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East Asians on Western screeen

@eastasiansonwesternscreen / eastasiansonwesternscreen.tumblr.com

Multifandom side blog celebrating East and Southeast (Diaspora) Asian actors in Western media - films and TV
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maquet591

We need to talk about the Watcher "fans".

These are the top comments on Shane’s IG post. Just look at the number of likes.

“Steven Lim is a greedy, manipulative evil CEO that twists his white co-founder's hands and forces the said co-founder into his will!!!” – this narrative is being prevalent in this fandom since April 19. People harassed him all across social media on every platform. People wrote nasty comments not only to his social media accounts but also to his wife and friends.

People made a Change.org hilariously dumb petitions to have him leave the CEO post.

People gleefully demonize and tear down his reputation. Twist his words out of context in to something vile. Weaponize the years old inside jokes his friends made on camera.

“This is not racism!!!” they say. “These are just the facts!!!”

No they aren’t. And here’s why:

because this

is the same as this:

  • Covert racism in language, or coded racism, is the deployment of common stereotypes or tropes to elucidate a racially charged idea. Rather than expressly perpetuating racist tropes, covert linguistic racism is seen as rational or "common sense", and many are not aware of its impact.
  • Racial stereotypes. Racial or cultural stereotyping refers to generalizing a group based on a simplified set of norms, behaviors, or characteristics.
  • The Yellow Peril (also the Yellow Terror, the Yellow Menace and the Yellow Specter) is a racist color metaphor that depicts the peoples of East and Southeast Asia[a] as an existential danger to the Western world.

Fu Manchu is a fictional character created by Arthur Ward, a music hall writer and journalist in London in the early 1900s. Writing under the pseudonym Sax Rohmer, Ward had absolutely no knowledge of Chinese culture or Chinese people – but his invention of a Chinese supervillain struck a chord in Victorian Britain and became a smash hit.

Fu Manchu was the original fictional Asian villain, a trope which became embedded in popular culture and Western psyche spawning spin-offs, spoofs, pop songs, video games and even consumer goods. But how damaging is Fu Manchu and how much can he tell us about modern Asian racism?

Ward wrote Fu Manchu as the personification of the so-called Yellow Peril threat: exotic, alien and inhuman, a mastermind boasting degrees from top universities. Using sinister powers to control minds, he aimed to undermine Western civilisation.

"This led to the idea that the Chinese were deceiving – they weren't being honest, they weren't revealing who they really are as people. This spawned into stories of Chinese as cheats and liars and deceitful – never giving you the truth, always fabricating."

Seven Lim being labeled as “greedy” “evil” and “manipulative” (of his white co-founder) is rooted in Anti-Asian racism. Whether people admit it or not.

Racism is not always derogatory slurs or white hoods. Racism is also casual micro-aggressions and putting people of color in the metaphorical boxes of harmful stereotypes. Racism is twisting the narrative and shaping it into a vile stereotype straight from the 19th century.

Also, let's not forget that people are happy to jump on Ryan in the similar way for the same reasons.

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EXCLUSIVE: Lana Condor (To All The Boys franchise), Andrew Koji (Bullet Train), Ross Butler (Shazam! franchise), Sung Kang (Fast & Furious franchise) and Elodie Yung (The Cleaning Lady) are among those set to star in Worth the Wait, a romantic comedy marking the U.S. directorial debut of award-winning Taiwanese filmmaker Tom Shu-Yu Lin (The Garden of Evening Mists), which has wrapped production in Vancouver and Kuala Lumpur.

Others cast include Karena Lam (American Girl), Osric Chau (Supernatural), Ali Fumiko Whitney (The Road Dance), Ricky He (From), Kheng Hua Tan (Crazy Rich Asians) and Yu-Beng Lim (Rebel Moon).

An English-language indie set against the intercontinental backdrops of Seattle and Kuala Lumpur, which is said to be in the vein of Love Actually, Worth the Wait follows a year in the interconnected lives and romances of an all-Asian ensemble cast.

(via Deadline)

Source: deadline.com
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