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So Grown. Such Nonsense

@mizgrownnonsense

34/Queer WoC. Ah, tumblr: where my brain comes to chill tf out. Queer shit, Black shit, Art, Fandom indulgences, “Huh. cool”, the occasional emotion...you know.
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i was playing scrabble and i had a B, U, R, G, E, and R and i thought “aha burger, one who burgs, but my mom will never accept that as a word” but then i remembered burger is actually a word

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lifewasted

one time I played the word “am” and I thought, they can totally let that slide because of AM radio and A.M time.

then i remembered 

Scrabble does things to your mind that you can never come back from.

I once was playing and put down ‘cow’ but in my mind I was saying it so it rhymed with ‘crow’ and I told my friend that it might not be a real word but I’m playing it and he can’t stop me and he looked me right in the eye and said it like how ‘cow’ is supposed to be said and I was so mad at myself I nearly flipped the board.

My brother played the word ‘scrabble’ and my mom said, “I actually don’t think that’s a word.” And I said, “yes it is? ‘scrabbled eggs’???”

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anistarrose

One time my mom played “early,” and I was like: “What does that mean? Resembling an earl?”

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cadaverkeys

You guys rlly don't realise how much knowledge is still not committed to the internet. I find books all the time with stuff that is impossible to find through a search engine- most people do not put their magnum opus research online for free and the more niche a skill is the less likely you are to have people who will leak those books online. (Nevermind all the books written prior to the internet that have knowledge that is not considered "relevant" enough to digitise).

Whenever people say that we r growing up with all the world's knowledge at our fingertips...it's not necessarily true. Is the amount of knowledge online potentially infinite? Yes. Is it all knowledge? No. You will be surprised at the niche things you can discover at a local archive or library.

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feyosha
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reblogged
{Words by Anaïs Nin, from The Diary Of Anais Nin, Vol. 4 (1944-1947) / Cynthia Cruz from diagnosis,The glimmering room}
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rthko

Question: Are you a top or a bottom?

Top: I'm a top.

Side: Let's conceptualize this question with a hermeneutics of power knowledge. We recall Judith Butler's observation that "which pleasures shall live and which shall die is often a matter of which serve the legitimating practices of identify formation that take place within the matrix of gender norms." Gay sex escapes the procreative expectation, but in the reproduction of these norms still adheres to the same performance principal. Under this discursive prison sex can never truly be about mutual pleasure. While some say our pleasure possibilities are hindered, I invert the accusation that yours are limited by an unimaginative phallocentric philistinism.

Vers: A hypocritical invocation of Butler when your argument is based on the presupposition of a prediscursive original desire, a flagrant departure from the Foucauldian tendency which Butler follows, and their further claims on the futility of trying to imagine a queer culture fully independent of heterosexuality. Your critique further ignores the treatment of anal sex as the defining sin of homosexuality and its place within a serophobic signifying economy. I implore you to read Leo Bersani's exploration of the topic, Is The Rectum A Grave.

Bottom: Did I really make it that obvious? Dhdhdjdjfjf

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Years and years ago, I read a book on cryptography that I picked up because it looked interesting--and it was!

But there was a side anecdote in there that stayed with me for more general purposes.

The author was describing a cryptography class that they had taken back in college where the professor was demonstrating the process of "reversibility", which is a principle that most codes depend on. Specifically, it should be easy to encode, and very hard to decode without the key--it is hard to reverse the process.

So he had an example code that he used for his class to demonstrate this, a variation on the Book Code, where the encoded text would be a series of phone numbers.

The key to the code was that phone books are sorted alphabetically, so you could encode the text easily--picking phone numbers from the appropriate alphabetical sections to use ahead of time would be easy. But since phone books were sorted alphabetically, not numerically, it would be nearly impossible to reverse the code without exhaustively searching the phone book for each string of numbers and seeing what name it was tied to.

Nowadays, defeating this would be child's play, given computerized databases, but back in the 80s and 90s, this would have been a good code... at least, until one of the students raised their hand and asked, "Why not just call the phone numbers and ask who lives there?"

The professor apparently was dumbfounded.

He had never considered that question. As a result, his cipher, which seemed to be nearly unbreakable to him, had such an obvious flaw, because he was the sort of person who could never coldcall someone to ask that sort of thing!

In the crypto book, the author went on to use this story as an example of why security systems should not be tested by the designer (because of course the security system is ready for everything they thought of, by definition), but for me, as a writer, it stuck with me for a different reason.

It's worth talking out your story plot with other people just to see if there's a "Why not just call the phone numbers?" obvious plot hole that you've missed, because of your singular perspective as a person. Especially if you're writing the sort of plot where you have people trying to outsmart each other.

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The Norwegian translation of "Baggins" is "Lommelun", which approximately translates to "warm/cozy pocket" and I think that's a very adorable Hobbit name.

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cassowariess

I love it

Why do I imagine like a tiny Bilbo sitting in someone's pocket

Why would anyone not imagine a tiny Bilbo sitting in someone's pocket upon hearing this?

I'd die for Pocket Bilbo

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siseja

Okay but like while that is a cute translation, it shouldn't have been translated because baggin is a loan word that english got from Norwegian, and then kept using, transforming it into bag over time, while it pretty much fell out of use in Norwegian.

So like. They translated a word which was already Norwegian!!

However, translation is first and foremost about communication, and Norwegian is, despite its origins, not similar enough to Old Norse that baggi is a word most modern Norwegians would think of as Norwegian. Now, modern Norwegian has "reclaimed" the word bag from English, first as a slang word but later as an integrated part of everyday speech, but kept the English pronunciation /bæg/ instead of the more intuitively Norwegian /ba:g/ (similar to lag, vag, sag). Thus, the name Baggins might even, paradoxically, have sounded too modern for the fantasy setting in LotR, and I understand the translator's desire to replace it with something that sounded more appropriate to the setting and where the intuitive pronunciation would be unequivocally in line with standard Norwegian pronunciation rules so that one could avoid code-switching to an English pronunciation every time the name popped up.

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reblogged

I just need a scene where Fire Lord Zuko has been kidnapped and taken to sea. Katara shows up to rescue him and beats up the baddies, then walks slowly over to Zuko, leans down by his ear, and

Katara: don't worry

Zuko: stop

Katara: I'll save you from the pirates

Zuko: please leave me here to die

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janemechner

hey guys i just finished a draft for one of the stories in my comic but could really use some critique. basically ive been interviewing multicultural people and then writing short comics based on our conversations. i think ive been staring at it too long and need a fresh pair of eyes. please be harsh idc. are the drawings too stiff or monotonous? do i need to add more background? is it written ok should i rewrite anything?

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