Astarion: “No one ever cared about me >:\”

Karlach, standing 10ft away: “ME I CARE I CARE SO MUCH”

I know folks like to say, “There’s no place like home.” That’s true. You know. Man, there ain’t a whole lot of places like AFC Richmond either. TED LASSO | 3.12 ― So Long, Farewell

#He’s not the icon anymore, he’s the central cog. He’s just one of eleven.

This is MY catharsis and you don´t have to like it. From my part, I will encourage you to do yours in your own post. Thank you.

(layout insp)

Ted Lasso 3.12 + text posts (so long, farewell i guess)

Ted Lasso fics masterlist

it’s not about the wins or losses, it’s about the fandom we made along the way - and that, I think, is what I’ll miss the most

meanwhile, a masterlist of all my Ted/Trent fics:

1. The Truth Shall Make Ye Fret (T, 20k)

In 48 hours, Trent Crimm lands a scoop, implodes his career and makes some drastic life decisions. And then there’s the aftermath. And Ted, of course.

2. they will see us waving from such great heists (T, 21k)

In which Trent Crimm, Interpol, investigates the theft of Rupert Mannion’s painting by a mysterious thief dubbed The Greyhound. FBI Special Agent Ted Lasso gets in the way. Heist!AU

2a. Trick Plays (T, 6.4k)

Snippets from the Such Great Heists universe, including Crimminal Intent, The Prying Dutchman and We Provide Leverage.

3. constant as a northern star (constantly in the dark) (T, 10.5k)

The saga of Trent Crimm and his independent ex-wife

4. all the men and women merely players (T, 20k, WIP)

Trent Crimm meets Ted Lasso by chance at a Shakespeare play. Five years and the end of the world later, they meet again at another. A Station Eleven post-apocalyptic theatre AU (no knowledge of Station Eleven necessary to read), WIP but updating real soon!

It’s been an honour to write for this fandom, I love you all so very much (on three!)

bug i trapped in a glass waiting for me to open the window to release it

There are some inconsistencies that bug me a lot.

At the beginning of the episode, Beard reveals that Jane shredded his passport to keep him trapped with her. That's blatant abuse. I truly expected the show to leave Beard in a better place than this. Bringing this up at this point seemed like a way to acknowledge her abusive behavior for real.

And yet, this is the last shot of Beard. In the entire show.

This cringe, ugly shot of him tying himself to Jane. Til death do them apart. Regardless of this probably being Ted's dream, it is an awful, awful place to leave him. It's a nightmare scenario, for this to be the last shot we ever see of him.

And they didn't even give us any hints that Jane might have become a better person (not that this would have excused it). No. Up until the last mention of her name before the wedding, the show never wavers in showing her to be toxic and abusive, even if the characters themselves brush it off.

With other characters like Jamie's father, the writers gave us hints that he was working on himself (which, for the record, doesn't mean that he should have a right to even be in the same room as his son, after what he did). My point with this is that if they wanted us, for some reason, to take this wedding as Beard's "happily ever after", the show about people changing and becoming better could have shown Jane change and get better. But they didn't.

The second inconsistency I wanna talk about has to do with Trent.

"You're part of the squad now". That's awesome, and he has actually been shown growing closer to the group and becoming a member of the team throughout the season. From being shunned in Episode 2, to being part of the squad now.

And yet in his last two scenes, he is alone? No one from the squad with him?

He isn't at the Higgins' party, he isn't at the wedding. There's no indication that he stays at Richmond. EDIT: Actually, his desk is empty in that shot of him in the office. So yeah. He doesn't stay at Richmond.

The show leaves him, once again, alone and disconnected from the team, from the community he's found.

What gives, showrunners? Why do these parts of the montage directly contradict things that have been shown and pointed out in this very episode?

Is this a case of sloppiness? Was the ending suddenly changed for some reason, maybe to make room for season 4? Was it supposed to be a different ending, consistent with what the show has been telling us for 11 episodes? Did things suddenly change behind the scenes? Or is this a case of bad editing? Or is it intentional? For some reason, it doesn't feel like it's intentional. It seems really weird that they would have written the passport scene and "You're part of the squad now" AND the wedding and Trent being alone in the same draft of the script. It's weird, and it feels harsh and forced and out of left field.

All I can think of is how sorry I am for James Lance. They didn't deserve you.

Yeah, you know what. The man took this role and rounded it out and did extensive research into being a closeted gay man and acted his ass off in every frame he was in. He's a tremendous actor and I really fucking hope that he gets bigger and bigger roles. And I wanna thank him for giving us Trent, because despite all of this, Trent will always be one of my favourite characters.

Sir you aren’t being subtle and we love you for it

TED LASSO (2020 - 2023)

Inside me there are two wolves.

One who thinks that the writers are either stupid or cruel, and that the finale was so incomprehensibly bad that I shouldn't try to make sense of it. And that I should move on.

The other one is a subtext-and-metaphor-hungry beast that is manically obsessed with finding a reason, at least subtextually, for the incomprehensible mess they made out of these characters, especially Ted, in the finale.

Everyone is so right to point out that Ted in previous episodes would not have acted like this. I think the reason for the sudden regression in his character is Dottie.

That morning, full of smiles, in a good mood, Ted starts his walk to work.

He cheerfully strolls through the streets, saying hello to his neighbors, making chit-chat with them. He is (as Trent said it in 1x03) out there in the community. He is, more importantly, part of a community. Until suddenly-

"Mom?"

Dottie's arrival changes everything. Ted gets worse and worse throughout the episode. In the hotel room in Manchester, the football anthem "Blue Moon", with the haunting lyric "You saw me standing alone" plays over Ted's lonesome figure, in the shadows, depressed.

Juxtapose that with his first scene: the lively neighborhood and daylight.

At the end of the episode, his conversation with his (manipulative) mom hits him deep. He feels immense guilt over not being there for Henry. And he's been torn over this for the entire season.

His mom, and the way she acts, and the way she manipulates him, push him in the wrong direction: Kansas.

I think Ted has disassociated for most of the finale. But I also think that he is intentionally pushing people away. Maybe he thinks that this will make it easier for him to leave, maybe he thinks that this will make it easier for them to let him go. Maybe he just hates himself so much that he cannot accept their help. Maybe he feels guilty that they're showing him so much love, when he knows he will abandon them.

Either way, he quits. Something that he would not have done, even in season 1. So his regression goes farther than the first episode, deeper into his past. He goes from:

to having doubts on the plane about leaving without winning the whole fucking thing

but leaving anyway.

And this is one of the most curious things to me. Rebecca offers to bring Henry to him in England by helping relocate Michelle:

And yet, he refuses. So, sure, this is about being there for his son. But given the choice between his son with his beloved community, and his son without his beloved community, he chooses the latter.

I've heard the argument that we don't know for sure that Ted doesn't have a support system in Kansas. But from a narrative perspective, it's important that we haven't been shown that hypothetical support system at all. And given that he actually returns to Kansas without the one person who we know supported him before coming to England, it comes across as a terribly isolating situation.

So why would Ted choose to part from his found family, even though bringing his son into that family would be an option? My theory is that he just really fucking hates himself. I think he wants to punish himself, maybe for being away from Henry for so long, maybe for something else. I don't think he believes that he deserves love or even credit for how he helped the club.

I mean, Rebecca and Trent offer him exactly that this episode: credit for what the did for the club.

And he rejects them both, choosing instead to remove himself from their lives, to erase himself from the narrative.

I think he's lower mentally than we've seen him for a while.

I think he's in his dark forest.

So the plane departs and then lands. And Ted is back in Kansas, driven through the prosaic, picket-fenced, isolating, depressing American suburbs to the house where Henry and the ex-wife who doesn't love him are waiting for him.

And the light might be golden, and he might be reunited with his son. But as we close in on the last shot of the show, you can see his smile try to fight the sadness in his eyes and you know.

He's not happy.

is this about taika’s eyes again? NO! it’s also about his pretty face

Rhys Darby as Stede Bonnet OUR FLAG MEANS DEATH (2022-)

I edited this video like my life depended on it. I am not the same person as I was before this show.