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Lizards don't give a HECK about the economy

@marvelsweater / marvelsweater.tumblr.com

Hey I'm Val. She/They. 24
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n00talie

Match to the Sixth ⚔️🩸

[ID: A blue and red drawing of Camilla (and Palamedes in her body) from The Locked Tomb dueling Ianthe in Naberius’s body. Camilla kneels on one leg as Ianthe stabs her through the stomach with a rapier. Camilla glares at Ianthe, defiant. She grips Ianthe’s wrist with one hand and holds a knife in the other. The lunging Ianthe Naberius looks angry and confused. The background is saturated red. End ID]

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Romantic antique attire perfect for kôyô (autumn leaves viewing season) depicting small birds in turning maples trees.

The black silk shusu obi is matched with a lovely sanpogi (lit. ”stroll outfit”). Those were beautiful kimono featuring mirror designs on skirt flaps and all over patterns. I believe they were worn as fashionable day dress and were briefly in fashion in Kansai (Osaka?) pre wwii.

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Tamsyn Muir really just sat down and wrote a book from the pov of the character least qualified to have any fucking clue about what’s going on and then proceeded to make sure each successive book was written from the perspective of an even less qualified bitch. Like we go from a jock filling in last minute at an international science competition, to a traumatized teenager with a DIY lobotomy trying to keep up with a bunch of 10,000 year old demigods, to a SIX MONTH OLD operating in a TERRORIST CELL. Pray for Alecto y’all, homegirl doesn’t stand a chance in hell of understanding the story she’s in.

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bkyngw
In the original draft of Gideon, Harrow doesn’t say ‘Oh, I have hurt your heart,’ she says ‘Oh, I have rustled your jimmies.’ She says that purely because that’s what my brain thrust into my hand and I liked the way it sounded. Carl said, ‘You can’t put that in a novel’ […]

drawing out my feelings on the most recent tazmuir interview

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Obsessed with the idea of sacrifice in a book being a selfish act rather than a selfless one. Their lover screaming at them: “How dare you leave me in this barren world? How dare you take away my choice to die for you and leave me with this grief?”. They are dead, and their lover is left - a gaping wound - bleeding into the ground. Do they love them so much that they would die for them, or do they love them so much that they forced the other to live without them? Sacrifice as a bitter act. Sacrifice as something wildly violent; something tormentingly cruel — but always, always built on love. Perhaps, they are both martyrs in the end.

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