Avatar

SRSLY

@srslypod

The podcast that takes pop culture seriously. Subscribe now: srslypod.com
Something about the timing of this less outwardly American US superhero movie feels right. One of the key concerns of the movie is the importance of justice and peace for all, regardless of trivial matters like borders between nations. While other citizens of Themyscira are sceptical about joining a fight that doesn’t concern them, Diana is compelled to help any person affected by violence, and vows to end the war. When she finds herself alongside British troops in the trenches, she is overcome by the desire to help British soldiers, Germans and Belgian civilians alike. While Wonder Woman has always been aligned with traditionally American-associated values like freedom and justice, her attitude in this film feels notably at odds with the “America First” mindset that elected Trump.
Violence against women and girls is often read as “gripping” or 'compelling' in both fiction and non-fictional narratives. Child abuse, too, is something our society condemns but has an uncomfortable obsession with reading about in detail - you only need to walk into your local bookshop to see a 'true life' section crowded with children’s sad faces staring up from bestselling misery memoirs.

Can we morally justify rape dramas like the BBC’s Three Girls? – Anna’s piece that we mentioned on the podcast this week. You can hear teh full discussion here.

Girls is hardly the only show to use pregnancy as a way to force female characters to face a trial of 'real adulthood'. It’s been a beloved device for working women on television going back at least to Murphy Brown, whose pregnancy and motherhood were less a referendum on her adulthood and more about the newfangled question of whether a single, working woman could or should choose to have children.

Sponsored

You are using an unsupported browser and things might not work as intended. Please make sure you're using the latest version of Chrome, Firefox, Safari, or Edge.