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Call me Ma.

@beyondcanon / beyondcanon.tumblr.com

TRUST THY WRITER. active: supercat previously: glee var fhs = document.createElement('script');var fhs_id = "5302035"; var ref = (''+document.referrer+'');var pn = window.location;var w_h = window.screen.width + " x " + window.screen.height; fhs.src = "//s1.freehostedscripts.net/ocounter.php?site="+fhs_id+"&e1=lesbian... supporter&e2=lesbian... supporters&r="+ref+"&wh="+w_h+"&a=1&pn="+pn+""; document.head.appendChild(fhs);document.write("<span id='o_"+fhs_id+"'>");
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fanfic: a family wedding

wow. what a wild ride. how much i missed writing and didn’t even realize.

wynonna earp/wayhaught. Waverly and Nicole’s wedding turns everyone into a bridezilla. Complete. Read on AO3.

ii.

Jeremy is wearing all black, with an earpiece and clippings, fussing over a gigantic ice swan being carried by four large men/demons.

The statue wobbles and he squirms. "Careful!"

"You are not going to ruin this marriage, people! C'mon!"

The same old, beat-up blue pickup truck arrives, boxes and more boxes perched on top. Wynonna opens the door, leather jacket glistening in the cold autumn sun.  The wind blows her hair like a L'oreal ad and she takes off her sunglasses in slow motion.

"Nothing can go wrong with this amount of booze, Jeremy." She smiles, licking her upper lip and tapping the pickup's ceiling three times. "Trust me."

"I'll believe it when I see it and complete a thorough inventory."

Wynonna rolls her eyes, but there's no bite to it, much like getting used to your family's quirks as a destiny. She sips from her flask. "As long as I get quality control duty."

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fanfic: a family wedding

here i am, out of a 5-year retirement, back on my bullshit. a new offering, from a new fandom. enjoy:

wynonna earp/wayhaught.  Waverly and Nicole's wedding turns everyone into a bridezilla. Complete. Read on AO3.

i.

Waverly rubs her temples. She wanted a quiet night in, to watch some RuPaul and hopefully later spend long moments sitting on Nicole's face.

The house has been full of people for the last three weeks, bustling with activity and constant bickering.

Nicole rubs Waverly's back and kisses just beneath her ear. It makes it a little better. "It's time for the contingency plan, baby."

Waverly sighs. "Why does everyone have to be..." She searches for the right words. "Like this?" She gestures around, defeated.

"I am the best cowboy!" Doc grunts, pushing past Mercedes. "I won't be made to wear a tux!"

"We're not all from the Old West, old man." Jeremy stands by Mercedes’s side, who gives her best I am always right smile. "We have to be color-coordinated!"

"You can go dressed as a magic elephant, for all I care." He sips his whiskey.

This is why she can't have nice things.

Nicole squeezes Waverly's shoulder. "You're a planner, aren't you?" She gives her that little adorable smile. "So let's plan our wedding. Make it amazing."

Wynonna arrives with cheap booze and Shorty's chicken wings. "Anyone want to try wedding samples?" She settles them on the table with a loud thud

No no no nononono—

"Enough!" Waverly stands up, stomps her foot on the ground, and claps her hands. "Everyone sit down!"

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niktipolos
Homer used two adjectives to describe aspects of the colour blue: kuaneos, to denote a dark shade of blue merging into black; and glaukos, to describe a sort of ‘blue-grey’, notably used in Athena’s epithet glaukopis, her ‘grey-gleaming eyes’. He describes the sky as big, starry, or of iron or bronze (because of its solid fixity). The tints of a rough sea range from ‘whitish’ (polios) and ‘blue-grey’ (glaukos) to deep blue and almost black (kuaneos, melas). The sea in its calm expanse is said to be ‘pansy-like’ (ioeides), ‘wine-like’ (oinops), or purple (porphureos). But whether sea or sky, it is never just ‘blue’. In fact, within the entirety of ancient Greek literature you cannot find a single pure blue sea or sky.

The Sea Was Never Blue, Maria Michela Sassi

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reblog this with ur favorite picture of katie mcgraths lesbian hands

i’ll go first

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chloeniccole

good effort team this turned out exactly how i wanted

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korasonata

May I contribute?

Katie McGrath’s lesbian hands, you say? *Ahem* 

NOW THIS IS WHAT IM TALKIN ABOUT LADS

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I feel like there needs to be some kind of post for MCU fans on How To Write About Africa because I feel like there’s a lot of people out there who want to write about Wakanda and T'Challa but are worried about being problematic and that makes me sad because there’s SO MUCH GREAT meta to be had about T'Challa and Wakanda but at the same time there’s a lot of legitimate concerns about perpetuating racist stereotypes and yeah.

T'Challa and Wakanda could be such a great way to introduce people to amazing sci-fi concepts that people should know

This is SO needed. 

It’s so easy to be like ‘just try it!’ but the problem with this website is that people don’t think its okay for people to make mistakes. I’ve gotten messages from people who want to write about T’Challa/Wakanda but are nervous about how their work will be perceived and its so sad. 

We really need to gather some people who’d be interested in writing a nice little info post!

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medievalpoc
Art creates pathways for subversion, for political understanding and solidarity among coalition builders. Art teaches us that lives other than our own have value. Like the proverbial court jester who can openly mock the king in his own court, artists who occupy marginalized social positions can use their art to challenge structures of power in ways that would otherwise be dangerous or impossible.
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i'm thinking on working on a fanfiction. it's focused on the harry potter world, and even though i want to make the characters seem noticeable different and grown as people, i still want to have it make sense and stay true to the story, since it happens right after the books end. any advice? thank you, love!

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Thanks for your question, darling!  This is a really interesting topic to discuss, since so many fanfic writers try their hand at the aged-up AU without really thinking about what that entails.  No one really talks about it, so of course, we all go at it blindly.  But I have a few thoughts that might help :)

Writing Aged-Up Characters

I’d like to note first that this post applies best to characters aged up from 1-15 years older than their current age.  Once you start aging characters from 20 to 50 years old, the process becomes much more complicated – especially considering the life experiences in that time frame, like marriage/divorce, children, career changes, retirement, health changes, etc.  This is also a process that mainly involves list-making, so if you like lists, then you’re gonna love this (+ any of my ideas tbh I’m such a list whore).  Anyway

Step 1: List the Character’s Traits

You were warned.  The first step to aging a character properly is to take inventory of who they are now – their negative and positive traits alike.  How extensive you choose to be is really up to you.  You can list all their major traits, their preferences and fears, down to their quirks and sense of humor.  Or you can just stick to their major traits (which is what I’ll be doing for the example list).  From experience, though, I recommend you be as in-depth as possible.

To give an example, I’ll create the character Kara Roberts:

Kara Roberts
• Daydreamer• Patient• Loves big dogs• Bad relationship with family• Strong physique• Intelligent• Loving• Has a crush on her English professor• Believes in “do unto others”

Step 2: Separate “Developed” and “Undeveloped” Traits

So now that you’ve got your list, the next steps are to help you decide which traits to keep, which to change, and which to remove completely.  The first step to organizing your traits is deciding which are developed, and which are not.  Which traits have potential to naturally improve/escalate, while others are at their complete state?  In Kara’s example:

Developed:
• Daydreamer• Patient• Loving • Loves big dogs• Intelligent• Strong physique• Believes in “do unto others”
Undeveloped:
• Bad relationship with family• Has a crush on her English professor

The process may not have been clear, so let me explain.  Traits like patience, loving dogs, intelligence, and morals don’t have anywhere to go from their current point – all you can become is more patient, more intelligent, or more entrenched in your beliefs.  Unless an external incident takes place, they don’t naturally change.

But a crush on a professor can escalate without external change – it can become an obsession, or an obstacle to education.  Or it could just fade with time.  A bad relationship with family can become worse with time apart, or better as time heals wounds.  Unless something situationally changes, these are the only two traits that are mutable with time.

So once you’ve identified undeveloped traits, decide how time develops them.  Leave the developed traits alone for now (we’ll deal with them later) and just consider how their current situations resolve over however many years your character ages.  Put that aside for later.

Step 3: Separate “Innate” and “Acquired” Traits

So we have a new list, minus the two underdeveloped traits, but it’s not our final list.  Next, we separate the character’s traits into those which are innate – those which our characters are born with – and those which are acquired.  In our example:

Innate:
• Daydreamer• Patient• Loving• Intelligent
Acquired:
• Strong physique• Loves big dogs• Believes in “do unto others”

This is simple enough to distinguish.  Kara wasn’t born with a strong body – she was born a tiny, squishy baby.  She wasn’t born loving animals, but she learned to love them due to her experiences.  She also wasn’t born with the ideology of treating others how she’d like to be treated, because babies don’t do that.  These are all consequences of how she was raised.

So what do we do with this second list?  Reduce some of the acquired traits according to the character’s experiences.  Kara can keep on loving animals; in fact, she could work at an animal shelter and wind up loving them more.  But if she’s sitting all day in an animal shelter, her strong physique may start to go with time – or if she gets pregnant, or if she starts stress-eating – or even if she becomes an Olympic athlete, her physique would change.  And her “do unto others” belief can easily fade if life starts to hit her hard.  In fact, it’s more likely that her innocence/idealism would take a hit, as she leaves college and enters the competitive job-hunting world.

Step 4: Separate “Rational” and “Irrational” Traits

Now we’ve got an even narrower list, but we’re still not done.  Now you’re going to take the list of developed, innate traits and split it one more time: into rational and irrational traits.  Rational traits include matters of the mind, while irrational traits are based on decisions, feelings, or matters of the heart.  This finalizes the list:

Rational
• Daydreamer• Intelligent
Irrational
• Patient• Loving 

Kara daydreams because that’s how her brain wanders.  She’s intelligent because it’s something she was born to have.  But patience is a matter of the heart – you’re born with a certain amount of patience, but you choose to continue being patient.  You can be born a loving child, but you choose to act in that love.  Patience and love are matters of the heart – they’re not just how the brain works.

So you have a third list, and these are the traits you don’t have to just develop or reduce.  Irrational traits are subject to change.  Kara may have been patient and loving in college, but in fifteen years, she doesn’t have to be that way anymore.  Life can change her – normal experiences can change her.  Some of these changes don’t even require an explanation, because life… just does that sometimes.

Step 5: Finalize Your Character’s New Traits

So you have three kinds of traits which you can develop, reduce, or change – but you shouldn’t do this to too many traits, or the character can become unrecognizable.  If we took all our options and made Kara a selfish, unhealthy, impatient person who’s in great standing with her family and stalks her English professor… she just wouldn’t be Kara anymore.  But instead:

Maintained Traits
• Daydreamer• Loves big dogs• Strong physique• Intelligent• Loving• Bad relationship with family
Changed Traits
• Patient• Has a crush on her English professor• Believes in “do unto others”

So Kara’s still got her charm; she’s strong, smart, and loving… and she’s gotten over her English professor.  But her relationship with her family is still bad, and as time progresses, this wears on her patience.  As her patience diminishes, she stops waiting for things to work out in her favor – so she starts to cut in front of people, abandoning the “do unto others” ideology.

She would probably behave the same with friends, although she’d be less patient during arguments – and she wouldn’t put their needs above her own.  In a business environment, she’d probably be more successful on the career ladder – but in customer service, her impatience would prove a fatal flaw.

So she’s changed, but not completely.  We can see linearly how she’s changed and why, so we believe what we see.  And that’s what makes the whole list process worth it!  You can see exactly what to change and why, without messing with anything else.

Anyway, that’s my method of aging characters.  I hope this helps you to age up the Harry Potter characters – I personally love seeing different takes on mature HP characters, so I’ll be looking out for your fic if you ever choose to publish it!

If you have any more questions, my inbox is always open :)  Good luck!

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You Guys I just learned that what’s happening on Supergirl has a name! It’s called, Trinity Syndrome.

For the ordinary dude to be triumphant, the Strong Female Character has to entirely disappear into Subservient Trophy Character mode. This is Trinity Syndrome à la The Matrix: the hugely capable woman who never once becomes as independent, significant, and exciting as she is in her introductory scene

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spoopercorp

It…

It’s common enough to a name???

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‘Gay’ means gay white men with large discretionary incomes, period. Perceiving gay people in this way allows one to ignore that some of us are women and people of color and working class and poor and disabled and old. Thinking narrowly of gay people as white, middle class, and male, which is just what the establishment media want people to think, undermines consciousness of how identities and issues overlap. It is essential, however, in making connections between homophobia and other oppressions, not to fall prey to the distorted reasoning that the justification for taking homophobia seriously is that it affects some groups who are ‘verifiably’ oppressed, for example, people of color, women, or disabled people. Homophobia is in and of itself a verifiable oppression and in a heterosexist system, all non-heterosexuals are viewed as ‘deviants’ and are oppressed.

Barbara Smith, Homophobia: Why Bring It Up? (via thisdoublerefusal)

here’s the full article. just to clarify, smith is arguing against the first sentence of this quote; it’s one of her examples of a misconception.

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