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morgan

@omgmarvelousmorgan

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Marvel Masterlist

Peter Maximoff/Quicksilver

Wandavision fix-it fic. You and Ralph Bohner both are trapped in the Hex, and you don’t think that’s who he truly is. You help him out, finding out his real identity and in turn, he helps you when you struggle with newfound powers. You both head to Stephen Strange for help. Angst and fluff.

You’ve just moved into 80s Westview, and you meet your new neighbours, the Maximoffs. Little did you know there is a very cute uncle Peter who takes an interest in you. Fluff.

You grew up as Peter Maximoff’s best friend in Westview, and you get kind of jealous when you realize other women find him attractive too. Mutual pining, fluff, confession of feelings, jealousy, etc.

Something feels wrong when you see the new Pietro in Westview, but you can’t put your finger on it. Then you remember what happened outside of the Hex, with the real Pietro. So who’s this guy? Angst, fluff.

Happy Halloweenie (connected to Brioche Buns, can be seen as a standalone)

The halloween episode but with you, the reader. Fluff.

Sick fic, where Peter is really ill and reconsiders his whole life. You comfort him. Fluff for the most part.

You get shot as the hex collapses, and Peter finds you in the aftermath. Angst, but you don’t die.

Set in Dark Phoenix, Peter and you have been trying for a baby for a while. You finally find out when he’s out on a mission. Fluff with a teeny bit of angst.

Fake Dating AU. You’re Colossus’ sister and Peter’s best friend, and you pretend date him to break him out of a lie. Fluff, angst, mutual pining.

Peter stole your room key. You’re annoyed and try to get it back. Fluff, maybe a little heated, based on a prompt.

Title says it all. Based on a prompt. Fluff.

Peter and you have a dumb bet, but it causes him to remember when he met you as a child, and he confesses a lot. Lots of fluff, best friends to lovers.

Christmas fic for @no-mercy-bby's contest. You and Peter are two jokesters who are stuck in a "will they-won't they" dynamic. This Christmas, though, you end up having to fix a gifting situation problem together, and it makes the both of you have to confront what you have. Fluff, and very based off of Christmas romcoms.

Pietro Maximoff/Quicksilver

You’re an Avenger with water based abilities, and Pietro has a huge favour to ask you. Problem is, you’re pretty distant, and you two don’t know each other at all. Fluff, Angst, falling very fast, etc.

Pietro goads you on while you're training with him. Fluff.

Peter Parker/Spider-Man

You meet Spider-Man by accident, when he crashes through your front window. You become close friends and he meets you every night. Little does he know that you’re both hiding things about your identities. Fluff and angst.

You and Peter Parker are best friends who work on a college midterm assignment together. Lots of mutual pining, feelings, and Peter ends up having to stay the night when you work on the assignment, because I said so. Mostly just fluff.

Set after TASM 2, you and Peter Parker are best friends, who work for Harry Osborn, at Oscorp. You both like each other, but something seems a little off. Why does Peter seem to be pushing you away? Is it your fault? Angst and fluff.

TASM!Peter Parker goes back to his universe, and meets you, Betty Brant. He begins a job at the Daily Bugle, and does his best to understand you and your stubbornness. Slow burn, fluff, angst, enemies to lovers if you squint.

Bucky Barnes/The Winter Soldier

You’re an Avenger under Sam’s wing, but he suggests that you train with Bucky. You end up falling for him more than anything else. Fluff, some angst in chapter 1, but chapter 2 is entirely fluff.

You’re a chemist in Madripoor who works alongside Sharon Carter. She asks you for a favour, but the last thing you expect is to have your wits met by Bucky Barnes. Fluff, little angst.

Bucky meets you, an Agent of SHIELD, on a mission. He can’t stop thinking about you. Short drabble.

You have an argument with Bucky, and nearly leave him. Angst and fluffy ending.

Bruce Banner/The Hulk

You come back from a mission, traumatized, and physically pained. Bruce takes care of you. Angst and fluff.

You’re an Avenger with the capability to turn into a demon, and you have to sleep next to Bruce due to space reasons. Angst and fluff.

You are Bruce’s assistant, and you make a tiny mistake, which causes you two to be in the compromising position of being against the wall. Fluff, teeny bit of angst, based on a prompt.

Reader is Banner’s wife and drops off lunch for him. The Avengers don’t know Bruce is married. Fluff.

Loki Laufeyson

You’re an Avenger who lives in the tower in NYC. Loki has to stay there too, and you’re the only one who warms up to him as a result. Fluff and angst.

You’re a regular employee at the TVA, and your job genuinely makes you feel depressed. Until, of course, you meet Loki. Slight enemies to lovers, angst and not canon compliant in the slightest. Loki acts far more like he did in 2012 than he does in the show.

Matt Murdock/Daredevil

You're a shrewd, clever waitress at Josie's, and you meet the crew of Nelson and Murdock for the first time. You're immediately taken with Matt, who needs time before going that route with you. Fluff and angst.

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The Office

Matt Murdock x Parker!fem!reader

Word Count: 1.7k

Warnings: SPIDERMAN NO WAY HOME SPOILERS

Author’s Note: I just think … he <3 I hope you enjoy!

Requested: by anon, ooo I have a request! maybe something along the lines of being peters sister and knowing to contact matt cause he was your ex (maybe some history there) and old feelings reconnect?? Fell free to change anything thx :))

Summary: the request

I don’t own these characters. They belong to author/director/creator

(not my gif)

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gahdamnpunk

This pandemic is really proving that government has the means to solve all problems they just choose not to

I studied abroad in London in 2014 and my British Politics professor literally brought in a former homeless woman who had been made not-homeless when, during the 2012 Olympics, she and everyone else were given temporary housing to keep them off the streets. and while some people returned to being homeless afterwards, most people didn’t, because it turns out it’s easier to get a job and be secure if you already have the house thing taken care of.

the government could absolutely fix homelessness today, and it would solve homelessness not just temporarily, but for the long term. but the government chooses not to, not because it’s expensive (it’s more expensive to have homeless people than it is to give them homes), not because it doesn’t work (there are a lot of studies confirming that it does), but because some people think that being poor is a moral failing that can only be solved by shitting on them some more.

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akraziia

a classic cliche || j.p

*american high school au*

summary: you encounter james potter, the arrogant ass who’s been a pain in your side for years, at a football game lily and the m’s dragged you to. but he seems to be becoming less of a pain than usual–especially with that stupidly handsome smirk of his

word count: 2.5k

warnings: swearing, kissing, hot cocky!james

i hope people understand how clever the title is im quite proud of it😁 also thanks @silverdelirium for proofreading this i <3 you😋

“YOU ARE SUCH a cliche!”

You heaved a sigh and looked up at Mary. “What?”

“You, missy,” Mary said, hands on her hips, “are a cliche.”

“What’s that supposed to mean?”

“She means,” Lily cut in, “that you’re reading a book at a high school football game.”

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look, i dont care what directors say in behind-the-scenes or interviews, if they dont present that information in the film, they are bad story tellers. like, we had to assume everyone attended your comiccon panel? like? no. you are bad at story telling. if a character appears with zero context, it is confusing. i am not saying spoon feed the audience, but goddamn, there are plot devices that should be there to explain why that character showed up. not just information from your twitter. i shouldnt have to absorb five layers of media for your film to make sense 

PREACH

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marvel execs scrolling through tumblr peter maximoff truthers' theories to figure out how to actually make ralph bohner peter maximoff in disguise after realizing they fucked up with that reveal:

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granolabird

I like to imagine that the creation of Ralph Bohner was purely a set up for a scene in the Multiverse of Madness where we get an Xmen cameo and Wanda sees Peter and is like aw fuck not this guy again. And Peter is like you know me? And she's like yeah ur Ralph Bohner and then the real Peter just goes "Ha, Boner"

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Wanda said, Fix it fic | AU | Crossover | Some characters might be a little OOC but it’s my fic I don’t care, and I respect her for it.

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tobiasdrake

Might I ask your thoughts on MCU Spider-Man?

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I personally feel that Tom Holland’s rendition of Spider-Man is an underrated treat.

There is one criticism I do understand and agree with: we never get to have grown-ass adult Spider-Man. In the comics, Spidey’s been about 25 for decades and feels a rather bit older than that. He’s juggled multiple careers, settled down and got married, and even had a child (plus a set of children that were meant to be his) despite editorial’s best efforts to unwrite them from existence.

Despite this, Spider-Man is rarely allowed to actually be an adult in any of his adaptations. Oddly enough, adult Spider-Man is apparently fine for the video games, but films and TV shows often present us with kid Spider-Man.

So some people are salty that Tom Holland is the youngest portrayal yet of the film Spider-Men. And I can understand that. Tobey Maguire gave us a Spider-Man who, for all of his flaws, was at least physically an adult. Andrew Garfield gave us a Spider-Man on the cusp of graduating from high school into college. And now Tom Holland, despite skipping over the origin story, gives us Spider-Man at 15 years old just starting out in his career for the first time. I get why this would bother some folks.

But there’s another aspect to Spider-Man that Tom Holland’s rendition has embodied like no other Spider-Man in live-action film ever has. It’s an element that could only have existed in the MCU, because it cannot be done without other heroes and elements floating about the setting. See. Here’s the thing: Spider-Man isn’t supposed to be the center of the universe.

Spider-Man’s thing, moreso than any other superhero, is poking his nose where it doesn’t belong. He is the Team-Up Guy. The prolific guest star. The guy who is completely and utterly incapable of recognizing things like appropriate genre conventions or weight class.

Spider-Man isn’t the smartest guy in the room, but he’s very smart. He’s not the strongest guy in the room, but he’s very strong. He doesn’t have the best gear, he isn’t the fastest guy, etc. etc. but he has enough of everything to be applicable to any situation. And he applies it in any situation that he happens to become aware of. He is physically incapable of saying no.

Magneto’s attacking the X-Men? Well, now he’s attacking the X-Men and Spider-Man. Aliens are shooting up the Baxter Building to get at the Fantastic Four? Well, they’ll have to go through Spider-Man. Doctor Strange and Dormammu are duking it out in Central Park? Sure, Spider-Man will fight a magic demon guy, why not. He does not care about whose villain is who or whether this is supposed to be a Spider-Man fight. If it’s happening, it’s a Spider-Man fight, even if the other heroes legit don’t even want him there.

And that’s not something you can really get across without having the other heroes in your story. Spider-Man knows everybody and Spider-Man has fought everybody, hero and villain, because Spider-Man sticks his nose in everybody’s business constantly with absolutely no regard for.whether or not he’s wanted there.

And here’s another thing about Ultimate Team-Up Spider-Man: he’s actually very formidable by his powerset, and even more formidable than his powerset should be due to his intelligence and, yes, the quipping. Do not forget about the quipping. Did you know that Spider-Man once fought two separate Avatars of the Phoenix Force simultaneously and defeated them by quipping really hard at them? That actually happened!

Tom Holland’s writers really need to work on the quipping. Tobey Maguire’s quipping wasn’t very good either. Andrew Garfield had the best quips. If you could create a Spider-Man who had Maguire’s status quo, Garfield’s personality, and Holland’s story writing, you’d be pretty fucking close to the actual comic book Spider-Man. A lot closer than any of them have ever been on their own.

In any case, the MCU gives Spider-Man that opportunity to be the Team-Up Guy, sticking his nose where it doesn’t belong. Holland’s Spider-Man relishes in this. The Vulture and Mysterio have been criticized for being turned into Iron Man villains, but I actually think that’s a benefit, myself.

They aren’t here for Spider-Man. They didn’t kill his uncle. They aren’t his mentor figures (though Beck does gaslight him a bit). They aren’t trying to recruit him to their side. They aren’t obsessed fans of his. What they are about, isn’t about Spider-Man. At all.

They want to be Iron Man villains. Peter makes it about Spider-Man. He shoves his nose in their business and says, “HEY GUYS, WHATCHA DOIN’? Is it CRIME? You doin’ CRIME? Well now it’s SPIDER-MAN TIME!” Granted this is more true of Vulture than Mysterio because Mysterio does get up in Spidey’s business a bit, but just for the sake of getting a thing Tony left him. He does legit think he can screw around with Spider-Man and walk away like Spidey’s not going to get all up in his business in return. And that’s not how Spider-Man rolls.

Similarly, having Spidey in the MCU gives us, for the first time in his character history, a real sense of just how formidable this guy is actually supposed to be. By comparing him to other established superheroes, we get a real sense for how nuts his powerset actually is.

Spider-Man’s always been in a weird position, power-wise. He has a pretty fucking bonkers powerset and is also a Batman-style gadget engineer on top of it, packaged with a super-genius intellect and an endless bombardment of psychological warfare that can make even the strongest foes get stupid (see above, re: quipping two Phoenix Force avatars into defeating themselves). He’s not the strongest or fastest or smartest but he’s easily one of the single most formidable heroes in Marvel’s entire canon when you put the whole package together. He’s Marvel’s Batman and Marvel’s Superman rolled into one guy.

But he’s also a street-level character by status quo so you don’t really get a sense of just how nuts this guy is when he’s just stopping Doc Ock from robbing banks. Again: that’s the heart of the character. This is a guy who can fight the Hulk and win, who has done so multiple times, and he’s catching purse snatchers and thwarting muggings. Because Spider-Man gets involved in everything. He has no comprehension of jurisdictions or weight classes. He does not care if he’s supposed to be here or if you even want him here; he’s here now and you can fucking deal.

But when you put him in a crowd, that’s when he gets to shine. We understand how capable he is when we see him effortlessly dismantle the Winter Soldier. Yeah, that guy who was the deadliest assassin who ever lived? He had an entire movie dedicated to Captain America desperately trying to stop him? Spider-Man stomps his shit so hard that he can even take a moment out of the fight just to admire his robot arm. Spidey doesn’t even realize that this fight is supposed to be hard; the Winter Motherfucking Soldier is just a cool mook with a robot arm to him.

I’ve been ranting, but suffice it to say, I really like what the MCU has done with Spider-Man. All things considered, Tom Holland’s Spider-Man is my favorite of the three live-action renditions. I like that he gets to be a gadgeteer, even if he does so in the shadow of Tony Stark. I like that he gets to demonstrate what a powerhouse he is, while also showing off the ever-important intelligence and the merciful heart that makes him who he’s supposed to be. And I like that he gets into things that aren’t about him and then refuses to go away. This feels closer to the comic book Spider-Man than any live-action version of him before ever has.

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