let's all talk about supernatural. i'll start. in 2009 kim manners told misha collins it was gay to sit on a bed. due to the lack of distance. he was right. and misha collins did it anyway. what followed was 12 years of television subject to different directors writers and actors all with different opinions on the subject of whether or not dean and castiel were gay. because of this rotating list of minds and directions the messages you receive are varied. but crucially. there is groundwork laid in closeups. standing five feet apart in bobby's kitchen filmed as if they're face to face. across the room from each other in tmwwbk but cuts between close up to close up. now you could easily argue that camerawork that rejects this method is trying to convey a different message of less empathy. but. we are not working only with camera work that conveys distance. we're working with a foundation of intimate conversations filmed as intimate closeups . followed by intimate conversations filmed with yards and yards between them. for an amv i was trying to use the s8 talk where cas is sitting on the bed and dean walks over sits down and says talk to me and i eventually had to scrap it because they're never in the same frame. i was going frame by frame in that scene trying to get maybe three seconds where you can see both of them but you never can. in the scene where dean sits a foot away and asks. what's wrong. you can tell me. you can talk to me. and cas proceeds to bare his soul. which is one of two things: bad directing, or purposeful directing. bad directing requires us to operate under the assumption that people who work on supernatural are bad at their jobs (likely). purposeful directing requires us to operate under the assumption that people who work on supernatural are good at their jobs, and given an intimate conversation, looked for ways to dilute the emotion in it, and did so. this is also likely. when supernatural shows me castiel telling dean i love you, and does it with shoddy camerawork, they are practicing tell not show. they are turning to the camera and telling me. this means nothing. disregard this. dont you see how they're a good court length apart from each other. doesn't this distance make you feel like you should interpret this with a platonic lens. but what they are showing me. is castiel telling dean winchester. i love you. which comes across even through the janky disjointed shots. the diluted effect still has an outsized emotional impact. so my takeaway is not. well i guess this means nothing. it is. i see the tricks you are trying to use on me. and they dont work on me because i know how to interpret storytelling and i'm not young and shiny and stupid. my takeaway is . wow. dean and cas., are in love for real, and they put it on my screen, and i am going to plant dynamite in director richard speight's home