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@hanramz-the-fander / hanramz-the-fander.tumblr.com

Hannah -- She/Her -- BiDemiRo/Demisexual -- Time zone: EST -- Fan of Thomas Sanders, Dan and Phil, and Jacksepticeye
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Hey, y’all. Money has been really tight lately with car repairs and maintenance. Unfortunately, I still need money for gas and to be able to get groceries, but costs are adding up far more quickly than I can recover them. For that reason, I’m making this post to advertise my Ko-Fi. If you’re not able to donate, reblogs are heavily appreciated! 

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xbuster

Marvel movies have completely eliminated the concept of practical effects from the movie-watching public’s consciousness

Not just practical effects just like. Basic set design lol

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wemblingfool

How… How do they think sci-fi was done before CGI?

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seldo

Really badly? Do you remember sci-fi before CGI? It was shit. And don’t say Star Wars because they went back and fixed that with CGI later.

*big sigh* *puts head in hands* heathens who’ve never watched pre-MCU sci-fi movies OR the unedited Star Wars movies, my beloathed

So first of all, most people agree that the majority of the “CGI fixes” in the Star Wars original trilogy (excluding minor visual/sound effects like lightsaber colors and blaster sounds) are unececssary, extremely conspicuous, and/or bad. This is not news to literally anyone older than about 20 who has consumed Star Wars content on any level. There are quite literally two very famous ‘despecialized’ fan projects explicitly dedicated to un-doing all of the shitty “fixed” CGI effects while simultaneously restoring the OT in HD.

And yes, I do, in fact, remember sci-fi special effects before CGI was the foundational cornerstone of moviemaking. It was not, in fact, shit:

Also, ironically I can show you by….*gasp* using fucking Star Wars, of all things. Welcome to the Tatooine pod race set of The Phantom Menace, which was not, as popularly believed, CGI’d but was instead a fully-built miniature set:

Yes, they built the entire set as a minature, built life-sized pod racers for the actors, then spliced the two together using digital effects. Yes, they did such a fantastic job that people think the entire set and scene sequence was basically completely CGI’d to this day. You’re fucking welcome for undervaluing the time, effort, and talents of set designers by implying that set design and practical effects inherently mean things will look like shit.

CGI also ages really poorly. What you think looks incredibly realistic now is going to look terrible in a few years. Just look at the original vs remastered Star Trek. They “restored” Star Trek around 2006 and replaced a lot of the practical effects with CGI, and maybe it looked ok in 2006, but it looks so bad and fake now.

You can see a video comparison for one episode here: https://youtu.be/ruPVTPCavdM

In the 60s they built a whole model of the Enterprise, complete with blinking lights and beautifully sculpted/painted details. It looks stunning! Then they replaced it with that horribly smooth and fake looking cgi ship.

Just look at this beauty

You can see the model at the Air and Space Museum in DC

Unfortunately the remastered version is the only version available to stream, but you can still find DVDs with the original effect.

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karadin

made in 1968 and still stunning 2001 A Space Odyssey

the designers worked with engineers at NASA to make realistic futuristic special effects using models and matte paintings no computer effects at all! - and incidentally inspired David Bowie to write Space Oddity, later performed in space by astronaut Chris Hadfield

The CGI of the original Jurassic Park may not be aging well (though arguably still better than some), but the practical effects will always look stunning. 

I want to talk fantasy.

This shot was achieved with splicing and green screen.

This wild-looking shot (and similar manipulations) was famously achieved by having a professional juggler in a duplicate of Bowie’s jacket and gloves sitting behind him, basically with Bowie in his lap, doing the handwork while Bowie kept his arms behind the juggler. You may have seen a game based on this on Whose Line Is It Anyway.

This? Wires! Splicing! THE CGI TO DO THIS DIDN’T EXIST YET! (The juggler is hidden under the cape. If there’s a scene where he’s wearing a cape, that’s actually probably why.)

And this? This heartstopping shot?

This does appear to be from the version with CGI—

—CGI THAT WAS USED TO ERASE THE SHADOW FROM THE PRACTICAL EFFECT.

The shot itself hasn’t changed. The lift itself was done with wires and Bowie was given some propulsion with an air cannon so he could make that turn at speed. A minor amount of CGI was used in the 30th anniversary to “touch up” the work done in 1986, and one of the things they did was to remove a shadow on the wall from one of the wires.

How about this?

You don’t know it, but you’re looking at a practical effect. In real life, the Ruby Slippers are almost orange. That luxe, rich ruby color showed up on the film as black when the shoes were the correct color, so the costumers adjusted the actual costume to give the color they wanted.

A MODEL OF A HOUSE SHOT INSIDE A NYLON STOCKING ATTACHED TO A FAN.

MAN IN A COSTUME.

HORSES DUSTED WITH COLORED GELATIN.

And this? This is where it would’ve been useful to have CGI. Margaret Hamilton got really badly burned on the steam doing one of her entrance/exits, and ended up in the hospital. THIS is what you use CGI for.

You come into my house and insult practical effects?

I’ll just finish off by reminding you THIS IS ONE, TOO.

That last one, iirc, was there was a double in a sepia-toned costume, and the interior door and wall there was painted brown, so when it was lit and shot it all appeared to still be in the sepia tone of the Kansas scenes, and part of why Dorothy stepped back out of the frame was so the double and Judy Garland (in the proper blue-and-white costume) could swap.

You are correct. The double’s name, by the way, was Bobbi Koshay.

Another movie that was made without CGI:

There are so many practical effects in Mary Poppins that it’s unbelievable. Ranging from the big ones (popping through pictures, tea parties on the ceiling, flying with an umbrella, etc.) to the incredibly little details, there’s a big reason why Mary Poppins won the Oscar for “Best Visual Effects” in 1965

I can’t find a list of all effects used, so this is just going off my memory of a documentary I watched once, so bear with me here; some of these things might be misremembered. But, some of the practical effects used in this film:

- Actors suspended on wires

- Scenes filmed front of a white screen lit with sodium vaporlights (early cinema’s “greenscreen” before greenscreen was invented)

- Matte paintings on glass for the cityscape scenes (rooftops of London, St. Paul Cathedral, etc.)

- Animatronics (the robin that whistles with Mary Poppins is an animatronic controlled by a wire, and the movement and sound you see on-screen was what it was actually doing on-set. The talking parrot umbrella head was also an animatronic.)

- Moving set pieces (every time they slide up or down the banister, they’re riding on a mechanized chair-lift hidden from the camera)

- Padded stairs (when they climb up the staircase made of smoke, the actors actually were climbing up a staircase padded with thick styrofoam, so that their feet would actually sink in some. The children found it particularly challenging, prompting Dick Van Dyke and Julie Andrews to offer extra help in keeping them balanced, thus really selling the idea that they are two kids walking on smoke with assistance from their guardians)

- Scene splicing (When she pulls impossibly large items from her carpet bag, she’s pulling them through a hole from under the table. The scene was spliced with footage depicting the table with nothing underneath it - except for Michael, who crawled underneath to ‘examine’ for a hole)

- Hidden compartments in bottles containing liquid of different colors (this one is my favorite lol; the children were not told that the medicine would come out of the bottle in different colors; they were just supposed to complain about taking it. Their reactions of shock and amazement are 100% genuine)

Even tiny details that you wouldn’t normally even think of as “special effects” were paid careful attention to, in order to help sell the story. Such as, during the Supercalifragilisticexpialidocious scene, while Julie Andrews and Dick Van Dyke are dancing and acting their hearts out, the children are supposed to sit on a fence and eat candy-apples. However, after filming for a long time, the kids were sick of the candy apples they’d been eating. So, Disney called for candy-apples made in tons of unique and delicious flavors, just colored to all look the same. It became the children’s favorite thing about the scene: they just got to sit and listen to fun music and watch the adults sing and dance while they tried a hundred different candy-apples, which is why they’re devouring them like little lions every time you see them on-screen.

(Also not so much a practical effect but just cute to note while I’m talking about Mary Poppins: the kids kept actually falling asleep during filming for the scenes in which Julie Andrews sings them lullabies lol)

CGI has its uses, to be sure. But it ought to be used to ENHANCE practical effects, not REPLACE them.

tbh that’s what Coraline is. And pretty much every movie by LAIKA Studios. It’s all filmed with practical effects and then enhanced with CGI.

Practical effects are actually amazing, and the overreliance on CGI makes films look far more ‘fake’ and causes them to grow outdated far more quickly than modern producers want people to admit.

Mainly because set designers and practical effects specialists are UNIONIZED but computer animators are not, making their labor easy to exploit and often leaving them massively overworked and underpaid.

I know I was already here, but since @plushchrome1212 made this incredible addition, I just want to point out this is a gold standard of practical effects work. Like. What I wrote above probably clued you in that I love looking for the man behind the curtain and going “oh, THAT’S how they did that!”

Mary Poppins is my favorite Disney movie. In 33 years, it has never once occurred to me to question how any of it was done. The illusion is so complete, I’m a grownass adult who just. Accepted that they disappeared into the sidewalk.

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Hey sorry to bug you but I feel like I’m going nuts, on that post where you take the third line from the last song you listened to, yours was “and I stared out in the distance cause it seemed so far away”. I know I know that song but I can’t remember the name! Also sorry if that was from a really long time ago, but do you remember the song name? It doesn’t come up when I search the lyrics. I hope your days amazing❤️

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It's the song Walk With The Wise by Steven Curtis Chapman!! Great song 👌🏻

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You have been sentenced to death in a magical court. The court allows all prisoners to pick how they die and they will carry it out immediately. You have it all figured out until the prisoner before you picks old age and is instantly transformed into a dying old man. Your turn approaches.

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dycefic

I think I’d have minded less if I’d committed a truly heinous crime. Something that warranted death. Or even if I was the kind of person who would enjoy flinging a last defiance at my execution.

It was all just a show, anyway. They did it every year. They brought out a selection of criminals, and the Sorcerer who ruled us showed his power by bringing about their deaths by magic. Just to show, every year, what happened to anyone who crossed him.

There was a time, probably, when the people he executed really were rebels or assassins. In latter days he had to take what the dungeons offered. I was dragged up in chains between a pickpocket, sobbing in terror, and a man who’d killed another man in a brawl. There were few criminals of any note, by then. So instead of choosing the wickedest criminals, they chose based on appearance. The man who’d been in the brawl had a face like a clenched fist, and looked like a ruffian. The pickpocket, aging and with hands beginning to tremble, was a different kind of example. As was I.

“There aren’t many pretty ones, this year,” the man who chose me had said, examining me. “But this one will do. Not young, but not old, a woman, well-favoured enough for the gallows… what was her crime?”

The warder shrugged. “She tried to kill one of the sheriffs.”

The man looked down at me and I shrugged. “I hit him with a washing stick, because he tried to extort money from me, and he was a baby about it.” I refused to treat this as anything but pathetic, even after my sentencing. “I didn’t even break any bones.”

“Treason, then,” the man said, nodding. “Attacking the servants of the law. That will look well on the list. Send her.”

I had been debating ever since what to choose. Something quick? Something painless? I considered demanding that I suffer the attack I supposedly made on the sheriff, but then I realized the Sorcerer would only give me what the man had said I was going to do, and that was not a pleasant way to die. I had all but decided on something swift and relatively painless. Beheading with the sharpest of blades sounded good. It would be quick. 

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Anonymous asked:

I recently came out to my mother's side of the family who are majority conservative christians and it went much better than I expected. Like, they were weirdly supportive. I only got one comment insinuating that I might possibly be going to hell but it came from my aunt and she's dying soon anyway so ¯\_(ツ)_/¯. Anyway, I'm telling them how shocked I am and that I honestly thought that they'd have more of a problem with it when my grandma is like "Well you know we've been through this before with your uncle Nicky" and I'm like "what" and so it turns out that my uncle Nick was born a Natalie, came out as a boy at 19, and my great grandma proceeded to pay for his top surgery and hormone therapy. In 1974. And I just had to process for a bit because my entire life no one has referred to him as anything other than he/him and his chosen name. I ask why no one ever thought to mention this and they're just like "tbh we forgot. It's been so long that he's been a man" This man is married. He has a wife and three kids. I ask my relatives how they went about having kids, whether through adoption or sperm donor or what and none of them know. Apparently he just told everyone that they were gonna be parents and then one day showed up at my grandma's house with a baby. No questions were asked. Just. He and his wife had a baby now and that was that. Three times. Weeks later when I finally talk to my aunt Sarah (Nick's wife) all she tells me is that neither of them have ever been pregnant and, I quote, "sometimes you just come into children". She phrased it like people use the phrase "come into money". Like children are something that just happens to you. I ask my relatives if any of them had a problem with Nick being trans at the time, saying I'd understand if they had negative feelings about it, as it was the 1970s after all. They were like "nope" and i was just like "you didn't think anything of it?" And my grandfather was like "these things happen" while the other adults nodded sagely. So I guess the moral here is that if my conservative christian relatives could accept my uncle as trans in the 1970s then there really isn't any excuse for anyone. And also my family needs to ask more questions because I'm fairly sure my aunt and uncle stole their kids.

I’m laughing my ass off at that last sentence- But I’m so glad your coming out went well! That’s one heck of a way to find out you have LGBT relatives.

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adhd-alien

With ADHD, a lot of what we do or go through can be misinterpreted - by others but also by ourselves if we get told something often enough.

This is the first part of my series hoping to clear up wrong assumptions and to help you find the words to communicate and share what it looks like from your side.

Keep in mind that this isn't supposed to excuse any and all behavior or diagnose anyone, but more of a communication aid.

Special thanks to Tabby and Ellis to endure my over-caffeinated ramblings!!

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If y’all ever need pictures of animals tucked into bed please do not hesitate to hit my line I have a very small folder specifically for that

Actually here you all go

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spiderman helping out the owner of a local art store and them giving him a spiderman discount so now miles only goes in there if hes in his suit

Art store owner realises his secret identity because miles was one of his favourite customers and now he’s suddenly stopped coming in

miles mentions he has to go to the art supply store and jefferson INSISTS on taking him on the way home from school on friday so he can Learn More about his son’s hobby and the owner gives him the fucking discount and miles just dies inside

Jefferson is like “hey why’d you leave so quick” and he’s just like “haha, I just remembered I had to swing by some other places after” and Jefferson adds another post it note to his secret conspiracy board of Is Miles Spiderman

swing by you say

Spiders-men are incapable of avoiding puns it’s their biggest weakness

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assiraphales

absolutely obsessed with the way Fahrenheit is legitimately a superior temperature measurements for day to day life than celsius (more precise, accessible, and understandable) but ppl refuse to admit to it bc they’re so caught up with the “silly americans refuse to convert to metric” gag

fun little info graph I found

[id: three identical number lines with 0 at one and and 100 at the other, labelled “Fahrenheit” “Celsius” and “Kelvin”. The ends are labelled, respectively:

Fahrenheit: Really cold outside - Really hot outside Celsius: Fairly cold outside - Dead Kelvin: Dead - Dead]

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luimnigh

OP, it's only more useful for Americans because you're not regularly boiling water.

0° Celsius gets you ice. 100° Celsius gets you tea.

It's a very simple system.

Genuinely fascinated by this world in which Americans don’t boil water on a regular basis and a thermometer is necessary to know whether water is frozen or boiling.

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apparently my boss who is a professor at my school doesn’t have a cell phone and his coworkers were upset by this so they bought him a childs toy phone and labeled it “David’s jitterbug” (for those of you that don’t know jitterbugs are phones made for old people that have like massive buttons and shit) so the other day I walked into his office to ask him a question and he pressed a button on it which made it start loudly playing the ABCs and he said “excuse me I have to take this” and then started singing along to the ABCs while shooing me out of his office

this is the phone. he apparently was in the middle of a meeting with the department the other day and got annoyed so he pressed a button, said “I have to take this” and left

David’s co-workers probably: “This is a valid tactic to embarrass him into buying a mobile phone, right?”

David: “Bold of you to assume that I get embarrassed.”

I will NEVER stop reblogging this big dick energy.

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