routine.
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Anonymous asked:

Do you have more romantic date dialogue prompts? Thanks a lot!

Romantic Date Dialogue Prompts

  • "Thank you for agreeing to come to this book shop. I really needed that book and it's so fun to talk about books with you."
  • "I'm glad I gave us a chance. We work so well together."
  • "This is actually really romantic." "I hoped it was."
  • "You have planned all of this? Just for me?" "Of course."
  • "I'm so happy that you said yes."
  • "You look really beautiful today." "You do too."
  • "A toast to us." "And many more dates like this."
  • "This was really fun. I would love to see you again."
  • "You're incredible. I can't believe you actually said yes to dating me."
  • "So, what do you think about the movie?" "We have much more chemistry than these Hollywood actors."
  • "I was really nervous before our date, but now I'm feeling so much better."
  • "Wow... you actually remembered how I told you that I would love a date in a museum." "Of course I did. I started planning right away."

Hope you like them!

- Jana

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