JODIE COMER as VILLANELLE
↳ Killing Eve 4.04 It's Agony and I'm Ravenous
@fairweathermyth / fairweathermyth.tumblr.com
JODIE COMER as VILLANELLE
↳ Killing Eve 4.04 It's Agony and I'm Ravenous
Reading a book about slavery in the middle-ages, and as the author sorts through different source materials from different eras, I am starting to understand why so many completely fantastical accounts of "faraway lands" went without as much as a shrug. The world is such a weird place that you can either refuse to believe any of it or just go "yeah that might as well happen" and carry on with your day.
There was this 10th century arab traveller who wrote into an account that the fine trade furs come from a land where the night only lasts one hour in the summer and the sun doesn't rise at all in the winter, people use dogs to travel, and where children have white hair. I don't think I'd believe something like that either if I didn't live here.
Stills from We Are Lady Parts season 2, coming May 30
A NOTE FROM NIDA MANZOOR (CREATOR/WRITER/DIRECTOR/EXECUTIVE PRODUCER) IN PEACOCK'S PRESS RELEASE: Making season one of We Are Lady Parts was immense for me. It was a trial by fire, but I found my voice, my style and my confidence in creating this show. Most importantly, I found my tribe - from actors and crew to producers and studio execs. So, coming to season two, I was galvanised. The characters, the world, the tone - it was all there, established, and ready to go. Now it was time to turn things up to 11. I wanted to go bolder, sillier, darker and deeper and that is exactly what we strived to do. In season two, we explore the interior lives of each of the women in more depth. Each of them facing new, existential challenges with all the silliness, pratfalls and banter of season one. The music is bigger too - more wild original tunes (penned by me and my siblings) and dare I say it, even better covers. The season overall asks the question of success. What is success? For a punk band - is fame, stadium shows and major record deals the answer? I wanted to explore the uncomfortable tension between art and commerce and ask how much compromise is too much. I'm really proud of what we achieved, and can't wait to share it with old fans and new.
"I could be really brash and really loud and really dressed however I wanted to and almost made [Chappell] on purpose a drag version of myself so I can be whatever I want. It allows me to feel really safe exploring those aspects of myself. I’d never be able to do that if I took myself super seriously with pop. I think that the project has allowed me to be a part of the queer community in a deeper way because I'm not observing from the outside anymore. I feel like I'm in it. I am the queer community–it's allowed me to just feel queer, feel like a queer person and feel freedom in that."
Life For Gaza: Each Cent Counts, Quenching the Thirst of Humanity in Gaza City
The Gaza Municipality is tasked with providing vital services such as water supply, waste management and sewage treatment. However, the widespread destruction in Gaza City has severely hampered the Municipality's ability to deliver even the most basic necessities to its residents. With limited access to water, the population faces a dire health and environmental crisis, especially affecting children.
By joining forces in this initiative, we cultivate hope and solidarity, fostering empathy and collaboration across communities while easing the hardships endured by those in Gaza. This collective effort reassures them that they are not alone in their struggle. The Gaza Municipality earnestly appeals for your support to help reinstate essential services, currently the foremost priority. In the northern regions of the Gaza Strip alone, over 500,000 individuals urgently require these services.
Where your donations will be directed:
i love you, Two Catfish as Street Musicians in the Kashina district, ca 1855 of an unidentified artist, you go so hard
baby fever is the most foreign concept to me in the world. when i found out women don’t have to have children if they don’t want to i was like YAYYYY!!! I’M FREEEEE !!! ^_^ i was like 13 and i have never looked back…
How can I go? I can't live nowhere else. 'Till I came I never lived at all. I can't leave here. I can't leave him. S01E03 • POLDARK
@pscentral event 26: minimalism isolated above, connected below
The Good Place (2016-2020) Jason Mendoza (S01E04)
Rocks and Flowers - Antonio Barahona , 2023.
Spanish, b.1984 -
Oil on wood , 50 x 40 cm
𝖠𝗊𝗎𝖺𝗋𝗂𝗎𝗌 𝖼𝖺𝗇𝖽𝗅𝖾𝗌𝗍𝗂𝖼𝗄 𝖻𝗒 𝗅𝗂𝗏𝖺𝗇𝖽𝖽𝗈𝗆
ABBOTT ELEMENTARY 3.10 2 Ava 2 Fest
@pscentral event 26: minimalism
THE BANSHEES OF INISHERIN 2022 | Martin McDonagh
The Columbia University student divestment encampment protest, April 2024
Beloved, Realm of the Elderlings / Cassandra of Troy
'An Oresteia,' Translated by Anne Carson / Fool's Quest - Robin Hobb / Lilo Baur as Cassandra in THE ORESTEIA' by Aeschylus at the Cottesloe Theatre, National Theatre (NT), London in 1999 / Anne Carson, excerpt of Cassandra Float Can, from Float / Zoë Sophia Garcia as Cassandra in “The Oresteia.” / Cassandra - Florence + the Machine / Fool's Quest - Robin Hobb / The Green Knight (2021) / Cassandra - Florence + the Machine / Uknown / Golden Fool - Robin Hobb / I'm Your Man - Mitski / Florence + the Machine / Cassandra - Florence + the Machine / Fool's Fate - Robin Hobb / Cassandra - Florence + the Machine / Fool' Errand - Robin Hobb / Cassandra - Florence + the Machine / The Green Knight (2021) / Cassandra - Abba
BILLIE PIPER for GRAZIA MAGAZINE (2024)