Masaji Yoshida
No. 2, 1959
Masaji Yoshida
No. 2, 1959
Masaji Yoshida
Japanese (Wakayama prefecture 1917 - 1971)
Moss (Koke) No. 1
Japanese
,
20th century
Shôwa period, 1926-1989
Creation Place: Japan
Woodblock print; ink and color on paper
Eduardo Mata Icaza (Costa Rican, b. 1984, Costa Rica, based Marseille, France) - 1,2: Self Portraits, 2010 Paintings: Oil on Canvas
Seeing double, Emilio Villalba
Beautiful Decay by Valerie Hegarty
Artist Valerie Hegarty creates sculptures that are literal performing works of art. She sculpts frames and canvases that burn, crumble, grow and recede into another form. The artist, using her imaginative pieces, exhibits how art inspires to not only become a visual experience for the audience, but is in truth an emotion or memory trying to break free from its restricted dimension into the world.
Hiroshi Matsumoto.
Jane Cornwell.
Lee McKenna Feb 2016
Satin stitch practice
“Glasswork: fragments” (3/3)
(exposition musée de Sarrebourg, 57-FR)
by Claude Vergoz
Christel Llop
Jim Harris: Untitled. Acrylic on canvas 21" x 25.75" 2015 http://www.saatchiart.com/art/Painting-Untitled/292357/2784378/view
Stunning Abstract Mountain Paintings by Conrad Jon Godly
Swiss painter Conrad Jon Godly effortlessly manages to capture the terrain and texture of the Swiss Alps with the use of oil paint, turpentine and incredible skill. By mixing the turpentine with oil paint, Godly is able to apply thick and rugged brushstrokes, which beautifully drop from the canvas.
Although the art of painting usually makes reality seem two-dimensional, Godly has depicted the true texture, roughness and concave of the mountainous landscape in every brush stroke. Overall his skill lends itself beautifully to one’s of nature’s grandest bodies. By carefully combining the colors, blue, black and white, Godly creates what seems to be a photograph.