Metal worked peacock doors designed in 1925 by Tiffany for the C.D. Peacock jewelry store, Chicago, Illinois.
Photo by Brian Kay, via flickr.
Fabulous!
Metal worked peacock doors designed in 1925 by Tiffany for the C.D. Peacock jewelry store, Chicago, Illinois.
Photo by Brian Kay, via flickr.
Fabulous!
the holy trinity: beauty of the mind, richness of the spirit, tenderness of the heart.
Anne Carson, from Red Doc>
“The lilac-scent, the bushes with dark green heart-shaped leaves, Wood-violets, the little delicate pale blossoms called innocence.”
— Walt Whitman, Warble for Lilac-Time
“i read this book because of you” i’m in love with you too
Oscar Wilde’s Handwritten Edits to The Picture of Dorian Gray.
“For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies. Sabina despised literature in which people give away all kinds of intimate secrets about themselves and their friends. A man who loses his privacy loses everything, Sabina thought. And a man who gives it up of his own free will is a monster.”
— Milan Kundera, The Unbearable Lightness of Being (trans. Michael Henry Heim)
Charles Germain de Saint-Aubin (French ,1721 - 1786)
La Toilette, c. 1756
Etching
“Most of the time, the universe speaks to us very quietly..in pockets of silence, in coincidences, in nature, in forgotten memories, in the shape of clouds, in moments of solitude, in small tugs at our hearts..”
— Yumi Sakugawa
’The Picture of Dorian Gray’ by Oscar Wilde (published in 1890)
“The silence of your skin, its abysses…”
— Julio Cortázar, Hopscotch (trans. Gregory Rabassa)
Edouard Manet, Ex Libris for “The Raven” by Edgar Allan Poe
Les toits de Marseille au coucher du soleil. • The roofs of Marseille at sunset. • 📷 @hifromalix
I cannot speak well enough to be unintelligible.
- Jane Austen, Northanger Abbey