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For those about to cosplay, I salute you

@kingexplododragoncosplays / kingexplododragoncosplays.tumblr.com

Rocky here!!! Cosplaying boys and looking hot while doing it. personal tumblr: sothegoatfellinlovewiththecrab \m/
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Signless Cloak Tutorial

There are several ways to make a cloak, but a lot of your final result comes down to two things: 1) what shape you choose, and 2) what fabric you use.  My Signless cloak was made out of wool, but if you can’t use that I highly recommend using another type of weighty knit fabric such as imitation wool or heavy blend suiting.  Basically try to stay away from lightweight fabric like cotton since it won’t drape properly.  I used a basic full circle cloak pattern, but the other shapes you may see are:

  • Half circle:  Think of a half-circle shape with another half-hole for your neck.  These and full circle cloaks are the kinds of capes you see most often at renfaires or in fantasy productions.
  • Full circle:  A half circle cloak, doubled, and thus twice as drapey.  Because the circumference on the bottom is so much bigger than the top, this makes a very full, very draped cloak.
  • Rectangle or fitted:  A cloak made from long rectangles of fabric; not draped and usually very fitted around the shoulders.

A full circle will obviously give you the fullest cloak possible but will also require an insane amount of fabric.  My floor-length cloak required nearly 8.5 yards of fabric to complete.  If this is too heavy or too much, you’re better off going with a half circle or shortening the length to the hips.

To pattern out the circle cloak, you’ll work on one half of the cloak at a time, combining the halves when you’re done to create a seam up the back.  First draw a small half-circle on the edge of your fabric: this will become half of your neckhole.  You can make this as big or small as your want by loosely measuring around your collar area and adding an inch on each side for the seam: just remember that this will be half of your total neckhole measurement since we are only working on one half of the cloak at a time.  So if you want a 24 inch neckhole, (24 + 2) / 2 = 13 inch circumference for your half circle.

Next, measure from the edge of your neck, over the shoulder, and to wherever you want your cloak to end.  Add an inch for your hem, and you now have the radius of your cloak.  Lay your ruler down straight out from the edge of your neckhole and mark the length of that radius you just measured.  Move the ruler and continue to do this along the whole length of the neckhole until you end up with a big half-circle surrounding your small half-circle.  Cut this out and repeat the process for the second half of your cloak.  Sew the two half-circles together up one side, and you now have an unhemmed, hoodless cloak! Before you hem, be sure to 1) topstich around the neckhole so that the fabric doesn’t stretch, and 2) let your cloak hang for at least 1-2 days.  8 yards of fabric is heavy, and depending on your fabric the sheer weight may stretch your fabric out some.  Afterward, try your cloak on again, trim the bottom to make it even, and then hem the bottom and sides.  Add your hood, and you’re ready to embellish!

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Anonymous asked:

I really want to embroidery my signless cloak when I get around to making it, but I have two big problems. First is it better to hand embroidery it or should I do it via machine. Second and more importantly is the pattern you guys did yours considered to be the canon way?

Neither of these options is “better” really - it’s just a question of how much time you have to spare (hand embroidery is much, much slower), how detailed your design is (machine embroidery on home machines can only handle a certain size and density), and what equipment you have available to you (regular sewing machines will usually not custom embroider, and many home machines have size limitations).  If you do not have the ability to custom embroider and are hand-embroidering your cloak I would definitely suggest starting far in advance, as this is a very slow process but the end result looks great!

Our Signless design is by no means canon, but you’re welcome to use it if you want (design credit is always appreciated!)  It was originally a combination of Signless’s canon X’s and diamonds, as well as the aspect blood and heart symbols.  Originally the doom and quadrant heart symbols were included as well, but unfortunately this had to be nixed because my machine wasn’t able to handle the density:

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Anonymous asked:

Hey! Ive noticed youre struggling a bit. I just wanted to say i love you, and you're great. I also was wondering if you had a paypal. Id like to send some money to help out. I need nothing in rerun either

I do have a PayPal, there's a link on my instagram to it which is http(:)//paypal(.)me/rockyfig

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Ice Queen Elsa’s Bodice… Go!

So Elsa’s bodice was a long process since we actually made it multiple times. The first time we made it we covered it in pieces of thick material and glue and painted. This gave an amazing texture to the bodice, but it did not give the desired shimmer we wanted so within a few hours we remade it and ended up with this. 

We started off with a slightly altered version of Simplicity’s pattern 5006 and cut out both a top layer, shimmer overlay, and a cotton lining. All of the seams in the lining were then covered in bias tape to give the channels for the steal boning. Once sewn together and flipped we had a very pretty shimmery bodice that was grommeted and laced up the back. This bodice was not meant to actually pull in any of the shape like a corset but just sit on the body snuggly. 

And now the fun part. We tested out about 10 different pieces of material, but ended up using only 4 of them. These materials were then heat n’ bonded and cut into strips of different widths and then different lengths to get all of her ice pieces. Next we placed the pieces on the bodice section by section and color by color, building up the layers. In between each placement we took the iron and bonded them into place. This took several hours and a lot of patiences since some of the pieces didn’t get enough heat and would pop off. We took the finished bodice and did a final heat set of them at the end. 

Once all of the pieces of material were set we added the bling which included almost 200 swarovski crystals and large 10 swarovski gems.

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Finished up Elsa’s cape last night! We are so happy with the final result and can’t wait to take this baby out! To construct this monster cape we first started with about 8 yards of a light blue chiffon and started to drape it over the dress form to figure out the length that we wanted. We started with the back section and cut the material to make a rectangle and cut a diagonal across it. Using the diagonal as the very back seam helped to keep the length and not waste any material. We followed the same steps for the next two sections, each one decreasing in length to help with the width at the bottom. Once the pieces were sewn together we did not cut and finish the bottom edge since we wanted to first attach it to the corset. We did this by finishing the top edge of the cape with a thick bias tape and sewing on snaps to the cape and the inside of the corset. Then we went around and slowly trimmed the cape bottom to get the shape that we wanted. It just touches the ground in the front and trails behind by several feet. After finishing the edges we started to map out the design we wanted for the cape with lots of scrap paper and a lot of patience since multiple designs had to be tried before the final was decided on. Then we took the design and traced it onto a large piece of heat n’ bonded iridescent material, making the top section all on piece. Then based off of the concept art we designed several snowflakes to be cut out of the top section, which were then added to the bottom section around the edge of the cape. After cutting out the piece and the snowflakes it was carefully laid out on the floor and ironed into place on the cape. (Yay carpet!) Once ironed we had to create several more snowflakes for the bottom to fill in some extra space, but we are very happy with the final design and can’t wait to take pictures of it in sunlight, since the basement lighting doesn’t do the iridescent material justice. And now onto the last part… The wig.

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