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seabound

@merflk / merflk.tumblr.com

anne. xxiv. she/her or they/them. dutch. bisexual. mythology and aesthetic. I study English literature and I am trying to become the person I want to be.
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so what Adam Lambert songs would we like Key to sing???

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merflk

is whaddayawant from me too obvious

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xuseokgyu

Ateez Members as The Onion Headlines + one Reductress cause Yunho is that special Atzsource’s Comeback Countdown Celebration Week 1: Ateez Members!

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whoever said diamonds are a girl's best friend clearly has never met ibuprofen

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Text: "I’m a farmer,“ she insisted, a skeletal raven perched on her shoulder, “nothing more nothing less.“ 

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elidyce

They say that if you walk through the North Woods at twilight, all the way to the crossroads, a fifth road will appear. 

They say the signpost grows a new arm, pointing to that road, but what is written on it is unreadable.

They say that now and then someone foolish, or desperate, goes down that road. Many do not return. Those who do, come back changed. 

I walked through the woods at twilight every night for a week. On the eighth day, when I reached the crossroads, a narrow path was there, leading off at an angle from the crossed dirt roads and winding through the trees. When I looked up at the signpost, a fifth arm had appeared, and the writing on it was not in any language I know. Beside the letters, however, I saw a stalk of wheat and a bird. 

That was enough. I hefted the pack on my back, and set off down the path. 

The path was narrow, but it was smooth enough to walk even as the light faded. When full darkness came, I lit my lantern, and continued walking. I walked until the moon was up, and then at last the trees thinned, and I stepped into a clearing. 

There was a farm holding there, fields and buildings silvered by moonlight, and one open door with light streaming out of it, warm and welcoming. There seemed nothing else to do, so I walked over to it and knocked on the open door. 

“Come in, wanderer, if you mean no harm.” The voice is serene, but there is a strange echoing quality to it. 

I enter, slow and cautious. The inside of the house is all one room, in the old style, with stores hanging from thick beams, a big fireplace on one wall and a low box bed in one corner. A woman is sitting in a chair by the fire, knitting by the light of two candles stuck to the back of the chair. “Come in,” she says again, turning her head to look at me, her voice still echoing as if it comes from a deep well or an ancient tomb. “Come in, and get warm.” 

There is nothing I could describe, about her appearance, to frighten anyone. She looked like any farmwife, solid and capable, hair coiled around her head in grey-streaked braids, her drab skirts tucked around her legs. And yet, when she looked at me, I quailed, and almost fled. There was something about her that was terrifying, a feeling of… not malice, but of power, held in reserve. If I had meant harm, I think that look would have struck me dead. As it was, it waited, to see what I would do.

“I followed the path,” I blurted, trembling. “I saw it, in the twilight, and I… I came.” 

“I see,” she said, still waiting patiently. “And why did you come, child?” 

“Because… because…” The words rise up and choke me. There are so many reasons, so much boiling inside me… “Because I am cursed,” I say at last, my eyes filling with tears. “Because I bring ill-luck wherever I go. I thought… I thought whatever was down the path couldn’t be worse than what I left behind. Even if I died, it couldn’t be worse.” I remember the graves I’ve left behind me, of those I loved, of the hard words and threats, of children dragged away for fear of my curse touching them. 

She rises, then, and comes to me, laying her hand lightly on my head. It is warm, and soft, like any hand, yet it is much, much heavier than any hand should be. She cocks her head, eyes distant, and then she smiles sadly. “It’s not a curse, child,” she says gently. “Just ill luck, and superstition, and cowards putting blame where it does not belong. Come and sit by the fire, and eat something.” 

She gives me stew and a chunk of bread, and a cup of strong beer. When I am finished, she spreads a pallet before the fire and covers me in blankets of thick wool. I sleep well, for the first time in longer than I can remember. 

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grimeclown

Masks are kind of hot actually

A well-designed mask does more for making a character hot than any amount of cleavage

It’s about SYMBOLOGY it’s about MYSTERY it’s about an ABSTRACTION OF SELF and most importantly it’s about FASHION

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this is the greatest thing i have ever made

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the way p&p 2005 said: here's one of the most beloved enemies to lovers romances of all time, we don't need to change anything but here's keira knightley and the most socially awkward mr darcy you have ever seen. we're going to sprinkle in a hand touch and an almost kiss during an argument following a love confession in the pouring rain. what excellent boiled potatoes. yearn. you will think about this movie every day for the rest of your life.

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the encyclopedia of celtic mythology and folklore:   Epona

Among people whose vision of divinity was so polytheistic that the same name of a god or goddess is rarely found more than once, Epona is an exception, for statues and altars to her have been excavated across continental Europe, the center of her worship, and in Britain – more than for any other god or goddess of the Celts. Yet little is known of this goddess except that she was connected with HORSES. Her name means “horse,” from the Gaulish epos, and she was depicted astride a horse (usually a mare), surrounded by horses, or even occasionally lying naked on the back of one. 
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