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The Citadel, the War Rig, and Me

@inthroughthesunroof / inthroughthesunroof.tumblr.com

Another Fury Road fan blog. Currently split between politics and cat pictures. Filter for #us politics if you need to. They are not gods, and we are not things.
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You know those "if this gets 50k notes I'll xyz"? I don't believe in those. Because I could say something crazy like: if this gets 20k notes, I'll write my next book. And then it'll get zero notes. I do not believe.

@scleroticstatue Yeah, okay. When this gets 20k, I'll do it. I don't see that happening though.

You heard em boys! Let's get to work!

*rubbing hands together*

@catkin-morgs-kookaburralover Can you toss this Rogue Squadron's way mayhap?

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extremely weird to think about the fact that the internet is a collection of physical objects, like, if i send a message to a person on another continent, there's a continuous physical path that each packet followed between each of our routers and it probably passes through an undersea cable which doesn't feel like something that should be real how did people manage that

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I am mad about cellphone cameras hiding the processing they do, and I am glad about software that lets me control it and opt in and out, and I dictated this rant on insta so I am resharing the images here and will attempt to turn this into a useful text post on my blog in future, when my hand is working better šŸ¤˜šŸ‘

Here's the website for the app I'm getting so much good use out of: https://opencamera.org.uk/

And here's a big dump of photos from it!

and here's an example of exactly how much this means to me -- I've been really feeling like I'm terrible at photographing my own work, especially watercolour, and i can't seem to really capture what makes a painting special in person.

here's some examples of my attempts to photograph this sketchbook painting using the native camera app on my phone:

it's grainy, blotchy, the colours feel off, the contrast is too much... it really doesn't capture what's on paper in front of me!

so then i try with the processing turned off in Open Camera:

it's fucking night and day!

A clearer comparison for you:

jesus fucking christ what a game changer!

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ryanseslow

How to Create Paper Cut-Out Reliefs: Tips and Techniques for Beginners

Back again with another lil' series of 2D wall relief paper cut-out forms. Both of the pieces below follow the same process and technique. Im really happy with the process and outcomes. Im working on animating them as we speak. I'll add them to this post later. My paintings inspire my drawings, and my drawings are inspired by those same forms found in my paintings. It makes sense that every so often I want to make those forms "pop out" and off the surface of a flat plane. Alas, it all starts with a quick sketch. See below, just a series of light loose free flowing lines take the lead, forward ->

Here we have a dude posing for a profile style portrait. Most likely, this is inspired by the NYC B-Boys from the years 1983 - 87ish. Either way, it's nostalgia for me. Once the sketch feels good, I'll break out the paper and x-acto knife. I keep telling myself that one day Ill work with another material other than paper for these works, perhaps wood or metal.. It will happen, I can foresee it for sure, hang in there. Im using a white bristol paper for the cut outs, I believe it is the vellum type and not the glossy, but either or will work just fine. I love to cut paper and the whole medium of paper art in general.

Paper cut-outs, also known as paper cutting or Kirigami, is a traditional art form that involves cutting shapes and designs out of paper. The history of paper cutting can be traced back to ancient China and Japan, where it was practiced as a folk art. The Chinese and Japanese would create intricate designs, often featuring animals, plants, and mythical creatures, and use them as decorations for festivals and special occasions. I always loved it and have felt inspired by these pieces.

Using the sketch above, I apply the "map" of the shapes and forms that I see. Sometimes I redraw those forms on the paper that I will cut out, and sometimes I just "draw" with the x-acto knife to recreate the forms. Sometimes, it's a combination of both of those techniques. There is also a series of "out-take / byproduct" cut outs that do not make the final piece, those can be saved and used for the next piece, obviously!

I layer the forms on top of each other to compose the arrangement as a whole, its fun to watch it all come together, in the next phase, you will need some kind of durable tape or you can make little paper forms that can be pasted to both sides of the forms as they stack, this will create the gauge and depth of the piece once it is placed onto the wall.

This is the final composition above, I love it! I used a roll of duct tape to make small cylinder forms that connect the pieces together, the piece as a whole comes "off of the surface of the wall" by about 1.5 - 2" inches - you can play with this a bit but keep in mind, the tape makes the piece heavier and it will want to comply with gravity :)

I hung the piece (also temporarily adhered via the same duct tape) for the photoshoot and to also get a good look at how it will function on the wall. I have an old painted fire place in my studio that is a great surface for hanging things, I love the contrast of textures between the bricks and the paper, as you know, the shadows will be super cool to see too.

Once I had the whole piece constructed I took a few pictures of it. I immediately wanted a clean vector line drawing of the whole character. I brought the photo into adobe Fresco and used a vector brush to draw this lovely variation. This is how my brain works, I switch paths because I know they are really pipelines to the "next thing" that I will push this to, so forward we go.

Then, it was light source and photo shoot time. Im not really happy with these picture as traditional "photographs" as I know I can do a much better job, but, as a series of "sketches" for a planned photo shoot, these will really help to make those plans a reality. I love neon colored lights. I have a bunch of them from various places and spaces that I found on the internet. Amazon has a great selection of flashlights with various colored light options. Get a few and play around with how the light can effect your work and the shadows that it creates. This is where the depth and gauge of your pieces play a role. The photos below are also a part of the same session, which all took place over a few days.

Here is another variation with a different character.. What do you think? Shall I make more?

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modormouth

3d models are a more modern form of dollmaking in which one creates the materials to make the vessel. rigs and joints and hair and clothes. but if 3d models are a form of dollmaking, and things can be inserted into vessels, things like blender or maya files in theory can be 'cursed.'

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psikonauti

Zhao Zhao (Chinese, b. 1982)

Constellations, 2021-2022

Embroidery on silk

ok so iā€™ve seen some of you arenā€™t that sure that this is actually embroidery (i was suspicious too bc damn!!!!) so here you is another embroidery of his with some close upsā™„ :

Constellations, 2017 (300 x 980 cm)

embroidery on silk

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y'all said such kind words about my dad's crewel work so here are more pictures!

These are before he started putting himself and Addie (the doggo) into each one. I think my favorite is the one with the lavender fields but I'm also a big fan of the one with the stripey rocks =D

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