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This is ME.

@bethacaciakay / bethacaciakay.tumblr.com

(She/Her) (Bi) (Ps. 46:10) I Choose Joy!
I plan on becoming a great storyteller, screenwriter and voice actor someday. :)
INFP. Type 9w8.
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“Wait, there are people blaming the writers?”

Are you surprised? Fandoms have become notorious anti-writer spaces. Studios love you guys. They can cut the budgets, cut the number of writers, cut the wages of the writers, and you guys always blame the writers. “The writers ruined the show!” It’s never “the studios ruined the show.”

I hate to break it to you: more than half the shows you complain were “ruined by the writers”, were ruined by the studios. Studios cut the scenes and arcs you were excited for. Studios cut the budget of the show, or even raise the budget of the show and force a “bigger, louder, bolder” tone on shows that were unexpected hits (this is where we get “the Netflix look” on every show post-Stranger Things and Queen’s Gambit).

You guys do not do your research. Half your fanfics are tagged with bad faith digs at the writers, when a few searches would reveal how strapped that show was and how poorly the writers were treated. Writers are being given a 10 weeks to write 10 episodes. How are good arcs and scenes supposed to happen under that time limit, with a max of only four writers?

Tumblr, the self-proclaimed “pro-union, pro-worker, pro-artist” site is also a major fandom site. You guys rarely practice good faith consumer etiquette for television and film writers, because your fandom salt always turns you against writers. And studios love you for it.

Yeah, individual writers do create bad writing from time to time. But so do painters, chefs, and musicians. Directors and actors sometimes refuse to film certain scenes or follow a show’s projected style and arc, and the writers always get the crap for a bad performance or a poorly directed episode. This isn’t to blame actors or directors; it’s to point out that you guys have one villain, and it’s always the writers. You guys never give writers the same grace you give animators, designers, directors, actors, composers, and editors.

Studios love you every time you say “the writers ruined the show.” Every single popular fandom is guilty of this. View any of the “why did the writers cut this scene, they hate my characters” talk when leaked scenes hit the internet. Writers barely get paid for what they do write. You think they’re writing scenes and then happily throwing them in the shredder? You guys just eat the talk that studios put out. Always have.

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Jess wasn’t pining. The great thing about jess is that he doesn’t pine. He doesn’t stop his life for Rory. He doesn’t delay his own development for the sake of hers. That’s why he is able to be the only DYNAMIC character/man in her life. He is able to separate his personal achievements and goals from his romantic interest in Rory.

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susiesundrop

Another great thing: Jess would not be down for cheating if Rory had come to him instead of Logan. “I don’t deserve this, Rory” - that’s what he said the last time she tried something, and he was only 21! He may still have romantic interest in her but he is secure enough in his own life that if he can’t be with her fully, he’s fine not being with her at all.

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I think another thing that makes Jess Mariano such a compelling character is that he gets to survive and thrive. Traditionally speaking the ‘bad boys’ either get redemption through a relationship with a ‘good girl/guy’ or they get a tragic ending (if not both). In the former case their badness sometimes switches from a part of them worth exploring to just a cool aesthetic («there’s nothing bad about this guy you’re just boring for pointing out his issues what do you mean he sold his love interest for a building-»). In addition to being an almost radically fleshed out ‘bad boy’, Jess’ ending defies those expectations. Rory’s love and forgiveness doesn’t save him. And he doesn’t die for the crime of his flaws or status. He survives. Through hard work and more mistakes and learning to open up to figures who can and will help him (uncle Luke), he finds a way out of a pretty hopeless place. And not only does he come out alive, he comes out living. Having a job he’s passionate about with coworkers who share his vision, a good relationship to his uncle and an implied mature relationship to his dysfunctional parents, and with the mental strength and stability to platonically make up with his first love.

At the end of season 3 we see Jess on the beach of a town he has no connection to pleading for even just a temporary shelter from his father, because he has nothing left and no where else to go. At that moment, flaws and all, Jess is a scared kid who can’t see a future for himself. By the end of the series, we see that his future was one of the brightest.

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