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don't you know that only fools are satisfied?

@vulpeculavolans / vulpeculavolans.tumblr.com

El / 20s / any pronouns

plot and wedding vows and earth shattering subtext aside catws delivered action like it was a sport. winter solider showing up in the middle of the goddamn road with a bazooka. SIDE STEP as the SUV flips over like. the elevator scene. theeeeeee knife fight the hand to hand combat. not to mention winter soldiers entire design the belts and the buckles and the Metal arm exposed and the goggles and the fitted mask and the Eyeliner and. the hair. and steve with the Dark Blue Stealth Suit. je croyais que tu étais plus qu'un bouclier. on va VOIR. backflip kick the guy in the face. crazy.

  1. Is Lestat's relationship to Claudia ever that of an uncle? What other reason might there be for Claudia to call one of the men "Daddy" and the other "Uncle"? Consider the setting.
  2. Why might the filmmakers have chosen to include references to A Doll's House, Madame Bovary, Marriage In A Free Society by Edward Carpenter, and Pelléas et Mélisande? What themes, if any, do these references reinforce?
  3. Claudia calls Louis "the housewife" and Louis later describes himself as "ignoring all other duties of the role Claudia had mocked me for... the unhappy housewife." What does this indicate about attitudes towards gender and sexuality in the society in which the characters live? What is the significance of the word "role" here in relation to Lestat's promise in the first episode to free Louis from "all these roles you conform to"?
  4. When Claudia first introduces the idea of reconceptualizing her relationship to Louis and Lestat as a sister, what does Lestat's reaction suggest about his opinion? In the following episode, when Lestat calls Claudia "sister, daughter, infant death," what is his tone?
  5. In the context of the story, what is a "maker"? What kind of status in the household does Lestat believe a maker should have?
  6. Does becoming vampires allow the characters to escape the social structures of the world around them, or do they remain trapped? In what ways, if any, does sociocultural context in regards to gender, race, sexuality, and family influence the characters and their relationships?
  7. The article "Undoing Feminism: From the Preoedipal to Postfeminism in Anne Rice's Vampire Chronicles" by Janice Doane and Devon Hodges argues that the novel Interview With The Vampire "depends on an oedipal paradigm" and says that "Rice sees the oedipal moment as beginning with the father's embrace of the girl child in a patriarchal order that so restricts her possibilities for development [...] that she develops murderous rages against the father. Freud calls the oedipal stage 'a haven, a refuge' for the girl; Rice shows it to be a coffin." Do you think AMC's Interview With The Vampire is engaging with this idea? Why or why not?

[bonus point questions]

8. Is Louis compared to cisgendered figures of Black masculinity in the Jim Crow era such as Paul Robeson, Richard Wright’s insert character ‘Bigger Thomas’, Jack Johnson, and social activists like Booker T. Washington & W.E.B. Dubois? If he is not, then why? [Hint: refer to your answers for Q#2 & #3]

9. What is the significance of the Storyville district in historical Black music culture, and why is AMC Louis now positioned here? What law was passed in November 1917 that is directly named in AMC’s Interview with the Vampire 1x03, and what is the significance of that with respect to Louis’s character arc and the introduction of Claudia here?

10. Who else does Claudia refer to as an ‘uncle’ besides Lestat?

At the risk of sounding anti-intellectual, I think that college should be free and also not a requirement for employment outside of highly specialized career fields

At the risk of sounding like an effete intellectual, I do actually think you should be allowed to just take college courses indefinitely

hi, a lot of you need a perspective reset

  • the average human lifespan globally is 70+ years
  • taking the threshold of adulthood as 18, you are likely to spend at least 52 years as a fully grown adult
  • at the age of 30 you have lived less than one quarter of your adult life (12/52 years)
  • 'middle age' is typically considered to be between 45-65
  • it is extremely common to switch careers, start new relationships, emigrate, go to college for the first or second time, or make other life-changing decisions in middle age
  • it's wild that I even have to spell it out, but older adults (60+) still have social lives and hobbies and interests.
  • you can still date when you get old. you can still fuck. you can still learn new skills, be fashionable, be competitive. you can still gossip, you can still travel, you can still read. you can still transition. you can still come out.
  • young doesn't mean peaked. you're inexperienced in your 20s! you're still learning and practicing! you're developing social skills and muscle memory that will last decades!
  • there are a million things to do in the world, and they don't vanish overnight because an imaginary number gets too big
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