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@nagabenang / nagabenang.tumblr.com

This a shitposting account with some tutorials that you may find useful. Have a nice day!

no but let me add the context here!

these are two pretty well known german tv personalities

palina, the woman on the left here, gets a lot of really gross comments on her body, especially her boobs. stuff like (paraphrased cause they’re in german) “woah, i wanna cum all over those fat tits” or “she’s such a fucking hot slut i wanna fuck those tits” or “with her, half of the guys would cum before reaching her hole” and who can forget “palina, you are and always will be a juicy piece of meat i would drink out of”. and the media tends to really sexualize her too.

so she and klaas (dude on the right), with the help of their team and and lovely ass-model decided to just drop this picture as an instagram, with the caption “finally got that nice necklace with my zodiac”

the media was quick to pick it up as “ah she says its about the necklace but she wants to show her boobs!”, and of course there were more comments like “i jacked off to this like seven times in an hour” and “those tits should milk my cock dry”

like a week later, they dropped the making-off video to that video and the rest is history

I'd love scans from that SJ book, I've never seen it. Always sad that SJ didn't get more content from Kaz. Imagine it on the IV engine. raaaaaawr.

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Okay, tonight’s a good night to catch up on some asks. sooooo many that are soooo old i’m sorry

For you, CJ, I’m happy to scan from the Schwarzwelt Reminiscences:

Check out a gallery of quick ‘n dirty scans HERE. The book’s contents include interviews with Kaneko, Ishida, commentary from the staff on each sector of the game (by Ishida, Meguro, others), a glossary of the game’s demons and terms, and commentary from the scenario writer (Shogo Isogai) on different aspects of the game. Oh, and a transcription of all the demon negotiation dialogue because I guess they needed to fill an extra 50 pages. It is disappointing that the book doesn’t have cleaner, complete versions of Kaneko’s original SJ art.

I was fortunate enough to have a friend translate the first page or two of the Kaneko interview. He says it’s a bit rough in places (I bolded the parts he highlighted as deserving a closer look) but he’s allowed me to put it out there for someone else to build off of, so here it be:

Q: Mr. Kaneko, you’ ve won such recognition from the fans as the demon and character designer for the Shin Megami Tensei series that you are known as the “Demon artist with the robotic brain.” I heard that you’ve stepped into the role of producer for SJ. Our talk today will revolve around that, and I intend to ask you questions …
A: Mr. Sei?, you’re uncharacteristically serious today.
Q: We’ve known each other for close to twenty years now, so today I intend to go all out with my questions to you. In a way, that makes me nervous.
A: In that case, I’ll make sure to give you serious answers (laughs).
Q: Let’s both do our best. Now let me get to the first question. Mr. Kaneko, I hear that you are extremely fond of SJ.
A: I think the most important aspect of a game is the feeling of immersion. In the Megaten series, the player does not just step into the shoes of a premade character, but rather, they become the main character themselves. I think Megaten is all about becoming that main character and stepping into an unknown, alternate dimension and experiencing a world unlike that of everyday life. In that regard, the DS hardware is an excellent match for Megaten’s requirements (what is required for a megaten to be a megaten), don’ t you think? It’s a couple of tiny screens that you hold in your own hands, and that’s great.
Q: I fully understand that feeling. I get sucked into the world of SJ and end up playing  for several hours. I can’t put it down.
A: I’m happy to hear that. Thank you. It’s so hard to put the game down when you think, “If I just gained one more level, I could make that demon,” isn’t it? SJ has a very powerful aspect of immersion, so you keep striving for the goal that’s just out of your reach. I’ve been making Megaten for over 20 years, and I think SJ is the title with that is strongest in that regard.
Q: As the producer, did you have a strong desire to make the game that way?
A: Well, our work is generally done through in-house production, so development is not done by tossing money around like you would with a freelancer or when they make movies. My job is to get the staff to do their best work, so my job is to say to everyone, “Let’s make the game like this,” and set the course. So, instead of saying that the game was made as I imagined it, it’s better to say that the director, Mr. Ishida, did a good job.
Q: Director Ishida is like the on-site director and you’re more in the guidance role.
A: It’s kind of like that, but you can’t exactly call it a clear-cut boss-and-subordinate relationship. There are many times when we have to think things through together. Our team has been more like that ever since SMT III, after all. Also, you must always keep in mind what it is your users are looking for from you, so I cannot just force my own vision through in some egotistic manner. Also, I must always keep pace with the director’s work and when things deviate from our original concept or plans, I must advise the team to go back and fix those deviations. In SJ’s case, Mr. Ishida had a very clear vision for what he wanted to do, so I suppose I was concentrating on giving him my earnest support.
Q: Speaking of which, everyone at Atlus who was involved in game development before you were is now gone.
A: That’s right. It’s been 20-some years since I joined up, but the only person left who worked on Shin Megami Tensei for the Super Famicom is me. Nowadays, we are staffed with the next generation who grew up playing this series, so there are slight differences between their interpretation of Megaten and mine. There are facts that I’ve had to accept hearing them from previous users. I don’t make blind assumptions that the things they tell me are wrong, but rather, I have to accept the work that they are doing for me at those times. But, if I just accept everything they have to tell me as right, then we lose our sense of what those users who have been with us from the very beginning are feeling, so I have to use my best judgment in order to not let that happen.
Q: It’s almost as if instead of producer, your role is more like that of guardian.
A: With the Persona series, I leave everything up to the director Mr. Hashino and I think that’s a good because that series has gained a large number of fans. However, if it’s the Shin Megami Tensei series we’re talking about… It becomes necessary of me as producer to fulfill the role of one who ties up all the loose ends.
Q: SJ feels like a step backwards from SMT III and gives me a similar impression as SMT 1, 2, and if. Did you pay close attention to that during development?
A: That’s because it’s on the DS. I won’t say that it allows for more honest expression than a home console, but when thinking of the size of the screen, the Super Famicom…

Just a snippet, but it’s surprisingly meaty! If anyone wants to translate the interview or anything else in the book, let me know.

And as a parting gift, the ESSENTIAL Jimenez splash on the back cover:

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Best-dressed protestor att the anti-nazi/nazi rally in Gothenburg today. “Vikings against incorrect use of runic script”

THIS GIVES ME THE HAPPY

A bit of context for English-speaking heathens, reenactors, and other Viking enthusiasts, so that people don’t make the mistake of believing the above protester is actually just complaining about runes. The Swedish neo-nazi movement Nordiska Motståndsrörelsen (NMR, ‘Nordic Resistance Movement’ (Wikipedia link)) uses the tīwaz/Týr rune as their logo, basically the way the American National Socialist Movement uses the ōþila rune. In Sweden (where in some places runes are even still taught in schools) people are particularly disturbed by the usurpation of their history and culture and fighting back to reclaim the Týr rune has been an effective rallying point for undermining the nazis’ message by promoting knowledge about the things they lie about in order to stake a claim that they are representing their cultural heritage (link is in Swedish). The above protest was attended by members of Samfundet Forn Sed, Heathens United Against Racism (with some overlap between the two), and the guy pictured above was protesting with Vikingar Mot Rasism ‘Vikings against racism.’ The movement “No Tiw for Nazis” is on Facebook.

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enrique262

Venezuela and the cash problem

Alright, as promised, I’m going to talk about the current cash problem.

As you may or may not know, Venezuela currently has one of the worst inflation rates in the world, right now at 536% from January till today, in other words, over 50% MONTHLY inflation, which effectively means one’s salary loses half of its value by the end of the month. 

So, disregarding the terrible burden this creates on society, as otherwise it would only make this post more depressing and long that its about to become, a growing problem is just how much cash you need to pay for stuff, like, for example, a carton of 24 eggs is right now 28,000 BsF, which makes each individual egg ~1,200 BsF, or 12 bills of 100 BsF, currently the most common bill on the street

So, this means you would need 280 bills to pay for a single carton of eggs.

Which, as you can imagine, has created a problem in which there isn’t enough bills around to meet demand, in other words, there’s more (inflated) value on the streets that there are bills available.

And this is assuming you get to use this one, as the second most common bill is the 50 BsF one, meaning you need twice as many to buy said eggs.

There are other, even minor bills of course, but they hold so little value, and are such a bitch to transport, count, store and use, that nowadays people refuse to use them, going so far as to tell bank tellers to fuck off when given while they try to withdraw their money (but more on that in a bit)

The two and five bills dying out almost two years ago.

So, the Maduro regime, acknowledging this problem far too late, decided to finally accept the hyperinflation reality, which they had refused for 2 years, and ordered the creation of new bills, effectively adding two 0′s to all existing bills as to tackle the cash scarcity problem, which by the end of last year had become endemic. 

But since this is Venezuela, these bills took way too long to arrive, having been announced around October last year (give or take, but before December), but only starting to show up en masse around a month ago, meaning that in the time it took them to show up, they lost about 10 times their value, reaching a point in which the highest available bill, the 20,000 BsF one, is not enough to buy one fucking carton of eggs.

And let me tell you, finding one of those 20,000 bills is a miracle these days, as currently the most common one is the 500 BsF bill, which, while cutting the bill load 5 times for all transactions, it nevertheless it still creates the problem of carrying around literal bricks of cash to afford even the most basic of things, with the added bonus that you’re now a target for robbers if spotted, something that had stopped happening simply because spending the bullet on a poor soul wasn’t worth it for the robber.

Now, let’s go back to the banks, as you might be wondering why they’re not helping with the cash problem, and its simple really: They don’t have it either, where you either spend 2 hours on a ATM line to withdraw 8,000 BsF, the maximum allowed in most machines (some just give you fucking 600 BsF, and its literally cheaper to wipe your ass with that than to buy toilet paper), where they never, never, give you new bills, or go into the bank, make a +3 hour line, and arrive at the teller telling you you can only withdraw 10,000 BsF as they’re running out of money, and only in 10 BsF bills, which has started quite nasty, yet ultimately peaceful, verbal fights between the bank personnel and the people in the line.

So, you still need the cash, and while you have it in the bank, after calling the mother of the teller things no suitable for even HBO, you know you can’t go back there, so what do you do? Why, you go cash hunting in business with working card terminals! (good God that’s another problem, but let’s leave it for another day) Where, if you manage to find one with available cash, all you gotta do is give them a commission of up 20% of the value you need for the transaction, which is extremely illegal mind you, but at least you can get all the cash you want, for as long as they have it.

And this is so common, there’s this weird occurrence going on where cash is far more valuable than, well, its face value, so much so you get preference in all business if you announce you intend to buy in cash rather than card (when the option is available that is, good God you guys have no idea how bad the terminal problem is), and can even get a discount, an extreme rarity in these hyperinflated days.

Oh, and since people are assholes regardless of country, some have begun to hoard cash just to sell it at atrocious commission rates (I’ve heard of 40% for wads of 20,000 bills), which is only making the problem, constantly increasing thank to the hyperinflation, worse.

Heh, the problem is so chronic, some people are now using green, free and american fucking dollars, for everyday big transactions, to the point used cars, houses, land, industrial tools and even some car spares now only sell in dollars, something made illegal by the old Chavez regime some 20 years ago, but that people no longer give a fuck about, as even high-ranking government officials are doing the same.

So, there you have it, this is how all of us deal with cash nowadays: As a precios commodity only to be used in the most extreme of circumstances, like bus fares or police bribing, basically the things that won’t take card nor online bank transfers.   

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redbloodedamerica

Socialism Fails Every Time

In America, socialism is hot again.  Really?  I know better, because I’m from Guatemala.  I’ve seen the impact of socialism.  My father escaped Cuba.  My grandfather suffered under communists in Hungary, before escaping.  
As a child, I was thought socialism was wrong.  I grew up mocking it.  But “democratic socialism” sounded okay.  It made sense to me that government should take care of the economy.  But then I watched socialism fail in Latin America.  I learned that every time a country started down the socialist path it failed.  
When Castro came to power people were excited.  They cheered.  He was going to help the poor and make everyone equal.  But the result?  Hundreds of thousands fled Cuba.  
Here in Little Havana in Miami, humans who escaped are eager to remind people how bad life in Cuba had become.  This man’s father was a doctor:  “My father had to sell illegal meat out of his ambulance in Cuba, because the government wouldn’t pay him enough.  I mean, Cuban doctors earn less than 1% than American doctors,” says Cuban immigrant Riquet Caballero.
“You don’t see any future.  Everything is stagnated,” says Cuban immigrant Michel Ibarra. “Healthcare, education nowadays are in ruins.”   
“I told my Venezuelan friends, ‘we warned you guys,’ says Caballero. 
Venezuela did not listen.  They followed Hugo Chávez down the socialist path.  Chávez’s promises impressed American celebrities too.  Chávez said I’ll take from the rich and give to the poor.  
When there was no money left, the government just printed more.  That caused inflation – a million percent inflation.  Now, a chicken costs $14,600,000 bolívars.   When business owners raise prices to keep up with inflation, government often took away their businesses.  Chávez seized lots of private property.  Chávez seized thousands and thousands of businesses, just took them away from their owners.  Yet, most Venezuelans like that.  “People was clapping so hard.  They were like, ‘oh, finally there’s somebody here making social justice,’” explains Ramón Muchacho, former mayor of Chacao.  But government grabbing private businesses created shortages of almost everything.  
Scandinavia is now called a “socialist success.”  Even people jailed in Venezuela, like Francisco Márquez say that.  “I mean you Norway, you have Finland.  You have these type of countries that are democratic, that have democratic institutions, and many of them have socialist policies.”  In Scandinavia, private business is largely left alone.  Governments don’t even set a minimum wage.  Freedom rankings core Scandinavian countries high on property rights and business freedom.  Yes, there’s a big welfare state, but it’s funded by thriving free enterprise.  But so many American politicians say Denmark is a “socialist paradise,” that Denmark’s Prime Minister felt compelled to reply:  “Denmark is far from socialist planned economy.  Denmark is a market economy.” 
So, if Scandinavia is not socialist, where has socialism ever worked? 
Nowhere.  
Think about that the next time you hear Michael Moore and celebrities praising socialism.  Socialism wrecks economies, wrecks lives, and in addition it kills.
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Rich: I do remember asking Alex to walk me through his process, […]
I remember one specific example where Ashley, I think, used a hunting metaphor involving rabbits. I mentioned that there was a commonly recurring medieval metaphor related to hunting harts, and that it had a nice and appropriate double meaning that Alex could play with. I gave a suggested rewrite, and Alex liked the direction, so he went with it.
Alex: That’s right! There was also a lot of nudging of words going on to help support the imagery in the game. In the original, the city of Lea Monde is referred to as a “farm” for undead, but this was changed (with team approval) to a “spring,” and all the words related to the dark power of the place changed to fit that theme—words like “surge,” “stream,” and “well.”

On translating Vagrant Story.

No harm to any religion. It’s just a lamp ads by an Australian company. However, it’s funny!

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katiekomics

I’m going to cry 😂😂

Ahaha, the reason why Mohammad is specifically mentioned as not being able to be there is because in Islam, portrayals and portraits of Mohammad are forbidden.  But they didn’t want to be seen as either hand waving him as at the table but not shown or as explicitly omitted.

Very smart move there advertising script writers.

This is so wholesome

was that last dude a frikkin Jedi

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airyairyquitecontrary

In Australia more than 70,000 people (0.37%) declared themselves members of the Jedi order in the 2001 census.  Now granted, many of them were taking the piss but that is if nothing else a lot of piss-takers.  An even greater percentage of the New Zealand population self-identified as Jedi in the 2001 census - 1.5%, which to put it in perspective is 0.3% more than said they were Buddhists.  We’re due for another census this year (the normal five year pattern got thrown off by the Canterbury earthquake in 2011 so the most recent one was 2013) and due to popular demand it appears that on the new forms, there will actually be a box you can mark for Jedi, rather than it being a write-in option.  (They’re also going to include things like identifying more denominations of Christianity and Judaism and more recently formed systems like Falun Gong, but obviously it’s the Jedi who make for a fun headline.)

So including a Jedi at the table of religious figures reflects an actual cultural (if not sincerely religious) phenomenon in this part of the world.

Journalist Ken Griffiths took photos of his parents in their garden in 1973 and onward.

Year-after-year, this loving couple had their portrait shot outside their home, with them standing in the same location. We look on as the pair ages, their yard changes, and in the end, life changes dramatically.
Photographer Ken Griffiths captured this series of photographs for the Sunday Times. The series tells us the story of long-lived love, and in the end, the loneliness of loss.
Ken’s works are always give us a glimpse behind the scenes of people’s lives or entire communities, but this series is one of the most dramatic, giving us a real touch of the remorse of loss as we become engaged in the couple’s lives and the husband’s lonely stand in the final picture. 

Digital Devil Saga: That’s Catch 22 - Lux has been posted!

Set in 2014, this is the first of a two-part novella series chronicling the events that lead Heat O’Brien and Serph Sheffield to meet during their time in college. Read it here

  • 13.5k words; 6 chapters
  • Solo fan translation project
  • Canon series entry (included in MediaWorks’ Digital Devil Saga ~ The Master Guide I & II ~)

Reblogs are greatly appreciated!

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