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KLab where the fuck is Hanayo

@echoandthefandoms

i need my rice goddess to get a UR i swear if the UR is Umi I'm feeding all my Umis to any Pana card
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as a parent you really should feel ashamed and hate yourself if your children are unspeakably more comfortable and feel more safe sharing their personal life with strangers on the internet than they do with you like you really failed

i see y'all trying to manipulate this post and let me tell ya, having to hide shit from your parents out of legitimate fucking fear of what they’re gonna do to you isn’t being “ungrateful” or “psychopathic” or whatever the fuck else you wanna hurl at me! me feeling comfortable and SAFE confiding in complete fucking STRANGERS should concern some of y'all, but most of you are saying “uwu it’s normal to fear your parents so much that you resort to telling anybody you meet your deepest concerns” go choke! leave abused kids alone! if the post don’t apply then let it fly like damn!!!!

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keyblack-hl

do you ever just

“no that’s not dramatic and cheesy enough”

“getting warmer”

“t HERE IT IS”

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maggotmagnet

i love this but i dont know how to do this

hoW

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yokoboo

For those wondering about HOW to do this, here’s a short explanation according to me:

Drawing A to Drawing B: -the most obvious change is the exaggeration of the line of motion in the character.  

In Drawing B the line of motion is much more pronounced, creating more drama and movement to the whole composition

-The arms are open wider, showing more confidence and exuberance in the character, exaggerating their emotions so they can be more clearly read without having to look to the face for emotional cues.

-the legs are wider apart, adding to the aforementioned confidence but also giving the character a solid foundation, visually speaking.

-The head is tilted back and overlapped by the chest, adding a touch of dynamic perspective to the drawing.

Drawing B to Drawing C:  -Most obvious change is to zoom in on the character.  Character framing is just as important as what the character is doing.  Zooming in can help infensify emotions.  this shot is ALL about this character and what they’re feeling. -Because of the zooming in, the arms/hands would have gotten lost, so instead of making the canvas wider, the artist has elected to rotate the character slightly, bringing a dynamic angle to things and more intensity to the close shot. -While the character is more upright in this shot compared to Drawing B, in Drawing C the chest still slightly overlaps the neck, preserving the feeling of being slightly below the character (putting them in a position of power relative to the viewer), which helps maintain confidence and power in the character. -the chest is exaggerated to carry the majority of the body’s line of action so even though you cannot see the legs, our brains are able to fill in the gap and envision that line of action. -The cropping/framing of the character allows for a more interesting composition/negative shapes created by the positive (character) on the negative (background), creating more visual interest as well as a circular motion to the composition through the arms, across the face to the negative space for the eyes to rest in before dropping to the hand in the background and back through the composition again.

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sl4pdash

okay so it was a really good episode in terms of having me on the edge of my seat and being really involved in the case / storyline of that episode. But it could have just been so easy to have them end together. Like it’s clear that they’re back together, but not in the way we were expecting. 

And they made it really freaking clear that Sherlock’s not straight with the massive struggle it was to say I love you to Molly and them smashed up the coffin that represented that. 

In conclusion I enjoyed the episode, but a different ending would have made my entire fucking life

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widovv

mycroft throwing up at that suicide is me throwing up at bbc sherlock’s suicide

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