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december???? what next??? 2024?????

i am very sad to inform y'all that its february and the passage of time is as ceaseless and unstoppable as always.

Three narrow dogs drinking together at backbar

acrylic, water pastel

10x20″ panel

KAZLAND - 2017

hot priest from fleabag fucking LIED. it will not pass it simply won’t.

i love to use my pedestrian right of way... youre not going lol

ana mendieta, untitled (from the silueta series), 1976

im always like hehe im so smart i will avoid shame by never doing anything ever but then i feel ashamed of not living and it turns out i didn't escape any sort of discomfort i just traded it in for a less rewarding kind

remember

— Carol Rifka Brunt in Tell The Wolves I'm Home

I always am about to go to sleep at a beautiful 11pm and then something happens to me

cdmx~

“The way Rilke describes colours — their intercourse within a painting, a single colour’s evolution through history — that’s how one might also describe words: their interaction and interplay within a poem, a single word’s history from one age to another, punctuated by contributions of individual authors. His eyes trained by Cézanne, Rilke reaches out to language for words that would express the nuances of colour, and the biography of blue spills out into the realm of language: a barely-blue, a blue dove-gray, a densely quilted blue, an ancient Egyptian shadow-blue, a waxy blue, a self-contained blue, a wet dark blue, a listening blue, a thunderstorm blue, a bourgeois cotton blue, a light cloudy bluishness, a juicy blue, and, in van Gogh’s landscapes, full of revolt, Blue, Blue, Blue.”

Elena Maslova-Levin, ‘Rainer Maria Rilke on Colour and Self-Awareness’

Muramasa Kudo aka 工藤村正 (Japanese, b. 1948, near Tokyo, Japan, based Los Angeles, CA, USA) - Untitled  Paintings

Red Light

California

All The Time In The World

Hasselblad 500c/m

Kodak Ektar 100iso