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Haunted Cartridges

@radicalhelmet / radicalhelmet.tumblr.com

amateur games critic with a weird streak. i do a lot of reblogs; my own posts are tagged "digital notebook".
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papasmoke

half of Americans not even knowing more Palestinians than Israelis have died by now is one of those facts that's going to haunt me until I die

Blaming the American public at large for such catastrophic ignorance is warranted, USAmericans have historically thrived in ignorance of our own foreign policy, as there is little immediate material interest in caring for the plight of colonized people for those in the imperial core, however such a massive level of ignorance has to be nurtured and encouraged.

For a topic that has received as much coverage as it has for 6 months to have granted the American public no more wisdom than a coin toss, obfuscation has to be intentional. In press conferences, public appearances by elected officials, and news reports alike, the Israeli death toll has been emphasized and eulogized countless times while the Palestinian death toll has been questioned, denied, minimized, justified, and alluded to in when possible only the vaguest terms.

American ignorance is as much a policy choice as the bombs we send Israel.

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reblogged

on brute force. (tw: rape)

this is going to sound crazy maybe, and i apologize if i'm actually wrong about all of this, but there's this nagging thought i've been having while studying rape culture, studying maybe a little too much for my mental health.

my concern is this: any formulation of why rape culture reproduces itself, why men take advantage of women, and why women have to keep their guard up around men, premised on essential biological differences in strength between genders, runs into a couple problems. the first is that, like any social theory predicated on essential gender differences, transgender and nonbinary people are bound to come along and throw a wrench in it, and that even if you don't want to deliberately exclude them, you kind of have to strategically ignore them for your theory to remain coherent. the second is that even then, arguing the issue is rooted in innate differences in strength produces a slew of troublesome edge cases.

for one thing, this doesn't account for the catcaller who harasses a group of women. if it were simply a matter of brute force, the man would think twice before bothering a crowd of 3 or more women; he'd be outnumbered, he'd be outmuscled, he's liable to get swarmed. i don't care how beefy you think you are, you can only take on a half-dozen people at once in movies. so his willingness to harass them likely does not come from any conscious certainty that he could take the whole group in a fight—because he couldn't—but from a certainty that there won't be one.

rooting your discourse in strength also doesn't account for the way men behave around women who have men by their side. which is to say it does, but only to an extent; what it doesn't account for is that such men will back off even when the other man is shorter and thinner and less muscular than him, NTR fantasies be damned. why? he could, in all likelihood, murder the weaker man with his bare hands if he felt the need, so what does he have to be afraid of? (there's an obvious answer, i know, i'm building to it.)

in fact, this doesn't account for any form of harassment that happens in a crowded, public place, not by itself, since anyone trying to commit a crime in, say, a bar is competing against the whole bar (this isn't really true, you know it's not, you know why, you know where this is going,) and no man is stronger than a whole bar. in fact, no man is stronger than the society in which he finds himself. the logic of brute force makes sense in the abstract, or when talking about wild animals, but we live in a relatively (!) organized society, and in most other cases, from robbery to murder even to public nuisances, it's understood, implicitly, by most people, that no amount of strength will keep you from being caught and punished, that in fact the only thing you can do to protect yourself is to avoid getting caught. fighting is out of the question, because you will be swarmed, and if you resist the swarm you will be swarmed harder, until you fold.

it also doesn't account for terry crews. it doesn't account for any man who is raped by a woman. if men are dangerous because they are strong, then why did you let her do that to you? why couldn't you have just fought her off? do you see how that sounds?

it doesn't tell you why i, a man, am not more afraid around men bigger and stronger than me, and i'm not, and most of them are. it also doesn't tell you why a woman bigger and stronger than me might be afraid of me, because i'm not that tall, and i'm not that heavy, and basically any woman with a regular gym membership and the discipline to use it could kill me if she felt the need, but that doesn't mean she feels safe with me in the gym.

it doesn't tell you why a civilian man would have the gall to attempt to assault a muay thai expert. he had his ass handed to him, of course (of course!); one of them was trained to fight, and the other wasn't. her outfit and build should have implied as much—why didn't he know better?

it doesn't tell you why a grown woman would feel anxious around a preteenage boy.

the only thing that leaves for scrutiny is the social contract itself. maybe men harass women because they don't expect punishment for doing so, and because they don't expect resistance from their targets. i know they do expect resistance from men, and that the possibility of resistance is usually enough. just because you could theoretically win a fight doesn't mean you want to get into one if you can avoid it, doesn't mean you couldn't sustain a disabling injury in the process, doesn't mean you aren't doing a risk-assessment: what will my boss think if i come to work with blood on my shirt? what if i get kicked out of the bar/club/store/lecture hall? what he comes back the next day with a baseball bat and takes me by surprise? what if he presses charges? what if his family does?

of course, all of these are things women could do, and we notice that men react more violently to the slightest hint of resistance from women than to resistance from men, even though full on resistance from women would not be any safer to deal with, in all those above forms, than resistance from men. a restraining order served by a woman is still a restraining order; the man who risks it is taking on risks he would not otherwise take.

the issue is that for most men, getting beat up by another man isn't the end of the world, let alone backing down from a fight with one, whereas backing down from a fight with a woman, for many men, is the end of the world, even if unconsciously; resistance from women makes them panic, it's dangerous to them, it threatens to undermine their status among other men if it isn't quashed, so those men will, all things being equal, allow themselves much more inconvenience in responding to it.

of course women are also discouraged from resisting, they have more to risk if they do, because their aggressors have to more to risk if they don't push back.

and this ties into the original problem, which is that even if they get violent, they'll more likely than not be let off the hook, by the bar, by the store, by the whole legal system. the reason we can deter most people from enraged murder, but not enraged rape, is because murder is illegal and rape is not, not really, not in practice. it's only even socially frowned on in our imaginations.

i don't know whether brute force was instrumental in getting this system set up. maybe it was. maybe it wasn't. but it sure isn't what maintains it.

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reblogged

if anybody on my dash watched ace wo nerae it's you, would you recommend it? because I really want to watch a show about ladies in any sport but if it's bad it's going to be really really bad (not the mecha anime, the tenis one that inspired the mecha one)

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they’re easy enough for me to tell apart; one’s aim for the top! and the other’s aim for the ace!, so, no problems there, i know which one you mean. 

also because aim for the top! is honestly just a sideshow to the genre it’s a part of and aim for the ace! is a work of such profound influence it ought to be talked about in terms of the aesthetic sea change it provoked in the same breath as, say, yamato or gundam or macross or evangelion or sailor moon but as we all know, except for sailor moon (because the important part to these popcult analysts is the part where it’s “what the boys liked” but with girls), what girls like doesn’t matter as much as what boys like.

i like aim for the ace! for the simple fact that it has a sincerity and style to it the shows that come after it don’t in a literal sense - for one thing, it’s an osamu dezaki cartoon, so it’s full of all the little stylistic tics that make dezaki shows compulsively watchable despite (quite possibly literally) having a smaller budget than the blair witch project to spend on a show five times as long. it’s never less than exciting to look at. (at least, in my opinion. i … recognize other people need shows that animate more than one frame every five seconds on average regardless of how pretty those frames happen to be. so, you know.)

for the other thing - literally every trope abused by all those later, manipulatively queerbaiting girls-in-sports comics and stuff inspired by girls-in-sports comics got its start here, so “good” or “bad” sort of doesn’t enter into it in that light, because it was never intended to be a final gesture so much as an exciting adventure into the world of showing something that hadn’t been shown in cartoons before, namely: really intense, highly motivating female friendships and just plain relationships of a depth that up to that point had never existed in a cartoon series, about something entirely besides boys. there’s a reason the comic book it’s adapting is one of the most successful comics of its type in the history of the form, you know?

but it inadvertently codified a lot of tropes that persist to this day in such a fetishized, cliched form that they’re still instantly recognizable as the same narrative choices, still completely unchanged from their original methodologies even now. (there are fucking aim for the ace! shoutouts in kill la kill. because of course there are.)

it’s another one of those profoundly influential shows a modern audience doesn’t even know is so prevalent as an influence, because it’s not talked about and it’s not shown. so, you know. i recommend it for historical reasons alone! i think it’s very enjoyable, it’s not going to not be aggravating in places, because literally everything else is, but it’s something that the first time you watch it some five dozen things you watched or read that were seemingly previously unrelated before this suddenly sprout a shared history, which is an incredible feeling and worth the act of engaging with any of its problems in itself.

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garm-wars

The more abstract stuff in Hideaki Anno’s anime (and frankly his live action work as well) is basically the imagery of Aim For The Ace and Oniisama e… reimagined through the compositional style of Akio Jissoji. Masaaki Yuasa’s entire directorial style is arguably an Aim For The Ace pastiche. Utena is kind of just glorified Aim For The Ace and Anne of Green Gables fanfic, visually speaking. There’s no understating how much Aim For The Ace is in the dna of every anime touchstone you can think of. it’s also a fucking blast. Back in the day we’d talk about how anime fans need to watch more world cinema, now we’re at the point where i think (english-speaking) anime fans need to watch more anime.

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the incredibly grating thing about "lesser evilism" arguments, at least on here, is that those against don't seem to understand that the people they are arguing with sincerely do not believe (read: do not understand) that there are any effective alternatives to electoralism, so that while you understand you're asking for more serious political engagement outside the electoral system, what they think you're asking is for them to do nothing. as a result, pointing out that people outside the USA will suffer regardless of the administration (and they will!) just ends up sounding like you're asking them to suffer material harm as a symbolic gesture of solidarity that doesn't actually benefit you anyway. this leads to a back-and-forth where "you'd throw me to the dogs to save yourself!" gets met with "you'd throw me to the dogs for mere catharsis!" over and over again, forever.

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deepseametro

There is definitely something weird and Bittersweet seeing Americans Put their full force behind Palestinian resistance. Like obviously that's a good thing, nothing wrong with that. It's just weird to see people who have probably only thought about Indigenous Americans A handful of times in their life outside of whatever bullshit they were fed in school To express such disgust and anger Over what's happening there.

I wonder if they know? I wonder if they know that the homes they live in and the roads they drive on only exist because the exact same thing happened here 100 years ago? Can they wrap their minds around that same level of death and destruction? Do they know that everything they have Now is only because Of the genocide that happened here? When they see settlers planning where they will build Their next apartment building, Their next grocery store, Do they think about where they live, Do they think about the Walmart they shop at? Do they think about the national parks they vacation in?

It's just something I keep thinking about

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Sometimes reading Arthuriana feels like reading Alice in Wonderland.

“Well,” said Alice, “these are a dreadfully strange assortment of objects!”

“They all symbolize different aspects of Our Lord’s martyrdom,” said the Fisher King, casting a line into his teacup.

“Indeed. I am sure everything symbolizes something else, for if everything was only itself I should be very confused. Might I ask what the point of the bleeding lance is?”

Alice regretted asking the question as soon as she had done so, for she saw the pun that would likely be made about the word point. Instead, however, the room erupted in applause and shouts of “The Grail! She has achieved the Grail!”

The next castle she visited, Alice resolved to herself as the inhabitants of this one danced for joy, would be more sensible.

Or I could do this with The Knight of the Cart.

“Which shall you choose?” asked the guardian. “The underwater bridge or the sword bridge?”

“Both sound dreadful,” said Alice. “I think I’ll just float the cart across.”

The guardian sputtered so hard his helmet broke.

“You cannot ride in a cart to rescue a queen!”

“I don’t see why not,” said Alice, growing cross. “It can’t be worse than abducting a queen.”

“Oh, much worse! For to abduct a Queen is wicked but heard of, while to save he on a cart is virtuous and unheard of.”

“Oh, tosh!” said Alice, floating the cart.

“If you cut my head off,” said the Green Knight, “then in a year and a day, I shall cut off yours.”

“Certainly not!” said Alice.  “For if you can survive such a blow, it would be quite unfair to me, and if you cannot, then I will have killed a man over a silly game!”

“Silly games are the most important thing in the world,” said the Green Knight, “for it is after them that we judge honor.”

Alice thought to herself that if this was honor, adults could keep it.

In honor of a thing that keeps popping up in Arthurian novels I read…

“You have nothing to fear,” said the robber knight, “for you are traveling alone. Everyone knows a knight may not attack a maiden alone, but only a maiden traveling with a knightly protector!”

“That can’t possibly be a law,” said Alice. “Camelot is absurd, but not that absurd.”

“It is not a law, but a custom.” The robber knight sounded as if he were lecturing a fool, which Alice felt was very unfair of him. “Customs are far more important than laws, for laws may change, but customs never do.”

Alice didn’t think that was true, but she would not argue the point.

“What about attacking a knight?” she asked. “Can someone attack a lone knight, or only a knight traveling with a maiden?”

“One may attack a knight any time and under any circumstance. That is the meaning of the word ‘knight’- he can be attacked by day or by knight!”

With the understanding that, as a maiden traveling alone, she might attack the knight and he could not return the attack, Alice picked up a handful of rocks from the ground and began to throw them at him. She was not generally an unruly child, but everyone has their limits.

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i do not care about the sexy cooking memes. i do not care about the gojo edit comment section. i do not even care about the gojo figure incident. no one is being harmed by these videos. men will have whole subreddits dedicated to saying unhinged things about anime girls and be left well alone but the moment a woman barks it makes the news

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reblogged

time and luck/time is luck/exit killscreen, stage left

While I don’t entirely agree with applying literary analysis techniques to video games, I’ve heard some argue that, in essence, Tetris is a tragedy. It’s a Hamlet or a Breaking Bad. A story that ends in a funeral, not a wedding. It’s a story about our limits as people, how we unravel and descend. You might be able to do better than last time, to reach higher, but you’ll never win against Time and Chance. For thirty years this was Tetris. Until last month.
See, while you or I may have forgotten about Tetris, some people haven’t. They kept playing the game. They designed strategies to minimize dependencies and risk, they studied musicians and streamers to optimize button mashing, they built a community around the game, passing down knowledge that enabled the next generation to push past the limits of the previous, they formed rivalries and friendships that spurred each other on, they built AI players and discovered that, after a certain point, the game’s code starts break down.
Eventually, the cold logic of the game makes an error, and colors begin to glitch as the virtual world itself unravels.
And suddenly, a 13-year old kid is able to push past time and chance, and reach a kill screen. Now, as a piece of art, Tetris says something different to me. You can intend a story as a tragedy. You can intend a task to be impossible. It can seem like resisting Time and Chance is futile.
But there’s something special about humans. Sometimes, you can take human collaboration and imagination and endurance, and pit it against the uncaring machine, and the machine will break first. Sometimes the audience refuses to accept a tragedy.

[words: what everyone is missing about tetris, macantonio, 2024 / pictures: deja vu, tony scott, 2006.]

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