SAlbinicParadox

i hate when girls feel dumb for trying to see the best in people and then end up hurt or disappointed like no!! it’s those people that were dumb for misleading you. they took advantage of your kindness and generosity, and they’ll rot for it 

capybara

Guinea big.

It puzzles me when people cite LOTR as the standard of “simple” or “predictable” or “black and white” fantasy. Because in my copy, the hero fails. Frodo chooses the Ring, and it’s only Gollum’s own desperation for it that inadvertently saves the day. The fate of the world, this whole blood-soaked war, all the millennia-old machinations of elves and gods, comes down to two addicts squabbling over their Precious, and that is precisely and powerfully Tolkien’s point. 

And then the hero goes home, and finds home a smoking desolation, his neighbors turned on one another, that secondary villain no one finished off having destroyed Frodo’s last oasis not even out of evil so much as spite, and then that villain dies pointlessly, and then his killer dies pointlessly. The hero is left not with a cathartic homecoming, the story come full circle in another party; he is left to pick up the pieces of what was and what shall never be again. 

And it’s not enough. The hero cannot heal, and so departs for the fabled western shores in what remains a blunt and bracing metaphor for death (especially given his aged companions). When Sam tells his family, “Well, I’m back” at the very end, it is an earned triumph, but the very fact that someone making it back qualifies as a triumph tells you what kind of story this is: one that is too honest to allow its characters to claim a clean victory over entropy, let alone evil. 

So where’s this silly shallow hippie fever-dream I’ve heard so much about? It sounds like a much lesser story than the one that actually exists.

+1 You know how Frodo leaves Sam with the legacy of the quest - the job of bearing witness to what happened - and the duty to finish and protect his writings? Tolkien lost all but one of his friends in WW1. He was founder member of a literary club at school - the TCBS. There was a larger group and a core of four. They all stayed friends, they kept writing and sharing their work with each other. And they were almost all killed. One of them, Geoffrey Smith, wrote this to Tolkien in 1916. My chief consolation is that if I am scuppered tonight – I am off on duty in a few minutes – there will still be left a member of the great T.C.B.S. to voice what I dreamed and what we all agreed upon.  […] May God bless you my dear John Ronald and may you say things I have tried to say long after I am not there to say them if such be my lot. And that was his last letter. There’s something eerie about the way he seems to have pegged Tolkien as an eventual survivor.  Sam’s survival (and his emergence as the true hero of the book) are beautiful because they’re suffused with loss, because they’re not the grand conquering heroic narrative that on some level was “supposed” to happen.

Tolkien possibly only survived because he got trench fever - a particularly nasty disease carried by lice - and got sent home because he was desperately ill. Considering how the rest of his unit fared, it probably saved his life. Unpleasant and unglamorous, but if not for that, we wouldn’t have LOTR. I’m sure survivor’s guilt was a factor - as was a sickening sense of dread when “The War to End All Wars” didn’t, and his son went off to WWII.

TLOTR has some of the type of valorization of war that you find in the Old Norse and Anglo-Saxon literature that JRRT loved and studied and taught because he loved that style and it’s deeply fitting for cultures like the Rohirrim, but it’s also full of the slog of war, the waste and tragedy, and the irrevocable damage that even victorious survivors carry for the rest of their lives. Frodo’s symbolic “death” is also resonant for survivors of what was called “shell-shock” then and PTSD now.

I mean, it’s not Game of Thrones. It’s not gritty in the same way. But the protagonist of LOTR was minor gentry from a backwater nobody’d heard of, and the REAL hero who saved the world by saving him was his gardener. All the great kings and queens and lords and ladies in the story are background characters compared to the story of the little people. Literally little people, but symbolically too.

Yi Yi Jeong-Eun - 거기, 일몰 속에 무지개 (There, a rainbow in the sunset), 2024

The older I get the more I admire people who are earnestly, genuinely into whatever their thing is. I know it sounds like an annoying cliche but unless you're being cruel or hurtful there is really no need to be normal about things. The dude with the bad fake accent at the renaissance faire is having the time of his life. The people having photoshoots with their fashion dolls are loving it. The old lady with a yard unreasonably full of tacky ass lawn ornaments is having a blast, HOA be damned.

Don't waste your time being too cool to have fun, y'know?

Animation drawings for Sleeping Beauty by Marc Davis

Going to spend the next 24 hours trying to draw whatever details I remember about two cool as hell jackets that appeared in a dream last night

Duck and snake jackets from my dream where I was at a gift shop or something

Btw I want to clarify while these are based on the few details I remember from the dream (the base color, the mountains, the duck with the miniature people and snake hat, the cactus, etc) some of it was artistic interpretation haha

I think the duck was originally eating one of the people but I thought the cracker would be more cute lol

As a treat

kabru party extravaganza

Marcille

early to bed and early to rise leaves a man so fucked up that he dies

when did this happen???

Rattata and Raticate! 🐀🐀

1 am thinking abt the triassic cuddle once again and getting sad. The Thrinaxodon was in a torpor and wouldn’t have woken up before it drowned in the rain. The Broomistega was badly injured and dying. Neither of them ever actually knew each other but their last moments are curled up together and immortalized in stone Hggggm

The good, bad, beautiful, and problematic: romance novel cover art painted by John Ennis. He spent decades painting cover art for various publishing houses and recently retired, and I had a lot of fun attending this exhibition!