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abandoned

@lonely-pages-of-ink

he/him // aspiring writer
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Hey

im not coming back to this account. that’s probably obvious by now but i thought i’d let y’all know for sure. im not gonna delete it thought in case i ever change my mind. im sorry to all the friends ive made and people that might be sad or disappointed over this. thank you to everyone who supported me and my writing. 

if anyone was curious about how i am now im in a much better place mentally than when i managed this blog and the reason i left in the first place was my bad mental health. its not perfect but its better. im still writing and want to be published one day but im mostly just writing fanfiction right now. 

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Four Leafed Clover

Feet tapping on the ground to the rhythm, my head bounced in time as I waited for the bus. 

I leaned against the bus stop sign with my hands in my pockets, headphones pressing against my skull as music tied itself into my thoughts. The ground was dark blue and a young boy hummed as he skipped by, leaving yellow footprints on the ground that faded moments after he moved on. A lavender colored individual sat on the bench a few feet away, eyes closed as a song slammed into their ears. 

I turn away to keep waiting, foot changing tempo as the next track played. 

On the bus, I placed my head against the window and watched the world blur. Flashes of bright and dark colors sped by. Grays and pinks and clementine orange, my eyes blurring from it all. 

I was used to it by now, instead closing my eyes to focus inward.

It wasn’t strange to see so many colors so early in the day, sometimes they were duller in the mornings but some people always had a melody in their mind. Sometimes a simple hum can explode with feelings, with colors and shapes I was subjected to. 

The colors were manageable, once I’d stopped complaining to my siblings or parents about it they stopped asking and I simply pretended I was normal. Being diagnosed as color blind at an early age and then later diagnosed with CBS could alienate you from your peers.

 I pushed up my glasses and squinted down at the message on my phone, ignoring the bright red and neon yellow polka dots seeming to shimmer on my phone case. 

I had to get to my job where dozens of hours are spent wasting away and it colors everything black. It was difficult to focus sometimes, between running an underpaid job and juggling college classes, I often found my brain melting in my head. 

Laying in bed as my stereo crooned into the quiet room was the only cure. 

Snakes of mustard yellow confetti wiggled from the speakers on the ceiling of the cafe as I stepped inside. My coworker’s skin was midnight black and their eyes were only a watery shade of wispy silver. 

It was only a fleeting moment I saw each customer's color that kept me entertained.

One bored looking man burned ruby red while a smiling teen gazed out the window with sea green streaks bled from their roots. A blue handprint on the side of their coffee cup or an ink-like blotch peeking out from their collar were all seen and disregarded. 

Interesting enough to keep me alive, not interesting enough to harass strangers. 

Then someone came through the door with a flood of colors. 

Her hickory hair was tipped a vivid orange, painting a sunset up her neck. A zebra striped letterman’s jacket hung off her shoulders, a cropped moon tee shirt peeking out. Her eyes didn’t dart around or waver, they were pastel pink and when we locked eyes I felt my stomach jolt. Her fingers were a faded silver and a cloud of indigo hung off her arms like a shawl. 

And I’d never seen someone I’d wanted to know so badly. 

She had so many different things happening, colors vibrating under her skin and hues spilling from her mouth. The cafe was quiet but she seemed to make the murmurs die into a hazy silence as bouncing lights blinded me from behind the counter. 

She ordered a blueberry muffin and iced tea. 

Her name was Clover. 

Complex emotions were stained all over her, switching so suddenly or writing an entire story before scrapping it and starting fresh right before my eyes. The sweat that gathered under my armpits and on my palms were embarrassing reminders to my social ineptitude. 

I thought of Clover twice a week from then on. 

I always hoped to see her weeping aura as I walked through crowds, no longer staring only at the ground as I scanned the sea of people with one-word feelings. I paused at every Clover I heard and looked into any look-alikes I could find. I social media stalked for weeks before giving up, before deciding that she wouldn’t ever enter my life again.

Dull grey bus with dull brown seats.

An aquamarine stain across a tabletop I was wiping down. 

Maroon thoughts. 

I ran right into someone almost a month later. 

They didn’t move as I stumbled back and almost landed on my bum. I grumbled loudly and yanked down my headphones to chew them out for not watching where they were going, when a silver dipped hand gently took mine.

“Are you alright?” 

Clover smiled down at me kindly. 

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bettsfic

things i’ve learned as a slush reader

in the past month, i’ve read over 200 submissions for the literary organizations i volunteer with, and i want to share some of the stuff i’ve learned about writing as a slush reader.

(a slush reader is someone who reads submissions, and either declines them or pushes them through for editors/judges to make a final decision on whether or not a story will be published.)

  • a rejection does not mean you are a bad writer or that you’ve written a bad story. it’s all chaos. there’s no rhyme or reason to any of it. i was chosen as a reader for these publications because my personal taste in literature jived with the editors. that’s all it comes down to – personal taste. if your taste doesn’t match the taste of the slush readers, you’re not going to get published. there is no way you can predict that, so all you can do is keep writing and keep submitting and hope your work aligns with someone who gets what you’re trying to do. that said, there are some across-the-board things that are worth noting:
  • your story should be doing some kind of Work. what is the intention of your piece? what are you trying to comment on, explore, or do? it doesn’t have to be concise or obvious or complex, it can be literally anything in any way, but if you’re writing something just for the sake of getting published, or to validate yourself, it’s going to be pretty obvious to readers. that is not to say that self-validating work is not valuable, or that a story cannot be both Doing Something and self-validating, but readers want to see that you have something to say, some work to do other than, “i want to be a good writer.” 
  • readers will probably have made their decision by page 4. probably sooner than that depending on the quality of the writing. that means you have (if you’ve written in 12pt serif font and double-spaced, and please dear god, do these things unless you’re intentionally playing with form) about a thousand words to engage a reader. if you’ve written a short story, personal essay, or novel excerpt (sorry, cannot speak for poetry), this means your core conflict needs to have been introduced by this point and headed in some kind of direction. to put it more clearly: i need to know what’s going on. elusiveness is not your friend. i want to know: 1) who is the main character, and 2) what do they want? if you do not have these things established by page 4, your work might still be an early draft.
  • caveat being, of course, if you’re writing experimentally, in which case i hope you’ve submitted to an experimental publication. but there’s a big difference in good experimental vs bad experimental writing, and that is:
  • write with intention. intention is the difference between dancing alone in your bedroom and becoming a ballerina. both forms of dance might be good, you might be an innately talented dancer alone in your bedroom, but choreographed dancing takes discipline and practice. when it comes to writing, every sentence needs to be chosen to determine if it works for the piece. this is unfortunately one of the hardest parts about writing.
  • take risks. my least favorite stories are the ones that make me think, this has been done before. having to read hundreds of stories means repetition – i see the same themes over and over (white man feeling conflicted about cheating on his wife), the same writing styles (purple prose run-on sentences), the same characters (middle-class english teachers). i want to read words i don’t expect about stories i’ve never thought of. i want to see confidence in creativity. i want to see writing that acknowledges convention and destroys it for something better. show me newness, ingenuity, artistic expression. show me the stuff you’re afraid to write for fear of ridicule – that’s the stuff that gets published.
  • THE WORLD WANTS TO HEAR FROM FANFIC WRITERS. when i volunteered with one publication, the application involved a list of the last 15 novels i’d read. and i thought, i don’t want this gig if i can’t be brutally honest, so you bet your ass i put fanfic on there. i was accepted within a day. when i’ve told my writing mentors that i write fanfic, their faces have all lit up in excitement and they have a ton of questions. i cannot tell you how many submissions i’ve read where the interactions between characters feel stilted and normative, and all i’m looking for is the kind of dynamic tension and chemistry that fanfic authors have mastered. so if you write fanfic and don’t think you’re good enough to write “literature” i’m here to tell you, you absolutely are. 

Some advice for our followers

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Friendly reminder to be extra kind to each other this November! Though NaNoWriMo can be a wonderfully productive month, it’s a major energy vacuum too.

Thankfully, we all know how revitalizing it can be to receive a like, comment, ask, or reblog from our fellow writeblrs. Join me in committing to help safeguard our (communal) creativity reserves by engaging with other peoples work more often than we normally do!

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Friendly reminder that fan-made content (fanart, fanfic, fanvids, etc) are:

  • extremely time consuming. Remember someone actually took time out of their life to create that, time they could’ve used to, idk, sleep, for example
  • entertainment you’re consuming for free. I can’t stress this enough: you’re enjoying someone else’s craft for free. You paid exactly zero money to look at/read/watch it.
  • S H A R E D  with you, not made for you. This is the most important point: someone created that, put it online and you found it. No one forced you to consume that fanwork, you C H O S E  to do it. 

Whenever you feel like leaving a mean comment, anonymous hate or make a ~clever post about how ‘lol look at all of these overused tropes every fic writer crams into their fics’ remember you’re being a dick to someone who shared their work with you. You’re not being funny, you’re not being edgy, you’re not being brave for calling something out - you’re being a dick.

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sandydragon1

Things to Consider When Writing a Dystopia

  • How long has society been structured the way it is? What catalysts made it become a dystopia?
  • Aside from those in power politically or financially, who thinks they benefit from the way society is structured?
  • How are those who suffer under the system kept in check? What kinds of punishment are they taught to fear? Are they conditioned to view things in a positive light?
  • How do other societies view the dystopia? Are they a mess in their own way? How willing are they to potentially interfere in how things are run?
  • How does your work connect to real world issues? How closely does it parallel real world events and/or capture themes that are relevant in modern society?
  • How have those in power used the education system to cement their hold on how things are run? How have they manipulated what people know about the world?
  • On that note, how much does the average person know about the dystopia’s history? How much of what they think they know is only partly true, misleading, or just plain wrong?
  • What factors ultimately spark people to rebel against the current oppressive system?
  • What might be the negative consequences of a rebellion to overthrow the current oppressive system, even if it is successful? In what ways might the new system might be even worse than the old one?
  • How are dissidents treated? Are they publicly made examples off or are they made to ‘disappear’, leaving their true fates up to the populace’s imagination?
  •  Is there anyone currently alive who remembers what it was like before the current system was put in place? Are they forced to hide their knowledge of what came before or do they hide or misrepresent it willingly?
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The thing is, I have a feeling there’s a certain obsession with Nanowrimo, in that doing it is considered a “mark of a writer.” And this is just me swooping in to say that Nanowrimo is a voluntary thing that like 90% of people never actually finish. You are under no obligation to do nanowrimo, nor are you less of a writer for not doing or not winning nanowrimo. 

I’ve talked before about the unhealthiness of the idea that a “real writer writes every day,” and I think that nanowrimo can often encourage and reinforce that idea, without intending to. 

If you don’t want to/can’t do nano, take a deep breath, make peace with the fact you’re not gonna be able to participate in what amounts to a dick-measuring contest for writers, and have a good november.

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inky-duchess
Fantasy Guide: Horses, Steeds and Mounts

Horses are a staple of fantasy. Instead of writing them as emotionless vehicles lets give them life.

Horse Terminology

  • Mare: female horse
  • Gelding: castrated male horse, big boned and gentle
  • Stallion: male horse, more agressive
  • Foal: baby horse
  • Filly: girl baby horse
  • Colt : boy baby horse
  • Yearling: a horse a year old, too young to ride
  • Pony: small, smart and sturdy,

Colour

When writing horses, we like to colour them in. Make sure to have a look at my colours post for some symbolic choices.

  • Appaloosa: white hair and dark patches
  • Bay: red-brown, dark, mahogany bay, red bay, sandy are all common shades but bay must always have a hint of black.
  • Black: black but keep in mind that pure black is very rare.
  • Chestnut/Sorrel: reddish coat, may have brown/rws
  • Dun: yellowish commonly but can be reddish yellow horse
  • Paint/Pinto – white patches
  • Palomino: golden coat, white mane
  • Piebald – dark-skinned, with large splotches of black and white
  • Roan: blue or strawberry; mixed colored and white hairs. A blue roan has black and white manes, red roans have white manes.

Physical signs

These all tell you what the horse is telling you. Listen to your horse.

  • Blow: exhaling through the nose. This indicates curiousness and often followed by nuzzling.
  • Breathing: Yes, check if the horse is breathing first. Always a good point. But yes, horses have a resting breath that is relaxed. Changes to this could mean anxiety or fear.
  • Ears are up and pointed forward: alert and interested
  • Ears are pointed out to the side: Sleepy, tired, unwell or submissive.
  • Ears are pointed up: unwell or bored
  • Ears are back and pinned flat against the head: angry and aggressive. Fuck off right now or you’ll catch these hooves.
  • Neigh/Whinny: a sound made to look for company in people or horses.
  • Nicker: usually means “hello” in either a friendly context or a mating context. Mama horse will nicker to their kids.
  • Scream: usually while fighting some other horses.
  • Snort: exhaling through the nose sharply which is code for where’s the danger.

Feeding time

Horses need to be fed and it’s expensive. Horses are the most costly thing for a castle or army to have. It takes money to field a large calvary so make sure you have some food on board.

  • Apples and fruit.
  • Barley
  • Bran
  • Grass
  • Hays
  • Oats
  • Root vegetables – beetroot, carrots, parsnips, and turnips
  • Tack
  • Corn

Tack

This is the term for your horses kit. This will be a basic list.

  • Saddle: Your seat on the horse
  • Stirrups: supports that hang from either side of the saddle to support the feet.
  • Girth: A belt that fastens the saddle to the horse.
  • Bridle: The bit that goes over the horse’s face
  • Reins: connected to the bridle and ensures you have a grip
  • Bit: this is what the horse has between its teeth.
  • Horn: a raised portion of the saddle that sits at the point where the saddle is close to the neck.
  • Blanket: a drape of fabric used to warm a horse or stop rubbing from the saddle.

Things you ought to know about horses

  1. Riding bareback (i hear you laughing, pervert) is actually quite hard and dangerous
  2. Horses have limits and most can gallop all night without a break
  3. Horses often break legs and sometimes must be put down (honestly fuck you Veronica, #cobalt deserved better)
  4. Horses die in battle, not all horses make it out (you go, Joey)

Common horses mentioned in fantasy

  • Destrier: The most popular war horse of the medieval era. These horses are only ever really used by knights in battles, tournaments, and jousts. It was not the most common horse but it was considered the desired of horses even being called “the great”. Usually male, these horses were renowned for their agility able to turn quickly making it suitable for battle. Destriers are expensive. When one looks in the histories you seen them going for almost ten times the price of another breed. The breed has since died out but scientists and equestrians have since been trying to reproduce them.
  • Courser: This was the more commonly used and available war horse. It is fast and strong horse ridden by knights and men-at-arms. They were not expensive than the destrier but still would cost a pretty penny.
  • Rouncey: A commonly used horse used anything and everything. Mostly used for riding, the horse could be trained for battle.
  • Palfrey: Would be an expensive horse for riding. It was a slender horse with an ambling gait so it was prized for traveling over distance.
  • Hunters: Or more commonly called Thoroughbred. The Thoroughbred is a fast horse and an agile one. Though vest for racing, the thoroughbred was mostly used when the nobility went riding in hunting excursions.
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To any fanfiction authors out there who are worried about keeping characters “in-character” or “true to canon” I would like to offer you a sagely piece of advice:

Don’t.

Instead, I recommend focusing on keeping a consistent characterization. Define to yourself who a character is, particularly what they value most, what morals they have, and what their breaking points are. Then stick with your own version of the character. It’s more fun, I’ve found it’s easier, and I’ve often found that readers enjoy it more too.

Beyond my general attitude of ‘do whatever the hell you want, start a cult, kill a god, enjoy life’, the whole point of fanfiction is that you are writing something that did not happen in canon. Or didn’t happen from this POV/this particular way/etc. This is your take on the character, not the original authors. Embrace it, rub your gremlin hands all over canon, make them your OCs with the canon character’s names/powers/hair color slapped on top. If anyone calls your versions “OOC” take that as the goddamn compliment to your creativity it really is.

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Oops, I started a ridiculous challenge.

This is why it’s ridiculous, fyi:

Listen… my entire personal life is fucked… but I have written over 2000 words without using the letter ‘i’ even once… does that count for anything…

This is… I mean. Incredible. But terrifying.

You’ve written over 2000 words with no ‘it’. No ‘ing’. Oh God, no ‘ing’.

You’re a force to be reckoned with.

No ‘it’, no ‘is’, no ‘-ing’, no ‘in’, no ‘I’. I’m on 2,700 words now, and I’m… not sure how I’ve managed to do this. Dialogue is proving the biggest challenge, unsurprisingly. Why did I do this to myself?

So this is going to be like 15-20k when it’s done… um

If I finish this, I will probably count it amongst my greatest achievements.

Op you’re the most powerful person on writeblr right now

That’s good to hear because I’ve lost all semblance of control with respect to every other facet of my life, but

I’m maybe a third of the way through now?? So that’s good???? And now I’m going to have a very relaxing bath??????

I probably have about another 14,000 words to go and honestly, when I hit 10k (the expected halfway point), I’m going to treat myself to writing 100 words of something else that has the dang letter ‘i’ in it

Nearly wept when I realised I couldn’t use the word ‘frantic’ earlier, but

7.5k is my next milestone, and it actually might happen tomorrow, which is unnerving. How should I celebrate??

Getting really bad impostor syndrome today and feeling 95% sure that I will never amount to a thing and will probably never finish this story, and so in response to that dumb brain thought I did this

Suck it, subconscious.

You are a force of nature and I am both impressed and terrified.

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beabaseball

Please publish this somewhere when you a e done so we can read it holy shit

I absolutely will!! In other news I hit 10k today and that’s without a thesaurus and oh golly, my poor think-box

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thededfa

This author is a sleeping God among mortals

The Earth fears their awakening into their full powers

Full powers yet to be confirmed, but after a short hiatus, I have returned

When I get to 12k, I might do a very elaborate jig

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tzikeh

I really hope the title of your story is “Team.”

What is it about???

It is a retelling of Orpheus and Eurydice (and no, I can’t use her name because it has an i in it, but this is in fact part of the theme of lacking agency and identity, so it is not a problem) in which Eurydice is the architect of her own descent into the Underworld and Orpheus can’t take no for an answer!

And also:

I have a more up to date version on my computer with quite a few more words but I don’t remember how many oh no

I both respect and fear you

incredible

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typewrxter

what the actual freaking heck?

I fear and respect you

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inky-duchess
Fantasy Guide to Feasts, Food and Drink

Picture yourself at a banquet held at the local Lord's castle. The music is playing, the people are chatting and rustling about in their best clothes. You sit at a table and what sits before you? Not chicken nuggets, my friend.

Food is always one of the staples of any world you build. You can get a feel of class, society and morality just by looking at the spread before you on the table.

Food for lower classes (Peasants)

Most peasants lived off the land, rearing flocks, tilling fields and tending orchards. If they lived near the sea, lakes, rivers or streams, they would fish. But since they lived on land owned by churches or lords, they would only be allowed a portion of what they grew. In cities, the peasants would buy food from one another at the market.

  • Peasants would make bread out of rye grain, that would make the bread very dark. In some communities they would make sourdough, which involves using a piece of dough you made the day before to make that day's bread.
  • Eggs were a source of food that was easy to come by as farmers kept chickens on hand.
  • Cheese and butter would be sold and used in the farm.
  • Jam would also be made as it was easy to preserve and sell.
  • Peasants would not eat much meat. Chickens made money by laying eggs, pigs could be fattened and sold for profit and cows and goats would be used for milk. By killing any of these animals for food they would loose a portion of money. Poaching (hunting on private land owned by the lord) would come with severe penalties.
  • Pottage and stew were a favourite of peasants as they could throw any vegetables or bit of meat or fish in a pot to cook for a few hours. It wasn't a difficult dish to make and often inexpensive.
  • Pies, pasties and pastries would be a favourite at inns and taverns in towns and cities most containing gravy, meat and vegetables.
  • With most villages and farms set close to forests, many peasants could find berries at the edge of fields. Blueberries, blackberries, raspberries would have all grown wild.

Food for Nobility & Royalty

Nobility and Royalty could always afford better food than the poor. However it might be a patch more unhealthy than the poor's fare. Nobility and Royalty weren't fans of vegetables.

  • The rich would eat a lot of meat, much of which they would hunt down themselves on their own land. Deer, wild boar, rabbits, turkey and other wild creatures would all be on the table.
  • Nobility and Royalty would be fond of fish as well. Lamprey eels was a delicacy only preserved for special occasions.
  • They could afford salt which was important for preserving meat and fish. This would allow the castle/manor/palace to be stocked in times of winter or famine.
  • They could also afford pepper and other spices, all of which could cost a fortune, to flavour their food.
  • During a feast, they would eat off of platters made of precious metals but only if you were seated at the high table. Other less important guests would eat off a trencher, a piece of hollowed out stale bread.
  • Sugar would be the height of dessert. The sugar would be shaped into fantastical formations to impress the noble guests. Tudor chefs would create edible sugar plates for Henry VIII to eat off of.
  • Swans and peacocks would be served in their plumage. Swans would be more royal diners as in England the monarch owns all the swans. In Ireland, it is illegal to kill a swan mainly because they could be children trapped in swan-bodies. Long story.

Feasts

At certain events, the noble/monarch might throw a party. Most parties would begin with a dinner.

  • The high table would seat the family throwing the party and the honoured guests. All the food would come to them first to be distributed to their favourites. They would drink the best wine and have the finest bread.
  • The rest of the hall would be seated together at trestle tables, eating off trenchers. They would be sent food by the thrower of the feast on account of their personal importance or social standing. The closer you were to the salt cellar, placed at the head of the table the more important you were. The further away you were, the lower your status.
  • Servants called cupbearers would serve wine and drink and move about the hall to carry jugs of wine to water the guests.
  • Dogs would often be found in the hall, to be fed scraps by the diners.

Drink

No world or party is complete without the booze. Since much of the water in Mediaeval times was putrid or dirty, the classes would avoid it.

Beer: was both a favourite of peasants and the nobility. It would be brewed in castles or in taverns and inns, each site having a different recipe and taste. It would be stored in barrels. Beer was widely available across the world and could be brewed at home. So therefore it was inexpensive.

The two main types of beer would be:

  • Ale: Ale in the middle ages referred to beer brewed without hops (a kind of flowering plant that gives beer its bitter taste). It is sweeter and would typically have a fruity aftertaste.
  • Stout: is a darker beer sometimes brewed from roasted malt, coming in a sweet version and dry version, the most famous stout being Guinness.

Wine: Wine would be made on site of vineyards and stored in cellars of large houses or castles. They would be expensive as they would have to be imported from regions capable of growing vines.

Port: Port wine or fortified wine would be made with distilled grape spirits. It is a sweet red wine, and also would be expensive to import from the counties able to grow the correct vines.

Whiskey: is a spirit made from distilled fermented grain mash in a device called a still (which would always be made of copper). The age of whiskey is determined by the length of time it has been sitting in a cask from the time it is made to the time its put in bottles. Whiskey was a favourite drink in colder climates and could be made any where in the world.

Rum: Rum is made by fermenting and distilling sugarcane molasses/juice. It is aged in oak barrels and would have to be imported as it could only be made in lands able to grow sugarcane.

Poitín: (pronounced as pot-cheen) is made from cereals, grain, whey, sugar beet, molasses and potatoes. It is a Dangerous Drink (honestly i still don't know how I ended up in that field with a traffic cone and a Shetland pony) and technically illegal. Country folk in Ireland used to brew it in secrets in stills hidden on their land.

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Hey listen, I’m totally on the bandwagon of mocking the Male Novelist TM who writes very 2d, objectified female characters and finds his story much more important than anyone else’s because he’s in it and scoffs at any genre but the his genre because it’s trite, etc.

But

have you every considered how cute male writers are outside of that?

  • Boys who passionately research 19th century slang for their horror flash fiction. Cute! Interesting! Wonderful!
  • Guys who make little models for their screenplay so they can get the spatial relations just right! Dedicated! Hot!
  • Men with books of character references trying to decide what would be most realistic in their spy thriller! Thoughtful! Considerate!
  • Dudes reading their flash fiction out loud to me on a date! Holy shit! Marry me!
  • Man friends who spends hours on soft descriptions for love poems they’ll never send! Send them! I love you!
  • Boys who disappear into the woods for three weeks and emerge with double shadows and haunting tales of whispers and ghosts! Cryptids are in! Spicy!

that’s all for now but I am open to more instances of cute writer guys

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pixel-writes

me: *tries my best to not shove a lot of exposition in one paragraph, breaks the info throughout chapters*

also me: *writes a one page paragrath explaining the magic system of the world*

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