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anon

@anaglyphics / anaglyphics.tumblr.com

taryn [she/her, twenty]
prev. famouslastswords
i track the tag #heytaryn
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make me choose: kaz brekker or richard gansey iii (for @sovnly​)

Gansey had always felt as if there were two of him: the Gansey who was in control, able to handle any situation, able to talk to anyone, and then, the other, more fragile Gansey, strung out and unsure, embarrassingly earnest, driven by   n a i v e   l o n g i n g
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carricfisher
You must know… surely, you must know it was all for you. You are too generous to trifle with me. I believe you spoke with my aunt last night, and it has taught me to hope as I’d scarcely allowed myself before. If your feelings are still what they were last April, tell me so at once. My affections and wishes have not changed, but one word from you will silence me forever. If, however, your feelings have changed, I will have to tell you: you have bewitched me, body and soul, and I love–I love–I love you. I never wish to be parted from you from this day on.

Pride & Prejudice (2005), dir. Joe Wright

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reblogged
Now I would look at it and say, today, the person I am at 30, I feel healthy. I don’t necessarily have all the answers and I don’t have everything I’ve ever wanted in my whole life — even though the band is doing great and whatnot. I feel so much gratitude everyday which is a very new thing. It’s a very different kind of thankfulness than I’ve felt in the past, and I think it’s taken a lot of gardening in my heart, a lot of digging up so much soil and finding old roots that were in the way of other things blooming.
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cuntylestat

In almost every musical ever written, there’s a place, it’s usually about the third song of the evening, sometimes it’s the second, sometimes it’s the fourth, but it’s quite early. And the leading lady usually sits down on something, sometimes it’s a tree stump in Brigadoon, sometimes it’s under the pillars of Covent Garden in My Fair Lady, or it’s a trash can in Little Shop of Horrors. But the leading lady sits down on something and sings about what she wants in life. And the audience falls in love with her and then roots for her to get it for the rest of the night. — Howard Ashman

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