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My motivation is questionable

@stuck-in-this-mortal-form / stuck-in-this-mortal-form.tumblr.com

The name's Sam, he/him × kinda a writer, kinda an artist × european, my age will remain a mystery × the god of procrastination × language enthusiast × assholes and mosquitoes DNI
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Quick access

(because I'm too lazy to actually search for the masterlist(s) every time I post (which is not too often, but still))

Writing:

Children Of The Prophecy (under construction, please bear with me)

Other:

Journals:

Tags:

(Gonna update them sometime)

#sam writes / #sams writing - writing, mostly COTP

#sam does art / #sam draws - journals, sketches & drawings

#sams shitposts - general shitposting & random thoughts (not all are tagged)

#shitposty sama - same as above but in Polish

#sam answers - answers for your questions

#[name] (oc) - OC tags

#wow I have friends - ✨️human interactions✨️

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cutesyh

If a scene feels flat and you can't figure it out, ask yourself:

• What can MC smell? Is there an ocean breeze, sweat, a cinnamon roll fresh out the oven?

• What can MC hear, besides the dialogue? Is a bird singing, river flowing, a car speeding, clock ticking?

• Can they taste something, even if they're not eating? Previously drunk alcohol or juice, aftertaste of a cigarette, smog, too instense perfume?

• Can they feel something on their skin? Rough clothes or delicate material, blowing wind, an allergy or a rash, grass that theyre laying on?

• What does the character see, besides other characters? Is the room dark or is sunlight coming in nicely? Are the colours vibrant or dull? Are there any plants?

• What's the weather? Is it snowing and the cold is making goosebumps appear on their arms? Is it hot and sweaty and clothes are clinging to their body?

HOW DOES IT MAKE THEM FEEL? To any of the above.

Do they like the smell of cinnamon rolls or are they weirdos (I'm a weirdo, I don't fit in).

Does the clock ticking calm them down or annoy them?

Do they enjoy the aftertaste of a cig and like how dirty it makes them feel?

Are they sensitive to touch and how their clothing feels on their skin or are they indifferent?

Would they enjoy the scenery more if it was more sunny out, because they're afraid of the darkness?

Do they like it snowy or are they always cold and hate winter?

Come on, give them persoanlity, likes and dislikes, don't be scared to make them people and not only likeable characters.

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reblog if your name isn't Amanda.

2,121,566 people are not Amanda and counting!

We’ll find you Amanda.

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iceslushii

this has almost 11 million notes what is this

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yiffmaster

I’ve never seen this post once in 10 years on this site

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llsilvertail

I’ve never even heard of this before tho??? Wtf??????????

oh my god, I didn’t think there were any surviving versions of this post left

For those who weren’t around in the Deep Lore times, this is one of the relics of the editable post era. This post has THE SINGLE HIGHEST NOTES of ANY post on this site, bar none, but with more than a dozen variations. Every single post you’ve ever seen with more than 3 million notes has been a different version of this one.

This is the “Dean’s Gym Shorts” post. This is the Flubber post. This is the original “Reblog if you support gay people” post. it was ALL of them. before half the site got nuked, it had even more notes than it has now - at one point, well over 15 million, and that was years ago.

This, with no exaggeration, is the ONE TRUE heritage post

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so can we start hunting down white liberals now or what

The full picture is even more heart breaking after you open the uncropped version. Just a heads-up, it's rough

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afronerdism

Nah let’s post it. Let’s feel it. Don’t look away.

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doobiebenson
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butch-bakugo

I notice alot of my followers on here skipping these posts just to mess with my lgbt ones, suspiciously the white popular ones.

Heres a not so friendly reminder, as an lgbt metis person, i dont give a single fuck what your blog is themed or if this is too painful for you to look at. Reblog this post. Reblog this post with the sources of the 751 children who were found.

Your compliance and silence as well as the compliance and silence of your ancestors is what allowed these schools to open and kill first nations children. The children of MY people.

Dont follow me if you cant reblog this post or the one with sources to your political blog or your most popular blog. Add trigger warnings if you must but if your political blog is only focused on the harms you personally face like being lgbt then you need to see some bigger pictures and stop being afraid of angering your racist mutural or actually saying some shit about racism. If you can reblog some antifa graphics or add blm to your bio to be a surface level ally, you can reblog some sources on the genocide first nations people faced and still face today.

They were CHILDREN.

They were murdered in cold blood.

I’d like to add this photo I took last night in Victoria of the statue of Captain Cook. Though I myself am not indigenous, I 100% agree that these murderers, kidnappers and rapists shouldn’t have huge statues and plaques that decorate them and say how “great” they were.

Here’s another photo of the legislative assembly from yesterday. Later on there were more items, candles and signs at the memorial, as well as a big poster with 1505 painted on it but I didn’t get a picture

People need to see this. Not just quickly glance at the photos and keep on scrolling. They need to see this.

Reblog this or just stop following me

I had seen the first picture of the church, but not the second.

I went to a “Cancel Canada Day” event and burst into tears - not because I was surprised to learn of the unmarked graves (survivors told us they were there. Our government pushed it aside, and we let them), but because seeing all the people gathered in mourning drove it home: They. Were. Children.

This is my country’s legacy - and it’s not history. The last schools closed during my lifetime. My Father went to school with students who lived at the local residential school, after it was changed to a boarding house (read: holding centre) for indigenous youth who went to local schools.

They were all children, injured, abused, and killed in my country’s attempt to erase them. I want the world to see this and hold the state accountable to *active* reconciliation> I mean we could at least truly adopt UNDRIP in action instead of words for god’s sake.

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gayvampyr

here you can read an article about a survivor of the church and some of the things he experienced to help put into perspective how awful and just how recent it was

And to anyone saying "but this was ages ago!": the last school closed when I was four. I've met survivors PERSONALLY.

im not canadian first nations, but native american. my grandpa/great aunt grew up in catholic-run indian schools. they were taken from their mother and horribly abused. this absolutely breaks my heart, and it hurts so badly to know how people dont understand that native genocide persists to this day, in both our countries. the intergenerational trauma these schools created touched my mom's generation horribly, and affects mine, as well. critiquing victims' anguish or ignoring it altogether is just supporting the victimization.

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gummybard

ever since i was a little girl i knew i wanted to be a stressed adult male protagonist splashing water on his face in the bathroom

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avelera

Pro-writing tip: if your story doesn't need a number, don't put a fucking number in it.

Nothing, I mean nothing, activates reader pedantry like a number.

I have seen it a thousand times in writing workshops. People just can't resist nitpicking a number. For example, "This scifi story takes place 200 years in the future and they have faster than light travel because it's plot convenient," will immediately drag every armchair scientist out of the woodwork to say why there's no way that technology would exist in only 200 years.

Dates, ages, math, spans of time, I don't know what it is but the second a specific number shows up, your reader is thinking, and they're thinking critically but it's about whether that information is correct. They are now doing the math and have gone off drawing conclusions and getting distracted from your story or worse, putting it down entirely because umm, that sword could not have existed in that Medieval year, or this character couldn't be this old because it means they were an infant when this other story event happened that they're supposed to know about, or these two events now overlap in the timeline, or... etc etc etc.

Unless you are 1000% certain that a specific number is adding to your narrative, and you know rock-solid, backwards and forwards that the information attached to that number is correct and consistent throughout the entire story, do yourself a favor, and don't bring that evil down upon your head.

Editor here. Can confirm.

"Two centuries later" just triggers a mental note to check if timing is consistent throughout the book, because it may mean more time jumps are ahead. "200 years later", or heaven forbid, "201 years later" will have me draw up a time line. The more specific the number, the more critical people become.

Strange phenomenon. Well spotted, OP.

actually i think i might have an explanation for this from linguistics? i think folks get more nitpicky if you have specific numbers because of gricean maxims, specifically the maxims of quality and quantity

basically gricean maxims are a set of guidelines that we all carry in our heads that we expect other people to follow when having a conversation in good faith - i’m copying and pasting definitions from someone else because my attempts at summing up quality and quantity weren’t going so hot

The maxim of quantity, where one tries to be as informative as one possibly can, and gives as much information as is needed, and no more.
The maxim of quality, where one tries to be truthful, and does not give information that is false or that is not supported by evidence.

so basically, when you put a rough number in a text, people think subconsciously ‘oh, the exact number isn’t important, because if it was they would tell me an exact number, so i don’t need to worry about this’, whereas if you put something precise in, people’s brains go ‘wait, they think i need to know this information so i’ll remember it, but now it’s later and they’ve said something that contradicts it, so at least one of those times they were lying and i must figure out which time it was’

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dduane

Also: don't specify data storage sizes. Just, you know, don't.

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abalonetea

my writing fundamentally changed forever ten years ago when i realized you could use sentence structure to control people’s heart rates. is this still forbidden knowledge or does everyone know it now

?????? *raises hand* I’ve been writing for years and don’t know this trick by these words! do tell?

Okay, so a few people have asked for me to cite the dark magics at them, and i’m super happy to share because it’s my favorite thing ever. 

so, let’s see if i can explain this the same way that i learned. read a sentence out loud. you come to a full stop when you hit the period, and you take a normal, breath. but, when you hit a comma, you take a slightly longer pause. and when you hit a dash - you take an even longer pause. 

this is a natural rhythm that we pick up when we’re first taught to read; we do it without even thinking. but when you start to think about it, you realize that it can become a tool.

think of your heartbeat. a period is badump. a comma is badump-dump. and a dash is thump badump. one breath. a longer breath. two breaths.

that means what you read automatically affects the rhythm of your breathing and your heartrate. which means that you can control the amount of physical tension your reader feels… by altering your punction and your sentence structure.

for fast paced scenes, you use short sentences. a lot of hard stops. mostly periods, with just a few comma’s thrown in for the full breath. your reader’s heartrate accelerates. their breathing is slightly and unintentionally, on their end, quicker. you hit the dramatic ending of the scene - and your reader’s body phsyically feels the gasp, the breath of fresh air, of these longer sentences.

now, read that paragraph again ant take note of your natural pauses, and how it subtly affects your breathing. 

the same thing can be said of comma’s and dashes. while they can be used as a breath of fresh air, they can also cause a new line of tension as they lead your reader to hold their breath. during this section, you should use longer sentences; breaking up the harshness of the pauses by using variations of punction. read this paragraph out loud from the start and take note of how long you go between pauses and full breaths. 

and then, comes the biggest trick.

the hard stop.

the paragraph.

because while the periods, commas, and dashes are variations on a short stop, the paragraph is a hard stop. you take a full breath. you pause for a moment, then move to the start of the next paragraph.

which means you can create an entirely new sort of dramatic tension. read the sentences that are in bold. see how you take a naturally longer pause at the end of each paragraph?

see how it makes you feel? 

how it makes you breath different? 

how doing it once, twice, or three times creates a different line of tension? 

this little magic trick can be used to cause a reader’s heartrate to speed up during a fight or chase scene. it can be used to cause their breathing to slow down during moments of dramatic tension, sorrow, or softness. and it can be used to create hard breaks that add a new level of physically felt emphasis to your written work.

i hope these examples make sense! it’s my favorite writing trick!

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tooies

it should be 100% legal to go in abandoned buildings. like nobody is using it for anything why can't i go in

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eira-kuso

Isn't this how you get murdered?

no. it's how you get poisoned by mold or crushed by broken floorboards or whatever but there aren't murderers just hanging out in every abandoned building like cockroaches

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iamnmbr3

lol imagine if serial killers just spawned from abandoned buildings 

They do, but they get poisoned by mold or crushed by broken floorboards or whatever before they can serial kill anyone

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hiddenramen

one of my greatest pet peeves in fiction, and it is truly stupid I know, is that no one seems to understand how genuinely hard it is to kill someone via stabbing. stab wounds have a mortality rate of like 5%. especially abdominal stabbing. tv shows and movies show dudes getting stabbed one time in the lower abdomen with a tiny knife and then they fall over. like what did he die of precisely. that man died of Small Knife

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fireball-me

the knife was discreetly laced with a point blank gunshot to the head

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