I’ll never be over the parallels between Barrett in episode 11, measuring Sasha’s worth against that of a machine in the most underhand of compliments, making clear that he only sees her as a useful object:
“What would be the benefit to me, of a machine, that follows order anyway? There’s no… no skill involved in that. Besides which, I find them so lacking in… initiative, innovation, improvisation — all the things that you brought, Sasha.”
And Sasha’s response to Grizzop in episode 89 saying “you’ve got people who want to keep you alive, so, we’ll do our best” — what Lydia describes as “the most bitter laugh, as a person that has been used as a tool,” taking absolutely no comfort from Grizzop’s words. Sasha is used to being kept alive for things. She was a good, useful thief for Barrett and probably knows that that’s the only reason she survived Other London while kids like Brock disappeared. Rakefine kept her around and tried to make her into this pretty thing for some ill-defined reason, but it wasn’t because he valued her as a person.
And then there’s Sasha’s anger in episode 112 when Grizzop tries to reprimand her for caring more about her adamantine dagger than her own life, telling her that she is “more important than that thing.” Sasha is uncharacteristically furious at this, shooting back at Grizzop that she was doing her job. And as much as I love Grizzop’s sentiment and treasure his words, I can also see why she would respond so poorly to them, given her history. Why Grizzop weighing her life against that of an object — even if he comes down heartily in favour of her, even if this was totally not his intention — might have made her think of Barrett comparing her usefulness, and thus her life, to that of a machine.
Because I think, on some level, Sasha sees her usefulness as her entire worth and the only reason she’s alive. Her life is just, as she said, the “product of countless deaths” — the result of Barrett and Rakefine judging her to be worth more than so many Other London kids because of what she could do for them. She shows again and again during the series that her life means very little to her, even after her friends tell a literal dragon how much her life is worth — something we know touched her deeply, but that part of her brain may have told her was just another instance of her life being useful enough to others to warrant saving. Her life doesn’t really belong to her. It’s always been up to other people whether she lives or dies.
Her knives, though, her knives are hers. She’s collected them over these past few months as she’s traveled the world, won battles, and made friends, and each one is a symbol of these new experiences. Unlike her friends, there’s no chance they’ll leave her (like Brock left, like Zolf left.) Unlike her life, even, the continued existence of her knives doesn’t depend on how useful she is to other people: they’re stable, fixed things, and they’re truly hers.
So when Grizzop, in 112, responds to Sasha saying that she was just doing her job with “your job is also to survive” and “caring about daggers is not part of your job,” I think what Sasha understands is another instance of her life (her “survival”) being connected to her usefulness (her “job”). She hears Grizzop (and Barrett, and Rakefine) valuing her life because it’s useful to them, because her life isn’t really hers. And she hears someone disregarding the only things that she sees as her own, the symbols of her independence and growth beyond her old captors. Of course she’s angry and frustrated.
And of course Grizzop doesn’t understand this, and I’m not even sure there’s much that he, in that moment, could have said or done to help move Sasha away from the way she sees her own life in relation to others (though not shouting would have definitely helped.) Sasha’s growth is a long non-linear in a way that I deeply appreciate. There are times that we see the seeds of Sasha valuing her life in and of itself — her hug of Eren Fairhands after he heals her, her listening to what Grizzop said about planning for the future — but it’s clearly something that takes time. It’s a really thoughtful, complex portrayal of a character, and god, I love Sasha Racket.