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The Warrior Princess In The Almond Field

@thewarriorprincessinthefield

She-Bi// Attempts to writing// Spanish Language//Sherlock-YoI-Tolkien
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A little PSA for people who use AO3…

Gen refers to fic that is not focused on romance. If your fic is not a romance fic, please give it this tag.

Other refers to fic that is focused on romance, but is not specifically male/female, male/male, or female/female (like an OT3 (ship involving 3 people), a ship involving characters that are not male or female, etc). IT IS NOT FOR PLATONIC RELATIONSHIPS. IT IS FOR ROMANTIC ONES. please for the love of all that is holy do not tag your family-relationship-centered fics as “other” you are going to give people a HEART ATTACK.

“Character/Character” is for romantic pairs. “Character & Character” is for platonic relationships like friendship, family, etc. Please do not tag family-centered or adult-and-minor-centered platonic character relationships as character/character for the love of all that is holy

The E rating is for smut and literally nothing else (unless you have other unusual reasons to rate it E–I’ve seen people apply it to non-smut fics as a deterrent to keep minors away from it, but keep in mind it’ll make it so people who are trying to avoid smut will not find your fic). Your fic that has a lot of graphic violence but no sexual content does not need an E rating.

The M rating is for fics that would basically be rated R if they were movies, and may contain graphic violence, some sexual content, and generally more serious subject matter than you would typically show a teenager. However, if your fic is almost entirely smut, please just give it an E rating.

Also, when you post a fic, you WILL want to give it a rating, or else AO3 will assume you’re probably posting smut and will warn everybody who clicks on your fic that it may contain adult content. If you don’t want that on your fic that contains no adult content at all, please just give it the proper rating instead of not rating it at all.

this post brought to you by PLEASE LEARN HOW THE TAGGING SYSTEM ON THIS WEBSITE WORKS YOU ARE GOING TO GIVE EVERYONE A HEART ATTACK

ANOTHER IMPORTANT THING I FORGOT TO MENTION!

“Creator Chose Not to Archive Warnings” means that at least one or more of the archive warnings (that is, “Major Character Death,” “Graphic Depictions of Violence,” “Rape/Non-Con,” or “Underage”) DOES apply to your story, and you’re choosing not to say which one it is. If you select this option, AO3 will put a warning on the fic that potential readers have to click through.

“No Archive Warnings Apply” means that none of the aforementioned archive warnings apply to your fic.

THESE ARE NOT THE SAME THING. IF YOUR FIC DOES NOT HAVE ANYTHING MAJOR THAT NEEDS TO BE WARNED FOR, PLEASE SELECT “NO ARCHIVE WARNINGS APPLY.”

Also, for the love of everything on earth, please stop marking your fics as complete when they are not? The chapter function of an incomplete fic should look like this:

number/? OR number/higher number

If you mark it as (for example) 4/4, you’re telling readers that the COMPLETE story has FOUR chapters and ALL FOUR have been posted, meaning once you read all four you will have reached the end point of the fic. It’s unfair to readers when an incomplete fic is marked this way.

The misuse of “creator chose not to use archive warnings” is VERY common!! Please read this and label your Fic appropriately so it can reach its audience ❤️

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Listen my dudes Ancient Egypt existed for a really fuckass long time. Literally just Pharaonic civilization lasted 3,000 years. That’s not even including predynastic civilization and Roman rule. If you lump that in you’re looking at more like… 5,000 years. Like. If you want a comparison of how long that is: THE YEAR IS CURRENTLY 2018. TWO THOUSAND. TWO-THIRDS OF ANCIENT EGYPTIAN PHARAONIC CIVILIZATION HAVE HAPPENED SINCE THE ‘BIRTH OF JESUS CHRIST’ We comparatively just entered the Third Intermediate Period. The Greeks will not take over for another 700~ years. Cleopatra will not be born until the year 2931.

It’s a really long time guys.

Anyway look. Listen. I sat my ass down and wrote out a timeline of “when shit happened if you started at 1AD” because I know backwards numbers are hard to process but here’s an abridged version. If the first Egyptian Pharaoh came to power in 1AD then…

300: step pyramid built 450: Great Pyramid at Giza built 815: Pepi II dies and civil war breaks out 950: Egypt re-unified 1350: Middle Kingdom ends 1450: New Kingdom begins 1520: Hatshepsut is on the throne 1650: Ahkenaten switches to monotheistic religion and builds a new city 1680: Tutankhamun dies 1720: Ramesses II ‘the great’ ascends to the throne 1740: World’s first peace treaty signed 1790: Ramesses II dies leaving way too many children 1920: Egypt breaks into 2 states again And now we get to ~~~~the future~~~~. If we started at 1AD all of this stuff hasn’t happened yet 2050: Briefly re-united as a single state 2180: Civil war 2250: Nubian kings take over 2335: Assyrian conquest 2665: Alexander the Great conquers Egypt 2930: Cleopatra VII born 2970: Cleopatra VII dies. Egypt falls to Rome. Fin.

And that’s just starting with the Pharaohs. If you wanted to start with Predynastic Egypt, you can go ahead and ADD ONE THOUSAND YEARS to all of those dates

I hate that this is still getting notes but that it’s getting notes *without the timeline addition* like c’mon, man. I had to do MATHS for this. I DID MATHS FOR YOU PEOPLE AND ALL I GOT WAS A BUNCH OF RACISTS

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lonewolf23k

Who needs Atlantis when Ancient Egypt was basically the Precursor Civilization the Greeks and Romans lived in the shadow of?

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satsuti

name a more iconic civilization i’ll wait

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theleingod

You wanna know how much older Ancient Egypt was than Ancient Greece? To the Ancient Greeks, the events of the Iliad were back in the dim reaches of antiquity, so far back nobody really knew if they ever even happened.

To the Ancient Egyptians, the most likely timeframe for the events of the Iliad happened during a time period known as the “New Kingdom,” because it came after the Old and Middle Kingoms and the first two Intermediate Periods. That’s right: Back when the Greeks were having their foundational myths of heroes and gods, the Egyptians were in the middle of a “New Kingdom” and the pyramids were so old everyone had forgotten what they were even built for.

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Tantrums.
Suki: *throwing a tantrum*
Kiri: *watching*
Suki: ugghhh! Ahhh! *screams*
Kiri: you done?
Suki: Daddy! I want-
Kiri: no no no
Suki: *sniffles*
Kiri: breath in
Suki: *inhales*
Kiri: breath out
Suki: *exhales*
Kiri: one more time
Suki: *repeats*
Kiri: better?
Suki: yeah
Kiri: now ask me, kindly.
Suki: where's papa?
Kiri: he's at work, princess. He'll be back soon so why don't we make him something for when he gets back?
Suki: cookies!!
Kiri: yeah okay
--------
Baku: I'm back!
Kiri: hey baby, how was-
Baku: stupid fucking Deku! Again! Little shit got in my way! Again!
Kiri: -work
Baku: UGGGH! I swear to god one of these days I'm gonna take that nerd and fucking-
Kiri: you done?
Baku: no I'm not done!
Kiri: Katsuki you're acting like a child, I can't kiss you hello till you calm down and grow up.
Baku: but I-
Kiri: breathe in
Baku: *inhales*
Kiri: breathe out
Baku: *exhales*
Kiri: and again
Baku: *repeats*
Kiri: better?
Baku: a little
Kiri: good boy. now kiss me and tell me how your day went, calmly.
Baku: *kiss*
Kiri: *kiss* how was your day, baby?
Baku: it was fine, Deku supported me through the whole thing and I'm grateful for his friendship.
Kiri: such a good boy
Baku: *whines* Eiiii
Kiri: not now baby, we have a daughter to take care of but I'll play with you later, mkay?
Baku: okay
Kiri: okay?
Baku: okay daddy
Kiri: good boy- SUKI GUESS WHO'S-
Suki: *running* PAPA! YOU'RE BACK! YOU'RE BACK! I made you cookies!
Baku: thanks kid, miss me that much huh?
Suki: cuz I love you
Baku: I love you too
Suki: I know. Who wouldn't?
Baku: that's my girl!
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NEW JOHNLOCK FIC: 'A Bit... You Know.'

Excerpt:

“How people can live like this is beyond me,” the man continued, running an experimental finger up the edge of the doorframe and then flicking whatever he found there from his fingers. 

“Yeah, well, he isn’t, is he?” John said matter-of-factly as he stood up. “He’s dead - bit of a poor show critiquing his decorating choices, don’t you think?”

“Oh, honey, this,” and here the man twirled just his index finger yet still managed to encompass the whole room, “is not ‘decorating’. This is a crime - and I’m not talking about the murder.”

Despite himself, John chuckled. The new officer smirked, twisting his lips and nodding as if to say, you know I’m right.

*********

First chapter out now (1/10): 'A Bit... You Know.' John and Sherlock meet a group of people who live their lives loudly, authentically and with PRIDE; causing both of them to question who they are - to themselves, and to each other 💜 Read it here:

This is a gift for @heyblinken for FTH2021 - enjoy 🥰

🚨🚨🚨 Chapter 4/10 is up! 🚨🚨🚨

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ok but what if

the tolkien dwarves invented the printing press

give me that fic

I never thought about it, but, I mean…of course it’s the dwarves.  

The elves would never think of it, fading out of Middle Earth with their perfect memories entirely intact, bearing the lore of ages in their own lifetimes.  Elrond would never think to write down the story of his life, for all that it stretches back to the Silmarils’ crafting.  When they do write things down, they believe in taking the time to inscribe the words with their own hand–no one knows the hard truths of permanence and impermanence like the Firstborn, and if you are going to take the time to make something ephemeral into something lasting, you do it right.  And besides, Quenya and Sindarin and forgotten Noldorin, all are made with elaborate curling letters, intended more to be written with a brush tip or a calligrapher’s pen than printed for clarity.  A printing press would never capture the fluidity quite right.

The race of men…well, they’re still trying to recover.  The great kingdoms of the human race–hard Gondor and broken Arnor, wild Rohan and poor shattered Harad to the South–took the brunt of the Ring War hardest of all.  Even the strongest of them is left in fragments.  New rulers, damaged walls, burned cities.  Not many have time, in those first years–and it does take years–to worry about the lore that might have been lost or muddled by water and fire and falling stone, not when there are still leaderless orcs roving and people starving as they try to stretch the harvests.  By the time they do, they’re trying to piece together what they used to have.  No one thinks twice about trying to piece it together the way it was, and the way it was, was handwritten.  Someday the race of men will be great innovators, reaching toward the stars with sure hands and bright eyes.  Now, though, the race of men is enduring, is rebuilding and making alliances, trying to prevent the losses of the war from reappearing ten, twenty, a hundred years down the line.  They are doing well, at enduring–pragmatists, grim and tough and determined–but they hardly have the time for mechanical marvels that don’t aid building, speed farmwork, or otherwise smooth the path.

The hobbits persist in being stubbornly hobbitish.  Oral history is what they do, and their memories for family ties and dramatic gossip could give the oldest Eldest a run for their money.  Who’s going to bother to write down the story of the time Athella Proudfoot–no, not that one, the other one, Odo’s great-great-great aunt–drank half the tavern under the table, got up on the bar, did a jig in nothing but her bloomers, and then settled in to drink the place dry?  (And still looked fresh as a daisy, if quite a bit less sober, the next morning.)  No one, because anyone you ask knows the story of everyone who ever did anything worth knowing the story of.  What do the hobbits care for legends and lore?  They know who they are and where they come from, songs and stories and all, and there’s a certain level of strength in that.  Strength enough to walk into Mordor, strength enough to reclaim the Shire.  

The dwarves…the dwarves are a people who once had libraries, sweeping and beautifully full of knowledge.  The libraries in Khazad-dum have rotted, by now, ransacked by orcs and goblins or burned entire by Durin’s Bane.  Books and scrolls, illuminated with precious metals and expensive inks by the finest scholars, are worth nothing to a dragon, nothing but fuel for amusement, things to send sparking.  The library where Dis learned to read, where Thorin and Thrain before him learned statecraft, are nothing but ash.  The Iron Hills, Ered Luin, those places were filled by a people seeking refuge.  Few dwarrows snatched tomes as they fled Erebor.  Fewer still kept them at the ruin of Azanulbizar.  The dwarves escaped their ancestral homes with the clothes on their backs and scraps of bread baked on stones, with the pyres of the burned dwarves still smoldering behind them.

It’s a survivor of that flight who scratches down the first idle plans.  She remembers seeing Dain Ironfoot, barely more than a child–but then he seemed such a grown-up to her, at the time, when she was still a beardless babe only just walking–bloodied and limping on a crutch as he stood up to claim the leadership his father had left in his wake.  Dain and Thorin, young dwarrows still, but already old with the weight of the world.  She remembers that better than the dragon, better than the battle.  Her mother died in Ered Luin, but not before writing a poem for the burned ones, a poem for the two dwarves who had surrendered their own youth for the sake of their people.  She can’t stand the idea of her mother’s poem being lost, the way so many things were lost in flight after flight.

That dwarrowdam dies, an old dwarf in her bed with her loved ones around her, and it’s her best friend’s daughter who comes across the plans, many years later.  Yes, she thinks, looking at the levers, at the vague notes about possible lettering methods, yes, that could work.  

It doesn’t work, at first.  It doesn’t work a lot, really, but the dwarves are a stoneheaded bunch and not in a rush to be put off by a few petty failings.  Or by a total collapse of the base mechanics, the first time she tries to pull the lever.  The dwarrowdam unearths herself from a pile of metal and gears and wood, with the help of a few other folks who heard the complicated crash and weary cursing, and starts again. 

It takes most of two years and a lot of brainstorming–first with her friends, then with her guild, then with any poor fool careless enough to wander into her workshop–but the scribe-machine works.  She shrieks and bursts into tears when the first page comes out crisp and clean and beautiful, and sprints into the great hall waving it triumphantly over her head.

The paper says, in kuzdh runes, plain and clear, We are Mahal’s children, and we are yet unbroken.

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I know this is going to make me sound pretensions but I have to get it off my chest. I feel an unimaginable rage when someone posts a photo and is like "this picture looks like a renaissance painting lol" when the photo clearly has the lighting, colors and composition of a baroque or romantic painting. There are differences in these styles and those differences are important and labeling every "classical" looking painting as renaissance is annoying and upsetting to me. And anytime I come across one of those posts I have to put down my phone and go take a walk because they make me so mad

In case you're curious here's what I mean.

Renaissance(distinct lines, stability and the individual man):

Baroque (bold, chaotic, dramatic):

Romantic(romanticize the simple hard working life):

Do you see the difference?

op is a vampire who painted works in all of these times

baroque gif

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there is a tendency with history, i think, because we're so far removed from it, to kind of forget that all of the people were people

a child 10,000 years ago left a handprint on a wall. they were fingerpainting. a viking climbs up a rock just to carve the words "this is very high" 10ft off the ground. somebody centuries... milennia... ago burned their dinner so thoroughly that they buried the ruined pot in the backyard rather than attempt to clean it. shakespeare got drunk and wrote dick jokes. tutankhamun was a little boy who liked ducks more than anything. a roman carves his name into a monument in another country saying "i was here". a prisoner, centuries ago, in the tower of london scratches lines into the wall as a tally marking the days. a medieval monk scrawls in the margins bemoaning the boredom of his work.

every human being across history has said "i was here. i lived. i loved. i made something. i laughed. i cried. please do not forget me"

most of us are not important enough that we will be remembered by name for more than a few decades. we are not kings or queens or great military leaders or innovators or influential artists, musicians, authors.

but all of us, every one, has a deep primal need to persist. we leave handprints on the wall, scratch our names into stones, carve initials into a tree, mark our growth as children on a wall, bury little time capsules. write in the margins of a book. hide notes behind the wallpaper.

reaching out into the future to some unknown human long after we're gone to say

"hello, you. i was here, once"

here i re-wrote it as a poem to fit your tag

Somewhere far away from me And impossibly long ago, now A mother holds her child up high To leave a handprint on the wall

A man I will never meet Climbs a rock for fun He writes a message on the stone And he says “this is very high”

Somebody, once Cooked a meal and burned it Took the pot to the land outside their house And buried the evidence

An Egyptian king Thousands of years before my birth Wore a shirt embroidered with little ducks And kept it, lovingly, in a chest

In a prison cell within a tower A man stretches out through centuries And marks off the days of his sentence As lines on the wall

A long-forgotten monk Labours over a manuscript by candlelight And writes in the margins He is bored, and he has a hangover

They leave pieces of themselves behind And they say

“I was here I was here please do not forget me I was alive and I loved and I got sick I had a favourite animal I was here. Do you love me? I love you”

Yes, I do. I hold your life between my hands And I see it, and I love you

I scratch my name into a rock On a tree, I carve my initials And the initials of someone I love So very much

I bury a box in my garden And I write in the margins I reach into the future To somebody I do not know

A stranger who will never know me

“Hello, you” I say “I was here, once. I loved and I got sick and I had a favourite colour

Do not forget about me, please I love you”

[image description: a screenshot of tumblr tags.

"Poetry. Not really but I don't have a better tag and I'm obsessed with this." end id]

please do! i wrote it for you, stranger i will never meet

and if you print it then maybe somebody finds it, somewhere, in the back of a drawer in 100 years and hold it in their hands and love me as i love them

do not forget about me, please

May I use your poem as a writing prompt please? I will credit it and link back to you. It’s SO ANGSTY I’m gonna cry

it's beautiful i love it thank you

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belbeten

This is giving me strong “To a Poet a Thousand Years Hence” vibes, in the best way possible:

To A Poet A Thousand Years Hence

by James Elroy Flecker (1884-1919)

I who am dead a thousand years, And wrote this sweet archaic song, Send you my words for messengers The way I shall not pass along. I care not if you bridge the seas, Or ride secure the cruel sky, Or build consummate palaces Of metal or of masonry. But have you wine and music still, And statues and bright-eyed love, And foolish thoughts of good and ill, And prayers to them who sit above? How shall we conquer? Like a wind That falls at eve our fancies blow, And old Maeonides the blind Said it three thousand years ago. O friend unseen, unborn, unknown, Student of our sweet English tongue, Read out my words at night, alone: I was a poet, I was young. Since I can never see your face, And never shake you by the hand, I send my soul through time and space To greet you. You will understand.

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Fwiw while you can flood the abortion snitch internet hotline with lorem ipsum and memes, it is probably way more effective to make credible but vague claims that take time to sift through. Put in a valid county and zip code. The goal isn't to scream "fuck you" even if it's how you feel, the goal is to waste their time and make it as miserable and difficult as possible for anyone who has to go through these claims to act on them

I think it's worth noting that if you ARE going to report something to the snitch line, yes you SHOULD use actual counties and zip codes, but...also try not to pick counties and places that are full of already marginalized people? I know it's tempting not to do that extra research but sending EXTRA government/police attention to BIPOC neighborhoods even in the name of trolling won't help.

So, here, let me help you with that pesky research. These are the ten most affluent neighborhoods in Texas. There are a LOT of politicians and celebrities that hail from these neighborhoods. Terrell Hills - Bexar County, 78209 Bellaire - Harris County, 77401 Highland Park - Dallas County, 75209 Melissa - Collin County, 75454 West University Place - Harris County, 77005 Trophy Club - Denton County, 76262 Willow Park - Parker County, 76087 Southlake - Tarrant County, 72096 Fair Oaks Ranch - Comal, Bexar, or Kendall Counties, 78015 Coppell - Dallas County, 75006 What a shame it would be if people were to report these places as hotbeds of flagrant law-breaking. Gosh.

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ratsstick

There is, so far, no character limit and no attachment limit.

I copied and pasted the whole bee movie script and uploaded 3 tiktoks and 20 memes in one submission. Have fun!

thank god they're working on it shortly. fucking emergency here

From the notes: they’ve added a word limit and blocked submissions from outside the us. also, copypasted text is pretty easy to filter. Apart from that…

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ralfmaximus

tl;dr (or in case the link dies):

  • Entering trash is easily detected then filtered
  • Instead make the reports look plausible
  • Like, do not use “Ted Cruz” but instead make up plausible names

Sound as earnest as possible, and if you’re gonna do media? Upload lots of real-looking photographic evidence, like screencaps from Google Street View when documenting addresses. ctrl-ving the Bee Movie script is amusing but is easily detected. Blocks of bad pregnancy fanfic text would be better.

The goal is to make realistic but fake reports to clog their system.

Hey guys.

It sure would be a shame if they got a ton of reports for these ladies, wouldn’t it?

To be clear:

Yes, I am advocating using publicly-available information to make these women responsible for their actions. If enough false reports are filed about them, it will be an embarrassment to the state and may cause reform.

No, I am not advocating death threats or anything. Use their names and work addresses for REPORTS. Not harassment.

Why stop with the women???? Say that the men listed there were seen driving women to abortion clinics as well

YES!!!!

Yes yes yes this is BRILLIANT why didn’t I think of it?!

You can also hit the senators that way. Go go go go go!

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