Prime Video: So, Good Omens Season 2 

Neil Gaiman: Yes

Prime Video: What‘s the Story? 

Neil Gaiman: No story, just vibes.

Prime Video: Neil, we need a little more to work with. 

Neil Gaiman: Okay, do you remember Sister Theresa Garrulous and Sister Loquacious from Season 1?

Prime Video: Yes?

Neil Gaiman: They‘re in a coffee shop AU.

Prime Video: Aaaand?

Neil Gaiman: And they need to fall in love. 

Prime Video: But Neil what about Crowley and Aziraphale?

Neil Gaiman: Oh, don‘t worry. They‘re already in love. 

Prime Video: Not sure this is enough.

Neil Gaiman: Naked Jon Hamm.

Prime Video: OK, yeah, sold.

Actually I started with Naked Jon Hamm. But otherwise, yeah, more or less accurate.

King Resh art dump

Bare with me, you guys are gonna be seeing a lot of King Resh content lol

i call this the headcanon chart. see my vision

elaboration

if I may:

Let's take a moment to appreciate just how amazing the title cards were for Batman the Animated Series.

Oh! I actually know what made these look so iconic!

The backgrounds for the entire series were done on black paper, a first for any animated show. It's Batman, which means everything is at night and incredibly dark. So, the majority of the backgrounds were going to be black anyways and using black paper would cut down on the time it took to create all of the backgrounds. Adding color over the black paper instead of the traditional method gave it a much more stylized look that helped make it iconic.

It also forced some other creative choices, such as using an airbrush to do all of the background art. During the early testing, they found that using an airbrush was easier to apply paint with than a paintbrush and that it looked better. Airbrushing let them be more experimental with painting techniques, such as the spattery fades you can see in the "Bane" and "Deep Freeze" title cards above or the soft, deeply shadowed face on "the Last Laugh." The overall effect of airbrushing on a black background is a much darker, moodier vibe than could be achieved with a traditional approach.

They cared very deeply about the art of the show and how they were going to create it. It wasn't just about the story or the character. In the words of co-creator Eric Radomski: "As opposed to making shows just to sell toys, we've made quality films."

i think that unless you have experienced life while being actually dead broke or near it at least once, its hard to really grasp at how, in many places but in america in particular, ‘having money’ is the access card that allows you to participate, materially, in being fully human. even in non-crisis situations, situations where a paycheck is on the way, you have enough of some kind of food to make it, and you aren’t in any danger of losing shelter, even if you hardly spend any money when you do have it, the state of being completely without money is a state of  being hyperaware, constantly, of how much smaller your world is all of a sudden and how many basic aspects of mobility and enrichment are off limits to you. its profoundly psychologically agitating to self worth and well-being even sans the trauma of worse states of deprivation, and i don’t think a lot of people who have lived comfortably without this experience understand that there’s a critical difference between ‘having less money’ and ‘having no money’ when talking about related issues.

couldnt think of the word "hex code" so i just googled "colors" and stared at my screen for a couple minutes

Terrarium wings Brittle things My imaginary Sanctuary Part of my Glass Wings Series

portrait commission batch ★

thanks to everyone for commissioning me <3 get yours here!

Some other bangers;

there's also "pull yourself up by the bootstraps" which conservatives are oh so fond of saying

bootstraps are, well, straps on your boots. you cannot physically pull yourself up by them, and that's what the original phrase meant. "pulling oneself up by the bootstraps" is meant to be an impossible task

"Imitation is the sincerest form of flattery that mediocrity can pay to greatness."

The second part really matters.

Save my family

My husband, Muhammad, works as a journalist. He suffered a head injury while covering the events of the war on Gaza, which could have killed him

I have never seen such an accurate depiction of what it looks like without glasses.

For writers with good eyesight, this is a good reference for what it’s like trying to see without our glasses