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Two to the Skull, Yet One Gets Up

@mojave-musing / mojave-musing.tumblr.com

alex she/her 26 πŸ”ž
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reblogged
Fallout Prime Soundtrack EP.04
Let’s Go Sunning – Jack Shaindlin
It Ain’t the Meat – The Swallows
Journey Into Melody – Sam Fonteyn
I Can Dream, Can’t I? – The Andrews Sisters
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Fallout Prime Soundtrack EP.05
Henry – The Jet-Tones
Robin in the Pine – Bonnie Guitar
Ladyfingers – Herb Alpert & the Tijuana Brass
What a Difference a Day Made – Dinah Washington
It’s Just a Matter of Time – Brook Benton
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Fallout Prime Soundtrack EP.06
The Theme From A Summer Place – Percy Faith
Lonely Hours – Gene Armstrong and His Texas Nite Hawks
Summer in Love – I Marc 4
Give Me the Simple Life – June Christy
Skitter Skatter – Metrotones
I’m Tickled Pink – Jack Shaindlin
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Fallout Prime Soundtrack EP.07
I’m Tickled Pink – Jack Shaindlin
Sixteen Tons – Merle Travis
Only You – The Platters
What a Difference a Day Made – Dinah Washington
You’re Everything – The Danleers
From the First Hello to the Last Goodbye – Jane Morgan
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This scene demonstrates why I love how Vault-Tec is written as an evil corporation. It's not the usual mustache-twirling, over-the-top villainy you see in other media. It's quiet, subtle, and very realistic, which only serves to make Vault-Tec that much more terrifying.

When Cooper finishes describing how Vault-Tec was responsible for the deaths of countless people, the executive here does two things: a) he makes their deaths about himself (ALL WHILE NOT EVEN ACKNOWLEDGING THEM!), and b) he makes it about "Product Management."

It really emphasizes the theme that corporations like Vault-Tec and the suits who run them at Vault-Tec only care about the company and its products and NOT the people who use them (or are being used by them).

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