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i am no bird. no net ensnares me.

@ersosjyn / ersosjyn.tumblr.com

female. reader. writer. actress. this blog is multifandom and friendly to all.
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What makes Poor Things so ultimately triumphant for me is the way that Bella Baxter is, despite it all, her own creation. She came into the world in an experiment that violated the autonomy of both Victoria before her and Bella herself, but she steps beyond the parameters of the experiment and into the world, to learn from it. The intentions of men may be to possess her or use her or take joy in despoiling her vulnerability, but their intentions do not determine her experiences. She decides. She explores. She looks at a world full of sorrow that could render her helpless and chooses instead to do what she can about it and then sleep easy at night. She listens to the call of her curiosity before all else, her happiness second, her compassion third. The family that she makes for herself in the end is unconventional, but it's ultimately hers and allows her to flourish as a doctor with an experimental nature and a heart of patinaed silver.

And I don't think it could be that particular kind of triumphant if the movie wasn't so fucked up.

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This is fabulous. It is? You're in the dark period. Before light and wisdom come to you. You must forge through it, and once on the other side, you will be grateful to this moment, but you must keep going. I see.

POOR THINGS 2023 – dir. Yorgos Lanthimos

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sheryl-lee

We must work. We must make money. But more than that, Bella, we must experience everything. Not just the good, but degradation, horror, sadness. This makes us whole, Bella, makes us people of substance. Not flighty, untouched children. Then we can know the world. And when we know the world, the world is ours.

POOR THINGS 2023 — dir. Yorgos Lanthimos

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This is fabulous. It is? You're in the dark period. Before light and wisdom come to you. You must forge through it, and once on the other side... you will be grateful to this moment. But you must keep going.

POOR THINGS (2023) dir. Yorgos Lanthimos

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