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Leppa Berries

@leppa-berries / leppa-berries.tumblr.com

Casey . INFJ . Florida . ๐Ÿน๐ŸŒบ๐Ÿฆ„๐Ÿ Personal blog, I made this in 2011 please
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I think Shadowbringers is a great example of how knowing or guessing the "reveal" doesn't hurt a good story, and writers who understand that will write more confidently and tell better stories. That the Exarch is G'raha Tia is not hard to figure out. He has a distinctive lip shape, and he's the guy who was in the Crystal Tower! He's not even a very good liar at the end of the day. And none of that makes his arc as the Exarch any less powerful, imo. I don't think trying harder to obscure the Exarch's identity would make Shadowbringers a better story. Because the emotional core of his arc isn't in shock value. It's in the unfolding story of G'raha's journey, how he came to be here, why he is hiding his identity, why he pretends not to know you or who G'raha Tia is. It's in the culmination of a hundred years of planning and secrecy and loneliness, in how he's willing to die to save two worlds and you, in why it all goes wrong at the last minute, in how hard he tries to play the villain so you'll let him go, and in how unconvincing he is in that role. It's in the choices he makes when he realizes he doesn't have to die. It's in everything he chooses to be. He has a good story, and a good story doesn't lose its power when you know all or part of the ending, because a good story is about the journey.

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unavoidable that you will be the villain in someone else's story. You will be painted in an unfavorable light. You will be the irredeemable one. and all of this will happen despite how nice you might usually be or how kind or how respectful or how warm. and you will just have to move on.

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