ELI SHOWED ME A COOL THING where it generates a skeleton in various angles for you !!!!!!
oh shiiiit it’s the ultimate warmup tool yesss thank you
FEEL IT’S MIGHT
ORT
This site is SO FRICKIN COOL!!! OMG I am ADDICTED!!!
WHOA WHAT IS THIS DOING ON MY DASH AGAIN
posting for all my followers who art
These caramel and chocolate chip cookies are to die for 😍 ===================== Estas galletas de caramelo y chocolate están deliciosas 😍 #food #cookies #yazzys #yazzyspastries #pastry #chocolate #caramel #galletas #dulce #pasteleria
I was looking for an easy map creator that makes beautiful maps for a while now to make a visually stunning map to go along with my book. And now, after such a long search i have finally found one that suits my needs! Because i like it so much, i thought i’d share it with you guys! Just go to inkarnate.com and start creating! I have to warn you though, it is still in beta so a lot still needs to be added, but already it looks great and is easy to use!
I mean just look how beautiful some of these maps are!
And it is so much fun too! Someone even created a game of thrones map that is simply amazing!
So check it out and start creating your visual aid for your story. I promise you, it really is super easy and you will make one in no time!
You can find the site here: inkarnate
Reblogging for the lore folk
THIS IS REALLY GOOD
I’m tired of getting these stupid offers to work on people’s “passion projects” for free, usually with the promise of compensation when/if the project takes off. Guess what? I don’t care that you’re passionate about it, I care if you’re competent. When you knock on my door asking for free work, its a clear sign that you aren’t. You might have hopes that your project hits it big and that you’ll eventually get rich off of it, but if you REALLY believed in it, I feel like you’d be more willing to put your own livelihood on the line instead of asking an artist to do it for you. If I do a bunch of free work hoping it’ll pay off, I’m not doing other work that could actually feed me and pay my bills. And what happens when the project doesn’t get funded or some important factor blows up or everyone decides to quit out early? I get screwed. So, no. I don’t want to work on your passion project. Not unless I get paid up front.
im not even an artist and these prices are hurting my feelings
This is what I have to dig through every time I look for new jobs to apply for.
For non-artists, let’s give you a little perspective.
For me, an illustration takes a bare minimum of 6 hours. Mind you, that’s JUST the drawing part. Not the research, or the communications, or gathering information. Just drawing.
That’s if it’s a simple illustration.
My art deco or more detailed stuff can take 20+ hours each.
Even simple, cartoony things still take at least 3 hours.
Let’s go with the second one. 2 illustrations for $25. Figuring 6 hours each. 12 hours total, for JUST the drawings. That’s approximately $2.08/hour.
Asking these prices is an insult. But what’s even more hurtful is there are people out there that will take these jobs. Which only encourages rates like this to be acceptable. And there are people who will try to say these are just what you have to do to get started.
I believed that. So my first coloring gigs were just $10/page. The day someone offered me $25/page for just flatting work, I realized just how wrong I’d been. I’m still not making the rates I’d like, but now I refuse anything below $25/page. Because there is value in my time.
In any standardized industry, even ones that pay piece rate over hourly, these numbers are criminal.
Do your fellow artists a favor. Never accept jobs like these. There are others that pay legitimate rates. Or at least closer to legitimate.
Such baby bullshit. Don’t even get out of bed for these rates.
If you are an artist who wants to make money off their art, I highly suggest you buy The Graphic Artist’s Guild Handbook. It goes in depth about copyright issues and even contains contract and model release templates. The 2013 book *I believe* states the average professional charges $72 an hour. This article calculated that to make a 40k annual salary you would need to charge about $60 per hour.
After graduating from Art Center in 2012, I think I asked for somewhere between $35-45 an hour and got laughed at by multiple big name clients, which was infuriating, sadly expected, and terrifying with over $100K worth of student loans staring me in the face. If they tell you it will be “great exposure” that’s a red flag. Ask yourself how their exposure can compare to your Tumblr, Twitter, Instagram, Pinterest, Flickr and Facebook pages combined?
And when you do get a decent paying gig, PROTECT YOURSELF. You have the right to negotiate and revise a contract. Do not start a job until you have a contract signed. If they don’t provide you with one, MAKE ONE. And make sure you have your bases covered. You can specify in a contract that maybe two revisions are included in your cost, and if they ask you to revise the piece more than twice, they will have to pay extra. In terms of payment schedule, I usually do the 50/50 Method (50% before, 50% after) or the 3/3/3 Method (1/3 before, 1/3 in the middle, 1/3 after all work has been received). Both of those are pretty standard in the industry, as they guarantee you will get compensated for your time, even if the job goes bad.
Remember you have a skill, and you have spent time honing that skill and you deserve to be adequately paid for that time and effort. You will have clients dismiss you because, honest to God they think, “Well, I could do that if I wanted. Hell, my five year old does it now.” No they can’t, because they didn’t, they don’t, they won’t and they probably never will. And good luck hiring a five year old. They can’t keep a fucking deadline.
And in a last ditch effort they’ll say, “But that drawing only took you an hour!” Son, that drawing took me 20. fucking. years.
10 Dollars for 1 minute of animation. Oh my god my heart. It took my team 6 months and a team of 12 to make a 4 minute short.
I second this book! I’ve had it for several years now, and it’s been a HUGE help in my work as a freelance artist. It gives great advice on what to charge for different areas of art!
Please remember. Your art is worth a respectable payment! Accepting ridiculously low prices actually hurts the arts/illustration/animation communities because it makes employers believe they can employ people without offering decent pay.
Check the internet if you need help figuring out what you should be charging for your commissions. Invest in the books that will inform you professionally, and put your foot down if you think someone is trying to cheat you out of your time and hard work. You have a right to refuse a job, and/or request decent payment. If your employer denies a you decent pay, well then they’re probably not a very good employer. Do not undersell your skills. it is bad for the art community and you are worth more then that.
For any freelancers out there
This is fucking important information.
Reblogging because I have a lot of great artists on my dash and they need to see this if they haven’t already. Don’t sell yourselves short, my lovelies.
I know that on here, everyone tends to be in a desperate situation and that something is usually better than nothing. And I totally understand that.
But at the same time, please read this, maybe check out the book, and be aware of what professional artists can make! The world doesn’t always understand the value of art. Sometimes it falls on the artists to remind them.
Another reason for posting - you guys are all super talented! Look at the prices professionals charge and know that you can make a living off your art! It may be tough but it is totally a thing that can happen!
<3 to all who are in a tough situation right now.
Reblog forever!
If a client says they can’t afford to pay you but you’ll get good exposure, one of two things is happening:
1. They are lying. They can afford to pay you, but they are choosing not to. They will pay the printer to print the books, they will pay the mail service to deliver them, and you’d better believe they’re going to pay themselves for sending you an email explaining that they can’t afford to pay you. They think you are a sucker, and if you take the job you’ll be telling them they are right.
2. They are not lying. They have zero budget, no audience and no real distribution system. They’ll still be paying the printer and mail service because people who work in those professions don’t work for free just because someone promises them a recommendation. But they aren’t paying themselves, they’re running on an incredibly small margin, and there’s a good chance they won’t exist as a corporate entity in a few years. Publishing your work with them will give you less exposure than putting it on tumblr or Instagram for free would. It will never lead to a paying job.
If a client starts ranting about the “short-sightedness” of artists, or otherwise complains about artists in general in their opening offer to you, run. Run as fast as you would run if a blind date spent the whole of dinner ranting about how horrible your entire gender is. Yes, there are doubtlessly clients who’ve been screwed over by artists in the past, but the ones who complain about artists in general will not respect you, they will not treat you well.
Working for free does not prove that you are passionate about something. It proves that you do not need to be paid for your work. How many doctors went into medicine because they are passionate about saving lives? Do you think any of them are asked to perform heart surgery for free?
No one will ever pay $50 for something if they can get something similar for $5. When you charge next to nothing for art that you’ve worked for hours on, art that required years of training to create, you are telling your client that it is worth next to nothing. They will remember that the next time they want to hire an artist.
People who are looking to exploit artists know that artists are hard on themselves. They know that most artists don’t think their work is good enough to charge top dollar. They know that artists have been told from the first day they started taking their art seriously as a career that they’ll never make any money off it, that it’s not a real job, that it has no value to society. They know how to push artists’ insecurities about their profession in order to convince them that that demanding fair compensation is unrealistic and uncooperative.
If you’re just desperate for a job in the arts, any job in the arts, give yourself a job. Start a webcomic, or give yourself illustration assignments that you post on social media regularly, create work for a gallery show even if you don’t have one yet, or make a book. Give yourself a job. If you’re going to work for free, you may as well be working for yourself, setting your own hours and following your own interests. Having original art with original characters and ideas in your portfolio, and making sure your art is visible online will get the attention of publishers who are actually looking to hire people for good jobs. Drawing a shitty comic for a defunct publisher based on someone else’s shitty ideas will not.
A little advice for aspiring animation folks. I wrote this response to an email, but I thought I’d share here. Hopefully someone finds this helpful!
Good luck as you move forward!!
“People in other industries don’t provide their would-be clients with “spec work” for free. That would be asinine.
Toronto agency Zulu Alpha Kilo really illustrates just how ludicrous it is—in the great video below, in which a guy approaches real men and women (not actors) in other businesses and asks them to provide him with a product or service for free, to see if he likes it before committing to more.”
Oh snap http://99gag.tumblr.com/
ATTENTION ARTISTS
Copyright law is about to change
For more than a year Congress has been holding hearings for the drafting of a brand new US Copyright Act. At its heart is the return of Orphan Works
What does this mean for artists? it means it will make it easier for infringers to steal artists works and harder for people who are making or trying to make a living out of art more difficult. This will effect every artist and all the artwork they have created, are creating, and will be created. Corporates, Big businesses, and publishers want this to pass to make money out off artists works without paying us artists for past, current, and future artwork.
Basic Facts About The Law Being Proposed
- “The Next Great Copyright Act” would replace all existing copyright law.
- It would void our Constitutional right to the exclusive control of our work.
- It would “privilege” the public’s right to use our work.
- It would “pressure” you to register your work with commercial registries.
- It would “orphan” unregistered work.
- It would make orphaned work available for commercial infringement by “good faith” infringers.
- It would allow others to alter your work and copyright these “derivative works” in their own names.
- It would affect all visual art: drawings, paintings, sketches, photos, etc.; past, present and future; published and unpublished; domestic and foreign.
** Ways to stop this or preventing these changes from happening**
> > > > > > > DEADLINE IS NEXT THURSDAY: JULY 23, 2015 < < < < < <
- share, reblog this post, spread it for other artists to take notice and action.
- You can submit a letter on how this law can be an issue for you as an artist here.
- Non-U.S. artists can email their letters to the attention of:
Catherine Rowland Senior Advisor to the Register of Copyrights U.S. Copyright Office crowland@loc.gov
“Right now nobody has to understand copyright law because you’re protected by it, but under the law they are proposing, copyright law wont protect you anymore.”
- Brad Holland (Quote from the video - at 1:23:30)
PDFs via the official US Copyright website:
More information:
According to Will Terry, who uploaded the video:
They are working with big corporations who I will also not name who stand to gain big time. Think about a company that has the largest search engine on the internet…they are putting lots of money behind this because there is a ton of money in controlling and selling all of our work. (x)
Which may explain why Googling the Orphan Works and Next Great Copyright Act yields so little results. Please add any extra information if you have access to it, because I couldn’t find much.
I interrupt a long-term hiatus to help raise awareness towards the new Copyright Laws that might come into effect starting next week unless we join efforts to stop it.
A friend and fellow artist, Will Terry, has joined forces with Brad Holland to help us understand what this Copyright Law is all about, here is their message:
- Congress is drafting a new US Copyright Act. If passed, it would replace current US Copyright law. There isn’t any bill yet, but the Copyright Office has issued its recommendations for one. Their Report is 234 pages long and is very complicated, so it’s risky to try reducing it to a few words. But here’s a summary of its basic features:
—> The deadline is This Thursday, July 23, 2015″ <—
spread awareness and please send the letter in ! Re blog to all your artist friends !
Fair warning: this might make you choke up a bit…
here’s the video:
attackonstudying (via attackonstudying)
What are women emotionally and spiritually so much stronger then men? http://99gag.tumblr.com/
Happy International Women’s Day ! #funny #lol #lmao #lmfao #instahappy #joke #jokes #joking #epic #instagood #instafun #funnypictures #haha #humor #wd2015 #womensday2015 #women (at OTS Monkey Champagne Room)
Guys! I have two copies of the new Beginners Guide to painting characters to give away! Just re-blog to enter. Winner will be randomly selected on Monday 9th!
"Wouldn’t have killed her to say yes? If a man is willing to shoot someone for saying no, what happens to the poor soul who says yes? What happens the first time they disagree? What happens the first time she says she doesn’t want to have sex? That she isn’t in the mood? When they break up?" -vampmissedith.tumblr.com
